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Elliott Sharp Trio: Aggregat
by Robert Bush
Elliott Sharp is a musical provocateur of the highest order. Having developed his own distinctive voice on a wide variety of instruments, on Aggregat he focuses on tenor and soprano saxophones and guitar.His trio-mates were wisely selected. Double bassist Brad Jones has illuminated sessions by everyone from pianist Muhal Richard Abrams to pop-vocalist Sheryl ...
Toma Gouband: Courant des Vents
by John Eyles
A lithophone is a musical instrument consisting of a rock or pieces of rock which are struck to produce musical notes, either in combination, producing harmony, or in succession, producing melodies. In May, 2011, French percussionist Toma Gouband visited London to play at the annual Freedom of the City festival, solo and in an Evan Parker ...
Jan Klare's 1000: (Shoe)
by Jerry D'Souza
Inspiration can come from unexpected sources. For reed player Jan Klare, it sprung from the words of a musician who churned in him the desire to create music that was as palpable as an object made of leather or wood. Palpability can be physical as well as organic and if Klare was looking for the latter, ...
AYCH / Jim Hobbs / Mary Halvorson / Taylor Ho Bynum: As The Crow Flies
by Glenn Astarita
Three prominent modern-era improvisers offer a lesson in stark contrasts on this session, containing semi-structured and composed works. The artists construct off-center balladry, angst, and playful, cartoon-like soundscapes, amid a few doomsday scenarios dispersed throughout the jaggedly moving parts. Alto saxophonist Jim Hobbs' Over Yonder" stands out, because it would have seemed highly unlikely ...
Tony Monaco: Celebration
by Hrayr Attarian
If organists Shirley Scott and Jimmy Smith had formed some sort of a musical union, the offspring would no doubt have been Tony Monaco. Manifesting the melodicism of the former, the orchestral sensibilities of the latter and virtuosity of both, Monaco has become one of the most versatile and dazzling performers on the Hammond B3.
Brandon Wright: Journeyman
by Dan Bilawsky
Saxophonist Brandon Wright sells himself a little short with the title he selected for his sophomore release. While he has been honing his skills while working in the employ of artists like trombonist John Fedchock, E Street Band drummer Max Weinberg and trumpet legend Doc Severinsen, he's hardly an apprentice at this point. Wright's debut--Boiling Point ...
Purnell Steen and Le Jazz Machine: This Little Light
by Florence Wetzel
Denver has always had a thriving jazz community, and between the 1920s and 1950s, the Five Points neighborhood was the heart of the scene. Known as the Harlem of the West," at its peak Five Points had over fifty bars and clubs, and played host to all the greats: pianist and bandleader Duke Ellington, singers Billie ...
Ro Sham Beaux: Ro Sham Beaux
by Jeff Dayton-Johnson
The four New England Conservatory students who make up Ro Sham Beaux would have you believe that their sound is some kind of convoluted indie-rock/jazz hybrid. That pretense is present in the rock 'n' roll production values of the record and in the album artwork; it's even there in the press release.That's all well ...
Ohne 4 gespielt drei: Time Trial
by Jerry D'Souza
Ohne 4 gespielt drei is a trio of improvisers active on the improvised jazz scene in Köln and Berlin. All three lived in the Ruhr area before saxophonists Katrin Scherer and Sven Decker moved to Köln, while drummer Bernd Oezsevim took up residence in Berlin. They make for perfect cohorts through an intuitive understanding that processes ...
Mina Agossi: Red Eyes
by C. Michael Bailey
The French Classical Naive label continues its campaign into jazz with Mina Agossi's Red Eyes. Her second recording for the label after 2010's Just Like A Lady, Red Eyes finds the French singer staking out her rightful claim on what only can be described as the furthest molecule on the cutting edge of jazz vocals, before ...

