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Tomasz Stanko New York Quartet: Wislawa
by AAJ Italy Staff
Inciso a New York nel giugno scorso, questo nuovo lavoro del settantenne trombettista polacco è stato concepito in memoria della poetessa, sua connazionale, Wislawa Symborska, scomparsa il 1° febbraio 2012 e, fra le tante cose, Pemio Nobel per la letteratura nel 1996. Il quartetto che lo firma è quello classico, con piano, basso e batteria, però ...
Francesco Turrisi: Songs of Experience
by Ian Patterson
Pianist Francesco Turrisi's first two albums as leader, the classically influenced jazz of Si Dolce e il Tormento (Diatribe Recordings, 2009) and the more brooding, improvised Fotografia (Diatribe Recordings, 2011) were united by Turrisi's mostly spare voice as much as they were by the folk, classical and jazz threads from which he draws inspiration. Here, Turrisi ...
Chris McNulty: The Song That Sings You Here
by C. Michael Bailey
Great art often results from conflict, pain or loss. Australian-born singer Chris McNulty notes that The Song That Sings You Here, in spite of being conceived and recorded before she suffered the death of her son Sam, could have just as easily been conceived and recorded after, summing these circumstances into a type of preemptive creative ...
Brazilian Trio: Constelacao
by Dr. Judith Schlesinger
Constelacao contains a wonderful range of material, from the passionately churning title track to pianist Cedar Walton's classic “Bolivia," which features a great drum opening by Duduka da Fonseca.Tucked between these splendid bookends are such gems as Dori Caymmi's beloved “O Cantador," which many will recognize as “Like a Lover." Introduced to North American ...
Cave Women: Cave Women
by Dan Bilawsky
The nexus between this all-female quintet and Neanderthal expressionism is nonexistent, so what exactly does the Cave Women name stand for? This is a question that bears asking, but the answer isn't so simple. These five women paint sunny scenes and blend folk strains, world music, jazz and pop, but they never fully commit to a ...
Jeroen Van Veen: Philip Glass - Solo Piano Music
by C. Michael Bailey
Composer Philip Glass remains a leading figure in American classical music after a fruitful career spanning six decades. Creator of symphonies, chamber music, operas and soundtracks, Glass has established himself as an immediately recognized artist whenever his compositions are played. His popular renown derives from his notable movie scores that include: Hamburger Hill (1987), The Thin ...
Maucha Adnet & Helio Alves: Milagre
by Dr. Judith Schlesinger
Many people think Maucha Adnet is the most soulful Brazilian vocalist performing today; certainly her voice is warm, textured, and sexy, and her delivery is passionate, classy, and informed by a keen musical intelligence. (Fellow singers will also appreciate her great diction and pitch, awesome breath control, and masterful way with a triangle). The great Antonio ...
Pharez Whitted: For The People
by Ian Patterson
Saxophonist Pharez Whitted has had an unusual recording career. Fourteen years separated Mysterious Cargo (Motown Records, 1996) from Transient Journey (Owl Studios, 2010), as Whitted dedicated himself to jazz education and sideman appearances with the likes of drummer Elvin Jones, trumpeter Wynton Marsalis and pianist Ramsey Lewis. In this context, For the People comes after a ...
The Beginners: Two Years Later
by Chris Mosey
The band's name is a typical piece of shy Swedish understatement. Its two leaders, guitarist Erik Söderlind and saxophonist Andreas Gidlund, are anything but beginners; they have a great deal of experience on the local jazz scene. Söderlind has attracted attention for his collaborations with veteran keyboards player Kjell Öhman and his studio ...
Wolfgang Schlüter Quartet & NDR Bigband: Visionen
by Dan Bilawsky
Visionen may be the best big band recording that went largely unheard in 2012. The music itself was hiding in plain sight, available for purchase from the usual on-line mega-stores (i.e. Amazon.com) and download sights (i.e. iTunes), but the record received scant attention in jazz circles, and the majority of the attention it did receive came ...
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