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Jamie Saft: Jazz in the Key of Iggy
by Luca Canini
In 1988 Bill Laswell produced Iggy Pop's album Instinct. Back then, little he could have known that, almost thirty years later, he would have been instrumental in facilitating the iconic singer's first foray in the Jazz world. Loneliness Road (RareNoiseRecords) documents the latest incarnation of James Newell Osterberg Junior, the front man of proto-punk band The ...
Jamie Saft: il jazz secondo Iggy Pop
by Luca Canini
Chissà come l'avrebbe presa Bill Laswell se qualcuno nel 1988, durante la lavorazione di Instinct, gli avesse detto che un giorno lontano una trentina d'anni avrebbe contribuito a spingere Iggy Pop sulla strada del jazz. E non del quasi jazz o del jazz pop, ma del jazz quello vero, fatto di arpeggi eleganti e notturni, di ...
Jamie Saft: Loneliness Road
by Doug Collette
Much of Iggy Pop's early notoriety in his days with the Stooges was predicated on shock value. These days his durability and longevity as an artist render his continued presence only slightly less startling: the seminal punk-rocker is hitting his seventieth decade, a milestone few might've forecast for him around the time of Raw Power (Columbia, ...
Jamie Saft, Steve Swallow, Bobby Previte with Iggy Pop: Loneliness Road
by Andrea Murgia
Jamie Saft, Steve Swallow, Bobby Previte. E Iggy Pop. Se state pensando che stiamo in qualche modo dando i numeri, pardon i nomi, siete totalmente fuori strada. Che ci fanno alcuni tra i più vispi e duttili musicisti della New York Area con il papà del proto-punk? Semplice: un bel disco. Di Saft, ...
Jane Ira Bloom: Wild Lines: Improvising Emily Dickinson
by Troy Dostert
When you think about it, it's not that hard to see the affinity between soprano saxophonist Jane Ira Bloom and Emily Dickinson. Despite their fame coming from two different artistic worlds (although not completely different, as it turns out, as Dickinson was apparently a talented pianist), they do have a good deal in common. Bloom is ...
Five Women VIII – Alma Micic; Jane Ira Bloom; Laura Ainsworth; Abelita Mateus; Tash Sultana
by C. Michael Bailey
Alma Micic That Old Feeling Whaling City Records 2017 Serbian vocalist Alma Micic's 2014 Tonight (CTA Records) was a welcome addition to the jazz vocals discography because of its bold repertoire and compelling performance. Micic returns with a decidedly more focused and refined recording that mixes the new and old with ...
Jane Ira Bloom: Wild Lines: Improvising Emily Dickinson
by Roger Farbey
Jane Ira Bloom, winner of the 65th Annual Downbeat Critics Poll Winners (2017) award in the soprano saxophone category, took as her inspiration for this recording, the writings of nineteenth century America poet Emily Dickinson. Such was her admiration for the poet that she composed the music for this double CD as a lyrical paean, made ...
Catching up with Cantaloupe Music: Terminals Quartets, Field Recordings, Ilimaq, Anthracite Fields, Become Ocean & Discreet Music
by Mark Sullivan
Cantaloupe Music is the record label created by the three founders of New York's legendary Bang on a Can organization--composers Michael Gordon, David Lang and Julia Wolfe--with Bang on a Can managing director Kenny Savelson. Since its 2001 founding it has featured music from Bang on a Can and other contemporary musicians making concert music a ...
Jamie Saft - Steve Swallow - Bobby Previte: Loneliness Road
by Dan McClenaghan
So, the front man for the rock/pop group called The Stooges gets an invite to pitch in with a classic jazz piano trio. The Stooge would be Iggy Pop; the piano trio, Jamie Saft's, with bassist Steve Swallow and drummer Bobby Previte. That's quite an experiment, like something Frank Zappa might have tried. Pianist ...
10th Annual Red Hook Jazz Festival To Be Held Across Two Sundays In Brooklyn’s Urban Meadow, June 11 & 18 From 1-6 PM
“The Red Hook Jazz Festival exists contentedly on the margins, like its namesake neighborhood and much of the music on its bill…The mood in the audience was neighborly, with a higher ratio of small children to youngish adults than I’ve seen at any musical event not expressly pitched as a kids’ show.” —Nate Chinen, New York ...
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