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Jay Gordon's Blues Venom: Slide Rules!
by C. Michael Bailey
The first slide guitar recording (and first instrumental blues recording) was made by Sylvester Weaver for Okeh Records (No. 8109) in 1923, the A-side being “Guitar Blues" and the B- side “Guitar Rag." Since that time many practitioners have distinguished themselves as exceptional. Early players included Ur-bluesmen Charlie Patton, Son House and Robert Johnson. Middle players ...
C. Michael Bailey's Best Releases of 2019
by C. Michael Bailey
The number of critics writing for All About Jazz is such that there is little content overlap from one scrib to the next. This provides the reader a rich and compelling collection of opinion from which to derive guidance regarding a broad variety of music. Also contributing to All About Jazz as a resource are the ...
Martina DaSilva: A Very Chimytina Christmas
by C. Michael Bailey
Holiday music is its own discrete industry. Each October and November sees an uptick in releases devoted to the Christmas Season. The repertoire is well established with a core of compositions derived from the Middle Ages to the present day, including both religious and folk and popular music. While the holiday songbook is predictable, it also ...
Rebecca Angel: Santa Baby
by C. Michael Bailey
Vocalist Rebecca Angel turns in a humid, if chaste, reading of the Joan Javits / Philip and Anthony Springer chestnut “Santa Baby." Bassist Reggie Washington provides a full-throated walk-in intro that evolves into a plush sonic wonderland cushioned with Jason Miles' slippery Hammond B3 playing buffeted with electric piano support. Dennis Angel blows a wintery mix ...
Víkingur Ólafsson: J.S. Bach Works & Reworks
by C. Michael Bailey
Icelandic pianist Víkingur Ólafsson has found himself soaked to the skin in accolades in 2019. It all began auspiciously enough with the pianist with Ólafsson beginning piano early, taught by his mother, a music teacher. Ólafsson eventually attended and matriculated from the Juilliard School in New York, with a Bachelor's and Master's degrees directed by Jerome ...
Robert Johnson: Lost and Found
by C. Michael Bailey
Robert Johnson: Lost and Found Barry Lee Pearson & Bill McCulloch Music in American Life Series 160 Pages ISBN: # 978-0252028359 University of Illinois Press 2003 There are two stories surrounding the discovery and marketing of pre-World War II musical recordings in general and 1930s blues musician Robert ...
Handel's Messiah 2019
by C. Michael Bailey
This is the best class of Messiah releases that I can recall in many years. All are imports and may take effort locating, but each of these has their own undeniable charm. Il caro Sassone rests easy. Hallelujah, indeed! Collegium 1704 & Collegium Vocale 1704, Vaclav Kuks Messiah Accent Records
Red Priest: Handel in the Wind: Messiah and Other Masterworks
by C. Michael Bailey
This particular performance of Messiah deserves its own seperate review, in addition to Handel's Messiah 2019. Red Priest, a Baroque specialty quartet named for that most famous Italian ginger of the period, Antonio Vivaldi, has been called: “visionary and heretical," “outrageous yet compulsive," “wholly irreverent and highly enlightened," and “completely wild and deeply imaginative." These expert ...
Elton John at the FedEx Forum
by C. Michael Bailey
Elton John FedEx Forum Farewell Yellow Brick Road Memphis, TN October 30, 2019 The New York Times movie critic A. O. Scott made what seems an antithetical remark regarding Elton John when reviewing Dexter Fletcher's stylized biopic Rocket Man (New Republic Pictures, 2019): “But the point of “Rocketman" ...
Pam Taylor: Fate Alchemy
by C. Michael Bailey
First, this performance does not come from a Pam Taylor recording, rather it is part of the soundtrack for the indy dark comedy Fate Alchemy (Directed by Ace Blankenship, Red Door Artistry, 2019). Taylor, an able guitarist and world-class blues belter steps out of her box, delivers an intensely plaintive and resigned performance of the traditional ...
