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Lucia Cadotsch: Speak Low II
by Friedrich Kunzmann
On their sophomore effort, the multinational European trio around Swiss vocalist Lucia Cadotsch follows the band's initial instinct of organically dissecting and rearranging old favorites of the respective band members. This time around the trio is expanded by English keyboartdist Kit Downes' occasional organ embellishments and Lucy Railton's additions of odd melodic cello lines to conceptually ...
U2: All That You Can't Leave Behind 20th Anniversary Deluxe Edition (2CD)
by Doug Collette
The music of U2 on All That You Can't Leave Behind is very much in keeping with the austere black and white graphics, preserved throughout the graphic design of this digipak as well as its enclosed twenty-four page booklet within. A distinct move away from the density of production experimentation on their three previous studio albums—Achtung ...
PAKT at ShapeShifter Lab
by Mark Sullivan
PAKT ShapeShifter Lab Brooklyn, New York August 15, 2020 For their live stream concert from Brooklyn's ShapeShifter Lab, guitarists Alex Skolnick and Tim Motzer, fretless bass guitarist Percy Jones and drummer Kenny Grohowski followed New York's pandemic guidelines: they wore masks and maintained a six-foot social distance. So retroactively, organizer Leonardo ...
Carlos Niño / Miguel Atwood-Ferguson: Chicago Waves
by Chris May
Chicago-based jazz drummer and electronic-beat-maker Makaya McCraven's International Anthem label has been releasing beguiling cross-genre music by a diverse roster of artists since the mid 2010s. In the process, McCraven's own double album Universal Beings (2018) gave an early US platform to musicians from the new London jazz scene including reed player Shabaka Hutchings, tenor saxophonist ...
Kansas Smitty's: Things Happened Here
by Chris May
Kansas Smitty's is the house band at a London jazz bar of the same name. Band and bar are fronted by the American-Italian alto saxophonist, clarinetist and bass clarinetist Giacomo Smith, who with guitarist David Archer wrote most of the material on this album. The band's style embraces swing era Kansas City through to more recent ...
Musical Travelogues: May 2020
by Geno Thackara
Gregoire Maret and Romain Collin w. Bill Frisell Americana ACT Music 2020 The sound lives up to the title; this is a thoughtful, airy yet soulful outing that sounds just the way a wide-open prairie landscape looks. If it seems a bit odd that Americana comes from a European duo, wonder ...
Vernal Equinox
by Doug Collette
In making Vernal Equinox available on vinyl for the first time in forty-two years and on CD for the first time in three decades, Jon Hassell's 1977 album has been fully remastered for its updated release on the artist's own Ndeya label. This first commercially released work by Hassell was, by many accounts, an early glimpse ...
Blackmantis: Devil's Flower
by Chris May
Might there be a better time to sit down and listen to an album whose title evokes poet Charles Baudelaire's Les Fleurs du Mal, has track titles such as “Lament" and “Dead Leaf" and a PR pitch that talks about the “darker electronic side" of its composer's music, and comes with sleeve art redolent of a ...
Drew Schlesinger & David Torn: Summer Synthesis 1978
by Mark Sullivan
In the summer of 1978 synthesist/keyboardist Drew Schlesinger had assembled a small studio in his apartment in Ithaca, NY and was composing electronic music. When he heard that local guitarist David Torn (then playing in the Zobo Funn Band) had acquired an ARP Avatar guitar synthesizer--one of the first of its kind--he approached him and asked ...
Jon Hassell: Words with the Shaman
by Chris May
Jon Hassell is best known as the creator of Fourth World music, an acoustic-electronic blend of jazz, minimalism, drone, ambient, traditional African and Asian instruments and harmolodic signatures. Hassell has defined Fourth World as “serious music with transcultural appeal and a smile." He unveiled the concept on his debut album, Vernal Equinox (Lovely Records), in 1977. ...
