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Article: Album Review

Phil Grenadier Bruno Raberg Duo: Plunge

Read "Plunge" reviewed by Dave Wayne


The advent of new technologies has enabled musicians to interact in hitherto unheard-of ways. It's routine now to read about recordings that were assembled from sessions recorded by individual musicians in different studios, on different continents. Music composing software has changed the way musicians think about their compositions and opened up new possibilities for the performance ...

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Article: Meet the Staff

Meet Maxim Micheliov

Read "Meet Maxim Micheliov" reviewed by AAJ Staff


I currently live in: Vilnius, LithuaniaI joined All About Jazz in: 2010What made you decide to contribute to All About Jazz? My professional background is in web marketing, and I connected with Michael Ricci through Chris Rich, who encouraged me to submit my first article “Howard Riley: Five Decades in Music." High ...

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Article: Album Review

Jussi Reijonen: Un

Read "Un" reviewed by Eyal Hareuveni


The debut recording of Boston-based guitarist and oudist Jussi Reijonen is a remarkable crystallization of musical concepts and influences from the West and in the East. It is also a mature reflection of the musical experiences that Finland-born Reijonen accumulated in all the places that he grew up, including the Finnish Arctic Circle, the Middle East ...

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Article: Album Review

Jussi Reijonen: Un

Read "Un" reviewed by Hrayr Attarian


Finnish guitarist/oudist player Jussi Reijonen's debut, Un, seamlessly blends multiple ethnic influences into a stimulating whole, crackling with vitality and innovative spirit. The opening “Serpentine" is a sonic tapestry of both eastern and western motifs. His sinuous oud and Palestinian percussionist Tareq Rantisi's resonant beats contrast nicely with Turkish pianist Utar Artun's more ...

Album

Plunge

Label: Orbis Music
Released: 2012
Track listing: Reveille; Last Train to Seville; Five Short Pieces: Seiryuu- Azure Dragon, Byakko - White Tiger, Suzaku - Vermillion Bird, Genbu - Black Tortoise, Ouryu - Yellow Dragon; Lonely Woman; Heartwood; Ushas/Quadratic; Intersections I - IV: Part 1 - Moving Cycles, Part 2 - Line and Sphere, Part 3 - Sand Clock, Part 4 - Isomorphic; Area 51; The Outermost Island; Triangulum; Lizrael; Intersections V: Part 5 - Being and Time.

Article: Album Review

Phil Grenadier - Bruno Raberg Duo: Plunge

Read "Plunge" reviewed by AAJ Italy Staff


Se si escludono “Lonely Woman" di Ornette Coleman e “The Outermost Island" di Bruno Raberg la musica contenuta in Plunge è completamente improvvisata. In alcuni casi - “Area 51," “Triangulum," “Quadratic" - doppiamente improvvisata visto che Raberg al contrabbasso e Phil Granadier alla tromba interagiscono con la registrazione sviluppando nuovi spunti e tracciando nuove linee narrative. ...

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Article: Album Review

Phil Grenadier / Bruno Raberg Duo: Plunge

Read "Plunge" reviewed by Ian Patterson


Maybe only a pirate radio station would be uninhibited enough to play duo improvisations such as these served up by trumpeter {Phil Grenadier and acoustic bassist Bruno Råberg. However, such mainstream disinterest should be considered a backhanded compliment and is perhaps reason enough to check it out. Plunge is an apt title for music inspired by ...

1

Song of the Day

Area 51

Album:
By
Label: Orbis Music
Released: 2012
Duration: 03:01

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Article: Album Review

Phil Grenadier / Bruno Raberg Duo: Plunge

Read "Plunge" reviewed by Dan Bilawsky


Two men are responsible for every sound heard on the avant-leaning Plunge, but this record shouldn't be mistaken for a naked, take-me-as-I-am duo date. Bassist Bruno Råberg and trumpeter Phil Grenadier take full advantage of technology to create piquant aural landscapes that expand and expound on the very nature of man-to-man dialogue. This ...

1

Article: Album Review

Phil Grenadier / Bruno Raberg Duo: Plunge

Read "Plunge" reviewed by Chris Mosey


The inspiration for this album was saxophonist Ornette Coleman's “Lonely Woman." It gave Swedish bassist, Bruno Råberg, what he calls an “aural vision": “I 'heard' a rich, erratic, and busy soundscape in which the beautiful melody would live. I saw images of desolate streets and a lonely person's inner turmoil, conflicting emotions and despair."


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