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243

Article: Album Review

Ken Fowser & Behn Gillece: Little Echo

Read "Little Echo" reviewed by Raul d'Gama Rose


If Marc Free, Nick O'Toole and the team at Posi-Tone Records continue producing albums in the same manner as they have been since the inception of the label in 1994, they will surely be further along the path to emulating the legacy of the Blue Note label, which has produced some of the finest music of ...

726

Article: Interview

Abbey Lincoln: African Queen in a Top Hat

Read "Abbey Lincoln: African Queen in a Top Hat" reviewed by Joan Gannij


(This interview was conducted in 2002) Abbey Lincoln made a stop in Amsterdam in 1998 for a rare appearance at the 110-year old Concertgebouw, where Sonny Rollins likes to play when he comes to town. The sellout crowd was composed mainly of seemingly staid yet perennially hip “pensionados" (as the Dutch like to ...

260

Article: Album Review

Thierry Gomar: Between Two Worlds: Opus II

Read "Between Two Worlds: Opus II" reviewed by Jeff Dayton-Johnson


Between Two Worlds : Opus II features vibraphonist Thierry Gomar in a solo performance, alternating between two three-octave vibraphones: one acoustic and the other electro-acoustic. By means of discrete electronic treatment of the recording on the one hand, and a particularly rich synthesis of musical influences--contemplative music somewhere at the juncture between jazz and contemporary composition--on ...

384

Article: Album Review

Ken Fowser / Behn Gillece: Little Echo

Read "Little Echo" reviewed by John Barron


Tenor saxophonist Ken Fowser and vibraphonist Behn Gillece have been performing together since the 1990s as teenagers growing up outside of Philadelphia. Now residents of New York City, the two host a weekly jam session at Smalls Jazz Club where they've had the opportunity to perform with an A-list of jazz performers. Little Echo, the follow ...

246

Article: Album Review

Ken Fowser & Behn Gillece: Little Echo

Read "Little Echo" reviewed by Dan Bilawsky


Tenor saxophone and vibraphone frontlines--while not as commonplace as two horn teams--have their place in history. Lionel Hampton and Stan Getz had a marvelous meeting in the studio and Milt Jackson recorded with Sonny Rollins, Coleman Hawkins and John Coltrane, on different occasions. Bobby Hutcherson added to this legacy, working with Dexter Gordon and maintaining a ...

294

News: Festival

North Sea Jazz 2010 Leads Tour de Jazz

The widely renown port of Rotterdam promises to provide even more metropolitan vibrancy than usual from July 9th through the 11th, as the 35th edition of the North Sea Jazz juggernaut raises the standard of musical entertainment once again. In terms of big bang for the show time buck and relative ease of multiple-venue accessibility, when ...

916

Article: Big Band Report

Rob McConnell: Boss of Bosses

Read "Rob McConnell: Boss of Bosses" reviewed by Jack Bowers


Even though largely unknown to most of us south of the border, a number of world-class big bands have made their home in Canada over the years. For nearly three decades, however, there was one whose name and influence rose conspicuously above the others. That band was, of course, the incomparable Boss Brass, and the reason ...

222

News: Interview

Drummer Eddie Marshall Interviewed at AAJ

Drummer Eddie Marshall Interviewed at AAJ

Legendary drummer and composer Eddie Marshall has been kicking hard for more than 50 years. He has played in R&B bands and in different types of jazz combos, in collaboration with musicians including Bobby Hutcherson, Kenny Burrell, Dexter Gordon, Stan Getz, The Pointer Sisters and Dionne Warwick, among others. Furthermore, he's recorded his own music [Holy ...

1,249

Article: Interview

Eddie Marshall: Search and Recall

Read "Eddie Marshall: Search and Recall" reviewed by Josep Pedro


Legendary drummer and composer Eddie Marshall has been kicking hard for more than 50 years. He has played in R&B bands and in different types of jazz combos, in collaboration with musicians including Bobby Hutcherson, Kenny Burrell, Dexter Gordon, Stan Getz, The Pointer Sisters and Dionne Warwick, among others. Furthermore, he's recorded his own music [Holy ...

289

Article: Album Review

Joe Chambers: Horace to Max

Read "Horace to Max" reviewed by John Kelman


Though best known for his drum work on key 1960s Blue Note sessions with artists including vibraphonist Bobby Hutcherson, pianist Andrew Hill and saxophonist Wayne Shorter, Joe Chambers has gradually built a reputation as an equally distinctive composer and mallet player. Horace to Max is more heavily weighted towards cover material from Shorter, bassist Marcus Miller, ...


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