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Vic Damon, 30th Street Studio, Village Vanguard
by Sean Dietrich
The oft forgotten recording studio. It's humble presence remains under-acclaimed. Electric lights suspended high above a giant mess of cables. Omniscient microphones standing tall, appraising the heart of arrogant musicians who approach. Scribbled papers rest on music stands, while heated brawls are incubated among hot headed horn players. This is where music is born. And yet ...
Cannonball Adderley - Parte seconda: gli anni Sessanta-Settanta e la sua eredità
by AAJ Italy Staff
Si fa seguito alla prima parte messa on line il 9 luglio, completando il saggio biografico su Cannonball Adderley e traendo un bilancio dell'eredità artistica lasciata dal grande sassofonista. Per quanto riguarda la fortuna internazionale del Soul Jazz, bisogna tenere presente che all'esigenza di ordine estetico e comunicativo dei musicisti si sovrappose la concretezza pragmatica dell'ottica ...
Cannonball Adderley - Parte prima: la formazione e gli anni Cinquanta
by AAJ Italy Staff
L'8 agosto 1975 moriva Cannonball Adderley. Per ricordare il grande contraltista in occasione del 35° anniversario della sua prematura scomparsa, si ripropone, in due puntate e in una stesura riveduta, un saggio biografico comparso originariamente su Musica Jazz del giugno 1992. Si ringrazia l'autore per la disponibilità. La prima volta che ebbi l'opportunità di ascoltare dal ...
Chu Berry, Joe Harriott, and Yusef Lateef
by Sean Dietrich
The role call for sax genius is a lengthy one. But upon briefly thumbing past names like Charlie Parker, John Coltrane and Coleman Hawkins, one finds a glow beneath the surface radiating from lesser known players. Members of the vast sax community, who don't often get the same press other celebrated players receive. ...
Coleman Hawkins: The High and Mighty Hawk
by Samuel Chell
Recorded in England in 1958, this little-known session, originally released on the obscure Felsted label, is an inarguable gem. Perhaps even the word “masterpiece" is not too much of a stretch. It's doubtful that the putative “father of the tenor saxophone," Coleman Hawkins, made a better recording in the age of long-playing records, and it's just ...
Daniel Smith: Blue Bassoon
by Dan Bilawsky
When many people hear discussions about the bassoon, they are far more likely to think of “Peter And The Wolf" than Charlie Parker and Wayne Shorter tunes. While jazz is open to any-and-all-comers in every instrument family, the technical demands of the bassoon--an unwieldy double reed instrument that rarely leaves the confines of classical music--and its ...
Matt Marantz: Offering
by Mark F. Turner
Saxophonist Matt Marantz's Offering is a splendid debut; echoing, in part, the lyricism and verve of three of his influences--Charlie Parker, Cannonball Adderley, and Phil Woods. It's interesting to note that the young New Orleans based saxophonist is a tenorist--whose intrepid lines and phrasings are honed from practice and performance--with an alto-like tonality that is less ...
David S. Ware: Gravitation
by Martin Longley
It wasn't the kidney transplant that brought saxophonist David S. Ware very close to wheelchair confinement. Last September (2009), there were early signs of organ rejection, so he was placed on a course of steroids. These came with side effects that were more debilitating than last year's operation itself. Since then, Ware has been in a ...
Tia Fuller: Stepping Forward Decisively
by R.J. DeLuke
For saxophonist Tia Fuller, becoming a musician, and concentrating on jazz, seems almost preordained. After all, she came from a musical family who loved and performed jazz. She started playing piano at the age of 3. Music has always been in her life. Then there's that family video where, at age 9, asked what ...
Jazz Goes Green: Musical Explorations On A Secondary Color Of Note
by Dan Bilawsky
With spring taking hold and summer on the way, it's hard to avoid encounters with the color green. The drab gray and white of winter is now no more and a vibrant green color scheme has taken over. A drive along the Long Island Expressway--which leads to Manhattan and some of the greatest jazz clubs in ...
