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Carn Davidson 9: Murphy
by Jack Bowers
The “Carn" in Carn Davidson 9 is trombonist William, the “Davidson" saxophonist Tara. They are Canadians, as are the other seven members of their Toronto-based ensemble. They are also first-class musicians, an assessment that applies as well to everyone in the Carn Davidson 9. This is apparently the second album by the nonet, ...
Bones: Haberdashery
by Glenn Astarita
This is the second release by the experimental European trio, simply known as Bones. Led by bass clarinetist Ziv Taubenfeld, the program is mainly erected on fragmented motifs and variable currents amid false endings, and an aggregation of renewal processes. And it's an unrestricted engagement, as the musicians are afforded opportunities to expand and contract, while ...
Jen Shyu: Song of the Silver Geese
by Hrayr Attarian
The dramatic and sublime The Song of the Silver Geese is vocalist and multi-instrumentalist Jen Shyu's magnum opus. On it Shyu draws from her dual cultural ancestry as well as other east Asian heritages to craft memorable performance art replete with dynamic spontaneity, unique instrumentation and exquisite poetry. The nine-piece suite is divided into “doors" and ...
Vasil Hadzimanov and Bojan Zulfikarpasic: Live at Kolarac
by Nenad Georgievski
The duet album between two simultaneously very similar and very opposite musicians, pianists Vasil Hadzimanov and Bojan Zulfikarpasic documents their two encounters that occurred in February and October 2015 at the prestigious concert hall in Belgrade, Kolarac. Both musicians have their distinguished careers in often different branches of jazz, have different sensibilities and yet they still ...
Colosseum: Colosseum Live
by Maurizio Comandini
I Colosseum guidati dal batterista Jon Hiseman furono una delle più belle sorprese spuntate dal blues e dal jazz inglese nella magica stagione di fine anni sessanta. Hiseman era stato protagonista alla corte di John Mayall, in particolare per l'ottimo album Blues Wires del 1968 e aveva poi deciso di mettersi in proprio portandosi dietro due ...
Tomas Fujiwara: Triple Double
by Vincenzo Roggero
La più popolare delle forme musicali nordamericane -il blues -introdotta da due delle chitarre meno convenzionali in circolazione, disturbata da un paio di trombe che proprio canoniche non sono e da una coppia di poderose batterie che sostengono e il tutto. È questo l'incipit di Triple Double e i dieci minuti abbondanti di «Diving for Quarters» ...
Thunderblender: Last Minute Panic
by Ian Patterson
A rising name on the European jazz/improvised music scene, Brussels-based Irish saxophonist Sam Comerford possesses eggs and baskets aplenty, playing regularly in Ingo Hipp's AERIE, Chris Guilfoyle's Umbra, Eve Beuven's Heptatomic, Manolo Cabras' Brilliant Corners, as well as in a duo with Matthew Jacobson. Since 2015, however, Comerford has assumed the mantle of leader with Thunderblender, ...
David Stackenäs: Bricks
by Glenn Astarita
Hailing from Sweden, David Stackenäs (Per Zanussi Ensemble, Lina Nyberg Band) may be one of the best lesser-known global guitarists out there. Active in jazz and experimental ensembles in Europe and beyond, the artist follows up his previous solo acoustic guitar outing Separator (2009, Found You) with a cunning and at times, mesmeric exposition. In the ...
Deanna Witkowski: Makes the Heart to Sing: Jazz Hymns
by Dan Bilawsky
The improvisatory phrase and the song of praise don't stem from the same place, but who's to say they can't break bread together? With Makes The Heart To Sing: Jazz Hymns, pianist Deanna Witkowski erases lines between the strict-toned sacred and malleable secular, creating music that manages to be tradition-minded and open-minded all at once.
Eric Alexander: Song of No Regrets
by Jack Bowers
Eric Alexander, who has been wielding as impressive a tenor saxophone as anyone on the scene for more than two decades, returns to the studio for what seems the umpteenth time with an abundant stockpile of point-blank pleasures on Song of No Regrets, an essentially Latin-grooved session that leaves room on the first two numbers for ...
