Home » Jazz Articles » Album Review » Toma Gouband: Courant des Vents
Toma Gouband: Courant des Vents
On May 3, the day after the festival, he was recorded solo, playing lithophone and percussion, in Parker's favorite recording location, St Peter's, Whitstable. Gouband played one continuous piece, lasting just over three quarters of an hour. As always, the natural resonances of the church created a full, rich sound that is perfectly captured by the recording. Those resonances are an essential part of the performance, enhancing Gouband's playing so that this is actually a duo between the man and the building. Initially, he spaces out his sounds, letting them resound, no doubt getting used to the building as a playing partner. Once he has the measure of the space, his playing becomes quicker, although he remains very aware of the resonances, leaving appropriate gaps for them to be appreciated before pressing on.
Gouband is a master of the lithophone, using the range of tones from the struck rocks, plus other percussive sounds, to create a rich piece that never opts for straightforward rhythms but instead features complex polyrhythms that are very gentle on the ear. At times, the sounds of the piece could easily be mistaken for a field recording of a natural phenomenon such as water dripping in an underground cavern or of a human activity such as miners at work.
As music, it can either be given full attention or it can "just be there." In the former case, the more attention it is afforded, the more it reveals greater details and complexities; in the latter, it provides a relaxing, meditative atmosphere. Either way, it is hugely successful.
Track Listing
Courant des Vents.
Personnel
Toma Gouband
drumsToma Gouband: lithophones, percussion.
Album information
Title: Courant des Vents | Year Released: 2012 | Record Label: Psi
About Toma Gouband
Tags
PREVIOUS / NEXT
Toma Gouband Concerts
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.






