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Roberto Ottaviano: Eternal Love
by Neri Pollastri
Dopo il lavoro dedicato in spirito a John Coltrane pur senza omaggi diretti (Sideralis) e quello precedente dedicato a Steve Lacy (Forgotten Matches), Roberto Ottaviano ha sentito il bisogno di “un “bagno mistico" in cui il Jazz si fa infine Musica Totale, ma sopratutto travalica l'idea fine a se stessa di fare musica, per scavare a ...
Darrell Katz and the JCA Orchestra: Rats Live on No Evil Star
by Jack Bowers
It's a pretty sure bet that appraising any album whose title is also a palindrome isn't going to be a stroll in the park, even more so when the orchestra in question is the Jazz Composers Alliance (rule of thumb: the longer the name, the more abstruse the music) and the instrumentation includes voice, marimba, EWI, ...
Dmitry Baevsky / Jeb Patton: We Two
by David A. Orthmann
Alto saxophonist Dmitry Baevsky and pianist Jeb Patton constitute a crackerjack, precision jazz instrument, stretching and bending the fundamentals of bebop into full-blown statements that render the absence of a bassist and drummer superfluous. The individual heroics that one expects of bop are in evidence, but it's the ways in which the duo maneuvers as a ...
Joel Harrison: Angel Band: Free Country Vol. 3
by Peter J. Hoetjes
Possessed of restless creativity and a desire not to repeat himself, guitarist/vocalist Joel Harrison took a 14-year hiatus between albums in his Free Country series to release over a dozen other efforts before returning with Angel Band: Free Country Volume 3. Building on the foundation set by the first two albums, he recruits a few returning ...
Ed Pettersen - Martin Küchen - Roger Turner: The End of the Universe
by Glenn Astarita
It may be a matter of semantics, but does the album title imply the physical end to the universe where all matter is extinguished, or is the trio at the edge of the universe and framing their collective improvisational skills on that notion? Either way, the music iterated here musters a cosmic reference point for these ...
Aaron Parks: Little Big
by Glenn Astarita
The press release for highly praised keyboard/composer Aaron Parks's (Kurt Rosenwinke, Terence Blanchard) latest album states: “after experimenting with various lineups and sessions, Parks landed on three musicians ideally suited for this atmospheric, genre-bending new work." And after listening to this inspiring session it's easy to discern why Parks needed time and a bit of prudence ...
Alyn Cosker: KPF
by Dan Bilawsky
The music of Alyn Cosker--the resident drummer of the Scottish National Jazz Orchestra--is neither here nor there. While his work firmly rests in the miles-wide jazz camp, its synthesis of disparate styles and identities offers it shielding from easy labels within. Take “Serenity," the album's lead-off track, for example. Augmenting an electrified quintet with mandolin, accordion, ...
Don Byron/Aruan Ortiz: Random Dances And (A)Tonalities
by Dan McClenaghan
Jazz albums have a history of featuring cool cover art, from drummer Chico Hamilton's Ellington Suite (World Pacific, 1959) and bassist Charles Mingus' Ah Um (Columbia, 1959) to almost all of the ECM Records catalog. Maybe grabbing the music-shopper's eye helps in the pulling of the wallet out the pocket or the purse. On the terrific ...
Terell Stafford/Dick Oatts/Bruce Barth/Tim Warfield/David Wong/Byron Landham: Family Feeling
by Dan Bilawsky
It's not uncommon for a familial air to surround a band or a recording session. The bonds forged through the music, after all, play up trust and sympathies to a high degree. But some albums even go a step beyond that norm in their connective magnetism, and this is most certainly one of them.
Ryan Carraher: Obscure Sorrows
by Mark Sullivan
Boston-based guitarist/composer Ryan Carraher chose a unique theme for his sophomore album: each track is inspired by a word from John Koenig's Dictionary of Obscure Sorrows. Koenig's website and YouTube channel present made-up words meant to complete our emotional language: “each original definition aims to fill a hole in the language--to give a name to emotions ...
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