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25

Article: Year in Review

Chris May's Best Releases of 2019

Read "Chris May's Best Releases of 2019" reviewed by Chris May


The world may be going to hell in a handcart, but the year has been full of uplifting jazz. Here are ten of the best albums--the first seven newly recorded, the final three reissued or recently unearthed. Each one is the coyote's cojones. Yazz Ahmed Polyhymnia Ropeadope The eagerly ...

18

Article: Album Review

Joe Armon-Jones: Turn To Clear View

Read "Turn To Clear View" reviewed by Chris May


A cornerstone of London's underground jazz scene—as well as leading his own band he plays in Ezra Collective and groups led by the tenor saxophonists Binker Golding and Nubya Garcia—the keyboard player Joe Armon-Jones released his first own-name album, Starting Today (Brownswood), in spring 2018. A jewel of nu-fusion which owes almost as much to the ...

22

Article: Album Review

Binker Golding: Abstractions Of Reality Past & Incredible Feathers

Read "Abstractions Of Reality Past & Incredible Feathers" reviewed by Karl Ackermann


Binker Golding has been gathering a loyal and impressive following on the London jazz scene with comparisons to John Coltrane and Sonny Rollins. Dispensing with some measure of hyperbole, Golding's prestigious UK based MOBO and MOJO awards, and growing fan base lend validity to his local stature. Like Idris Rahman, Nubya Garcia and Shabaka Hutchings (Sons ...

17

Article: Album Review

Binker Golding: Abstractions Of Reality Past & Incredible Feathers

Read "Abstractions Of Reality Past & Incredible Feathers" reviewed by Chris May


None of the new, legion improviser-composer tenor saxophonists on London's underground scene are more accomplished than Binker Golding, and unlike many avant-garde players, Golding has a thorough knowledge of the saxophonists who preceded him. His originality is, in a phrase coined by Harold Rosenberg, art critic on The New Yorker in the 1970s, “emblazoned with the ...

61

Article: Profile

We Out Here: The Fast-Forward Evolution of British Jazz

Read "We Out Here: The Fast-Forward Evolution of British Jazz" reviewed by Chris May


After a lifetime in the shadow of its American parent, British jazz is finally coming of age. A community of young, London-based musicians is forging a style which, while anchored in the American tradition, reflects the modern Caribbean and African cultural heritages of the majority of its vanguard players. The music also addresses the race, class ...

10

Article: Live Review

Binker Golding Quartet and Denys Baptiste Quartet at the London Saxophone Festival

Read "Binker Golding Quartet and Denys Baptiste Quartet at the London Saxophone Festival" reviewed by Chris May


Binker Golding Quartet / Denys Baptiste Quartet London Saxophone FestivalThe Jazz Cafe London May 23, 2019 The launch event for the 2019 London Saxophone Festival, which runs until June 16, featured two of the most edge-of-your-seat, high impact, kick-out-the-jams tenor saxophone-led bands in the recorded history of British jazz. ...

4

Article: Live Review

Walthamstow Jazz Festival 2019

Read "Walthamstow Jazz Festival 2019" reviewed by Luke Seabright


Walthamstow Jazz Festival London February 16, 2019 If you're not from London the name Walthamstow most likely means nothing to you, unless perhaps you admire the work of designer and craftsman William Morris. Even to most Londoners it is probably little more than the fabled end of the Victoria Line. ...

10

Article: Album Review

Zara McFarlane: East Of The River Nile

Read "East Of The River Nile" reviewed by Chris May


As a teaser for her upcoming album, the divine Zara McFarlane has released a 4-track EP revisiting Jamaican dub and rockers wizard Augustus Pablo's canonical 1977 single “East Of The River Nile." McFarlane's disc, on which her wordless vocals stay close to Pablo's original melodica topline, showcases her signature blend of jazz and Caribbean music to ...

10

Article: Album Review

Sarah Tandy: Infection In The Sentence

Read "Infection In The Sentence" reviewed by Chris May


Sarah Tandy made a mark on the alternative London jazz scene three years ago as the pianist on alto saxophonist Camilla George's luminous debut, Isang (Ubuntu). More recently, she has played piano and keyboards on two other headline albums: George's The People Could Fly (Ubuntu, 2018), and alto saxophonist Cassie Kinoshi's SEED Ensemble's debut, Driftglass (Jazz ...

8

Article: Album Review

Binker Golding & Elliot Galvin: Ex Nihilo

Read "Ex Nihilo" reviewed by Luke Seabright


Ex Nihilo sees the pairing of two British rising stars: Elliot Galvin on piano and Binker Golding, (one half of the acclaimed Binker and Moses) on saxophones. Communication is at the heart of most improvised music, and a duo strips this communication down to its most fundamental unit: the dialogue. Here the two converse with remarkable ...


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