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Article: Album Review

Enrico Fazio Critical Mass: Shibui

Read "Shibui" reviewed by AAJ Italy Staff

by AAJ Italy Staff

Torna dopo qualche anno di silenzio Enrico Fazio, già bassista dell'Art Studio e da venticinque anni validissimo leader in proprio. Torna, e fa un'altra volta centro, proprio come nel 1988 quando, con Mirabilia, evidenziò doti (compositivo-aggregative, soprattutto) che la lunga militanza nello storico gruppo torinese (nel quale era del resto entrato appena diciottenne) aveva in qualche ...

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Article: Album Review

Leslie Lewis: Leslie Lewis & Gerard Hagen in New York

Read "Leslie Lewis & Gerard Hagen in New York" reviewed by C. Michael Bailey

by C. Michael Bailey

Vocalist Leslie Lewis' previous recording, Midnight Sun (Self Produced, 2012), revealed a a thoughtful and well-managed talent able to imbue her music with a dark pathos. Not dark in any negative sense of the word, but rich and romantic. Her followup, Leslie Lewis & Gerard Hagen in New York, made with her husband/pianist, distills Lewis' talent ...

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Article: Album Review

Mats-Up: Psalmen von Said

Read "Psalmen von Said" reviewed by AAJ Italy Staff

by AAJ Italy Staff

Il trombettista e compositore svizzero Matthias Spillmann meriterebbe più attenzione. Probabilmente se a produrre o a sostenere i suoi progetti musicali ci fosse una multinazionale o una label con una distribuzione importante i suoi CD sarebbero ben ordinati negli scaffali di opinionisti e di raffinati cultori del jazz europeo. In tal caso non mancherebbe di certo ...

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Article: Album Review

E. Normus Trio: Love and Barbiturates

Read "Love and Barbiturates" reviewed by Glenn Astarita

by Glenn Astarita

These Asheville, NC musicians started collaborating in 2007, leading to this debut release that skirts the boundaries of jazz-rock, free-jazz and progressive metal-jazz. The jazz and improvisational elements accentuate most of these works, fueled by adrenaline rushes amid the trio's broad arsenal.Excitable but largely cohesive, lead soloist and clarinetist Steve Alsford bridges torrid breakdowns ...

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Article: Album Review

Trudy Kerr and Geoff Gascoyne: The Rhythm of Life; Ted And Gladys

Read "The Rhythm of Life; Ted And Gladys" reviewed by Bruce Lindsay

by Bruce Lindsay

Great male and female jazz vocal duos are rare as hen's teeth. Steve Lawrence and Eydie Gormé? Billy Eckstine and Sarah Vaughan? Now there's a pair of new kids on the block--Ted and Gladys. Or is there? Check the sleeve of The Rhythm Of Life: Ted & Gladys and all is not quite as it seems. ...

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Article: Album Review

Janek Gwizdala: Theatre By The Sea

Read "Theatre By The Sea" reviewed by Ian Patterson

by Ian Patterson

Inside a decade, English musician Janek Gwizdala has positioned himself as one of the top electric bassists in New York, boasting a technique and a melodic ear that places him alongside bassists Gary Willis and Matthew Garrison. His acclaimed debut, Mystery to Me (Self Produced, 2005) featured rising stars such as saxophonist Mark Turner, guitarist Tim ...

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Article: Album Review

Mark Dresser Quintet: Nourishments

Read "Nourishments" reviewed by Glenn Astarita

by Glenn Astarita

Influential master bassist Mark Dresser leads his first quintet outing in nearly two decades. His complex compositions span an abundance of odd-metered time signatures, whether the song forms are buoyant, temperate or soul-searching. It's a very involved storyline that yields fruitful rewards. Indeed, the program is a kaleidoscopic ride that includes brash or probing solos by ...

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Article: Album Review

Mark Dresser Quintet: Nourishments

Read "Nourishments" reviewed by Eyal Hareuveni

by Eyal Hareuveni

Master double bassist Mark Dresser's first quintet recording since Force Green (Soul Note, 1995) works in several courses. Its compositions are centered around Dresser's personal approach to the jazz tradition and the song form, emphasizing the charismatic playing of all the quintet members, the importance of the beauty of the melody, and cyclical forms. At the ...

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Article: Album Review

Bobby Lyle: The Way I Feel

Read "The Way I Feel" reviewed by Chris Becker

by Chris Becker

Pianist and composer Bobby Lyle's first encounter with the great Hammond B-3 player Jimmy Smith was in a Minneapolis nightclub called Big Al's, where the then-teenaged Lyle performed as the “local talent" on the downstairs stage. Upstairs, Smith was playing as the headliner and Lyle, after finishing his set as quickly as possible, raced upstairs to ...

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Article: Album Review

Geoff Goodman: Jazz + Haiku

Read "Jazz + Haiku" reviewed by Chris Mosey

by Chris Mosey

On the face of it jazz and haiku wouldn't seem to have a great deal in common: jazz, born in the brothels of New Orleans at the close of the 19th century; haiku, an offshoot of age-old Japanese Zen Buddhism, seeking answers to the meaning of life in the quiet life and a pithy observation of ...


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