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Wynton Marsalis: All Rise
by C. Michael Bailey
Originally released in 2002 as a stand-alone offering, Wynton Marsalis' sacred composition All Rise will enjoy a reprising as part of Legacy Records re-issuing of Marsalis' landmark collection, Swingin' Into The 21st. A devotee of Duke Ellington, Marsalis expands on themes and methods that Ellington himself investigated in his Sacred Concerts of 1965, 1968, and 1973 ...
Agustí Fernández: Un llamp que no s'acaba mai
by AAJ Italy Staff
A Sigüenza, piccolo comune spagnolo che dista circa cento chilometri da Madrid, si tiene ogni anno in dicembre un Festival Jazz di grande interesse. Lo scorso anno, nella sesta edizione, erano in programma Ran Blake, Aki Takase con Alex von Schlippenbach, Mats Gustafsson. L'improvvisazione totale di Agustí Fernández, John Edwards e Mark Sanders, registrata in concerto ...
Various Artists: Miles Espanol: New Sketches of Spain
by Eugene Holley, Jr.
In the days of the so-called Young Lions jazz wave--which lasted roughly, from 1981 to 1992--instrumentalists and singers were all the rage. At the tail end of that period, South Carolina-born saxophonist Bob Belden was making waves for his comprehensive and compelling arranging chops. Over the last two decades, Belden has brilliantly re-imagined the music of ...
The Four Bags: Forth
by Glenn Astarita
The musicians who comprise this indubitably inventive New York City-based quartet have respectively performed with the likes of Anthony Braxton, Lee Konitz and Clark Terry, in addition to large-scale symphonies and orchestras. Ultimately, the artists' diverse resumes and many-sided viewpoints effectively transfer to this rather sprightly multi-format program, spanning countless applications, yet cohesively shaped into an ...
Delfeayo Marsalis: Sweet Thunder
by AAJ Italy Staff
"Un così dolce tuono," così Shakespeare descrive le parole di Otello per conquistare la bella Desdemona e così Duke Ellington volle intitolare la nuova suite (1957) dedicata ai personaggi del Bardo. “Such Sweet Thunder," realizzato in stretta collaborazione con Billy Strayhorn, è uno dei suoi lavori più belli e rientra fra i risultati più preziosi del ...
Mike LeDonne: Keep the Faith
by Jack Bowers
Connecticut-born / New York-based Mike LeDonne, who divides his time these days between piano and organ, has begun to record more frequently on the Hammond B3, especially with his suitably named Groover Quartet which, according to Owen Cordle's liner notes to Keep the Faith, has been together now for more than a decade. And that's a ...
Medeski Scofield Martin & Wood: In Case The World Changes Its Mind
by John Kelman
With significant pressure on artists to look for new territory to mine and new collaborations to explore, it's always great to see those that have worked well kept as ongoing concerns, like guitarist John Scofield's first-encounter with jam band darlings Medeski, Martin & Wood on the superb A Go Go (Verve, 1998). The now-named Medeski Scofield ...
Katya Sourikova: Ivan's Dream
by Eyal Hareuveni
The third release of Berlin-based pianist and composer Katya Sourikova looks and sounds like something fitting the ECM catalog--the beautiful cover, the pristine and rich sound of the recording, and, obviously, the genre-binding beautiful, lyrical and nuanced music that moves freely and organically along the spectrum of jazz, both American and European, as well as folk ...
Ted Rosenthal Trio: Out of This World
by Edward Blanco
Borrowing from The Great American Songbook is a standard practice for many jazz artists, who include one or more pieces when rounding out a repertoire of primarily new material. Not so for pianist Ted Rosenthal, whose affinity for music from the Songbook is reflected on at least two previous recordings, Rosenthology (Concord Jazz, 1994) and One ...
Greg Ward: Phonic Juggernaut
by Mark Corroto
Greg Ward's trio Phonic Juggernaut can be loud, it also can be fast, but it can never be described as out of control. The twenty-something saxophonist's take on the modern jazz sax/bass/drums lineup adheres to the traditions of jazz, not as a regressive act but as a forward-thinking, innovative sound. This Chicagoan-turned-New Yorker can ...
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