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Enrico Fazio Critical Mass: Shibui
by AAJ Italy Staff
Torna dopo qualche anno di silenzio Enrico Fazio, già bassista dell'Art Studio e da venticinque anni validissimo leader in proprio. Torna, e fa un'altra volta centro, proprio come nel 1988 quando, con Mirabilia, evidenziò doti (compositivo-aggregative, soprattutto) che la lunga militanza nello storico gruppo torinese (nel quale era del resto entrato appena diciottenne) aveva in qualche ...
Leslie Lewis: Leslie Lewis & Gerard Hagen in New York
by C. Michael Bailey
Vocalist Leslie Lewis' previous recording, Midnight Sun (Self Produced, 2012), revealed a a thoughtful and well-managed talent able to imbue her music with a dark pathos. Not dark in any negative sense of the word, but rich and romantic. Her followup, Leslie Lewis & Gerard Hagen in New York, made with her husband/pianist, distills Lewis' talent ...
Mats-Up: Psalmen von Said
by AAJ Italy Staff
Il trombettista e compositore svizzero Matthias Spillmann meriterebbe più attenzione. Probabilmente se a produrre o a sostenere i suoi progetti musicali ci fosse una multinazionale o una label con una distribuzione importante i suoi CD sarebbero ben ordinati negli scaffali di opinionisti e di raffinati cultori del jazz europeo. In tal caso non mancherebbe di certo ...
E. Normus Trio: Love and Barbiturates
by Glenn Astarita
These Asheville, NC musicians started collaborating in 2007, leading to this debut release that skirts the boundaries of jazz-rock, free-jazz and progressive metal-jazz. The jazz and improvisational elements accentuate most of these works, fueled by adrenaline rushes amid the trio's broad arsenal.Excitable but largely cohesive, lead soloist and clarinetist Steve Alsford bridges torrid breakdowns ...
Trudy Kerr and Geoff Gascoyne: The Rhythm of Life; Ted And Gladys
by Bruce Lindsay
Great male and female jazz vocal duos are rare as hen's teeth. Steve Lawrence and Eydie Gormé? Billy Eckstine and Sarah Vaughan? Now there's a pair of new kids on the block--Ted and Gladys. Or is there? Check the sleeve of The Rhythm Of Life: Ted & Gladys and all is not quite as it seems. ...
Janek Gwizdala: Theatre By The Sea
by Ian Patterson
Inside a decade, English musician Janek Gwizdala has positioned himself as one of the top electric bassists in New York, boasting a technique and a melodic ear that places him alongside bassists Gary Willis and Matthew Garrison. His acclaimed debut, Mystery to Me (Self Produced, 2005) featured rising stars such as saxophonist Mark Turner, guitarist Tim ...
Mark Dresser Quintet: Nourishments
by Glenn Astarita
Influential master bassist Mark Dresser leads his first quintet outing in nearly two decades. His complex compositions span an abundance of odd-metered time signatures, whether the song forms are buoyant, temperate or soul-searching. It's a very involved storyline that yields fruitful rewards. Indeed, the program is a kaleidoscopic ride that includes brash or probing solos by ...
Mark Dresser Quintet: Nourishments
by Eyal Hareuveni
Master double bassist Mark Dresser's first quintet recording since Force Green (Soul Note, 1995) works in several courses. Its compositions are centered around Dresser's personal approach to the jazz tradition and the song form, emphasizing the charismatic playing of all the quintet members, the importance of the beauty of the melody, and cyclical forms. At the ...
Bobby Lyle: The Way I Feel
by Chris Becker
Pianist and composer Bobby Lyle's first encounter with the great Hammond B-3 player Jimmy Smith was in a Minneapolis nightclub called Big Al's, where the then-teenaged Lyle performed as the local talent" on the downstairs stage. Upstairs, Smith was playing as the headliner and Lyle, after finishing his set as quickly as possible, raced upstairs to ...
Geoff Goodman: Jazz + Haiku
by Chris Mosey
On the face of it jazz and haiku wouldn't seem to have a great deal in common: jazz, born in the brothels of New Orleans at the close of the 19th century; haiku, an offshoot of age-old Japanese Zen Buddhism, seeking answers to the meaning of life in the quiet life and a pithy observation of ...

