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2

Article: Radio & Podcasts

Notre Vie Comme Un Western

Read "Notre Vie Comme Un Western" reviewed by Mary Foster Conklin


The Bastille Day broadcast included new releases from John Finbury & Thelma De Freitas, Calabria Foti, Peter Eldridge & Kenny Werner and Maggie Gould plus birthday shout outs to songwriters Jimmy McHugh, Joan Whitney, saxophonist Lauren Sevian, drummer Gayelynn McKinney, cellist Akua Dixon, bassist Iris Ornig, vocalists Suzanne Pittson, Debbie Harry, Luciana Souza and trumpter Carol ...

Album

Carol Morgan Quartet - Post Cool Vol. 1 The Night Shift

Label: Self Produced
Released: 2017
Track listing: Strollin’; A Night in Tunisia; Night; On a Misty Night; Song for Mom; Autumn Leaves3.

Album

Post Cool: Vol 1 The Night Shift

Label: Self Produced
Released: 2017
Track listing: Strollin'; Night in Tunisia; Night; On a Misty Night; Song for Mom; Autumn Leaves.

13

Article: Genius Guide to Jazz

How the Other Half Swings

Read "How the Other Half Swings" reviewed by Jeff Fitzgerald, Genius


If there has been a frequent criticism of the Genius Guide, besides the fact that it's hard to tell what the hell I'm going on about most of the time, it would be that I have largely ignored the contributions of women to Our Music. One would think, from the body of my work to this ...

7

Article: Album Review

Carol Morgan: Post Cool: Vol 1 The Night Shift

Read "Post Cool: Vol 1 The Night Shift" reviewed by Hrayr Attarian


Trumpeter Carol Morgan is an innovative musician with an explorative sense and a unique and easily recognizable style. On the first installment of her Post Cool: Vol. 1 The Night Shift she tackles bop-based, nocturnal themed, pieces that she and her quartet exquisitely interpret. Morgan and her sidemen deftly deconstruct trumpeter Dizzy Gillespie's famous ...

6

Article: Album Review

Carol Morgan Quartet: Carol Morgan Quartet - Post Cool Vol. 1 The Night Shift

Read "Carol Morgan Quartet - Post Cool Vol. 1 The Night Shift" reviewed by C. Michael Bailey


New York City-based trumpet player--composer Carol Morgan...wait a minute. This introduction would be all well and good...but, Carol Morgan did not originally come from New York City...She came from...Texas. Morgan might be considered the Godmother of “Houston Jazz Mafia," a group of young (and not so young) musicians that includes multi-instrumentalists Henry Darragh and Alisha Pattillo, ...

3

Article: Bailey's Bundles

Girl Talk: Saxophonists Nicole Glover and Kirsten Edkins

Read "Girl Talk:  Saxophonists Nicole Glover and Kirsten Edkins" reviewed by C. Michael Bailey


The universe of horn players ceased being a “boys club" about thirty years ago. Women have taken commanding roles in both the trumpet (Carol Morgan, Ingrid Jensen, Saskia Laroo) and saxophone (Sharel Cassity, Alisha Pattillo, Nancy Wright, Virginia Mayhew, Pattie Cossentino, Jane Ira Bloom, Claire Daly). Add to these lists two new names, Nicole Glover and ...

4

Article: Album Review

Chris Cortez: Top Secret (For Your Ears Only)

Read "Top Secret (For Your Ears Only)" reviewed by C. Michael Bailey


Houston, Texas is such a hot bed of jazz music that it has its own jazz mafia. However, as of late the Houston jazz mafia's Godmother, vocalist Tianna Hall has been letting several of her high-ranking officers get away. First to go was trumpeter capo regime Carol Morgan, who decided to start her own jazz “Family" ...

7

Article: Album Review

Henry Darragh: Too Much Monday

Read "Too Much Monday" reviewed by C. Michael Bailey


My introduction to Houston Jazz came with the receipt of Jacqui Sutton's Billie & Dolly (Toy Blue Typewriter Productions, 2010). A few short months later, I received Henry Darragh's Tell Her for Me (Self Produced, 2011). When I compared the musical personnel for each of these recordings, a light came on in my pea brain alerting ...

6

Article: Bailey's Bundles

Notable and Nearly Missed 2014

Read "Notable and Nearly Missed 2014" reviewed by C. Michael Bailey


As I have grown older, I have come to the startling and disheartening realization that I will not be able to read all the books there are, and, more importantly, listen to all the music there is (much less write about it). I otherwise appreciate a finite lifespan, but not when it comes to books and ...


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