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Results for "Billy Strayhorn"
The 14 Jazz Orchestra: Nothing Hard Is Ever Easy
by Angelo Leonardi
Dischi come questo sono indicativi dell'alto livello professionale che il jazz statunitense esprime anche nelle cosiddette zone di periferia, lontane da New York, Chicago o Los Angeles. Quest'orchestra opera in Florida ed è formata da 13 insegnanti o ex alunni della Miami University diretti dall'arrangiatore Dan Bonsanti e integrati da pregevoli ospiti: Will Lee ...
Duke Ellington & His Orchestra: Rotterdam 1969
by Jack Bowers
Here's a succulent and long-hidden treat for Duke Ellington aficionados: a wide-ranging and reasonably well-recorded concert performance by the Ellington orchestra from 1969 at the Do Doelen Concert Hall in Rotterdam, The Netherlands. Many of Ellington's tried-and-true favorites are here, along with a number of lesser-known themes such as tenor Paul Gonsalves' feature, “Up Jump"; “Come ...
Two Time Grammy Nominee And Downbeat Critics Poll “Rising Star” Winner Joey Alexander Releases His Second Album "Countdown" On Motéma Music
After A Summer of U.S. and International Tour Dates, 13-Year-Old Jazz Pianist and Composer Will Headline His Record Release Engagement September 29-October 2 at Dizzy’s Club Coca-Cola in NYC “A thoughtful musician as well as a natural one, with a sophisticated harmonic palette and a dynamic sensitivity.”—The New York Times “One of the jazz world’s youngest ...
John Coltrane: My Favorite Things (Not Including “My Favorite Things”)
by Matt J. Popham
John Coltrane died on July 17, 1967 at the age of forty. Had he lived, he would have turned 90 on September 23rd of this year. When one considers the profound effect he had--not just on jazz, but on music as a whole--in the brief two decades of his career, it's not only daunting, but depressing, ...
Joey Alexander: Countdown
by Doug Collette
Like most such facile categorizing, 'child prodigy' usually ends up being a dead end rather than a means to explore the subject at hand. In the case of Joey Alexander, it's a disservice precisely because it's so restrictive: if he proves anything on his second album, it is that he will not be confined.
Tito Mangialajo Rantzer e il Questionario di Proust
by AAJ Staff
All About Jazz Italia: Il tratto principale della mia musica. Tito Mangialajo Rantzer: Che sia sincera e con lo sguardo verso l'ignoto e il rischio. Ma anche che sia in qualche modo legata alla tradizione, al suono di quella musica che chiamiamo jazz, della quale sono terribilmente innamorato. AAJI: La qualità che ...
Singer Sam Fazio Returns To Feinstein's By Popular Demand On October 8!
Chicago-based vocalist Sam Fazio returns to Manhattan for a special evening this Fall. Sam’s repertoire includes a unique mix of American standards, swing tunes and pop classics. His heartfelt interpretations bring new life to the standards and showcase his current, yet classic style. Sam’s phrasing and storytelling is said to be reminiscent of the great Sinatra ...
Larry Dickson Jazz Quartet: Summergold Promises
by Jack Bowers
Cincinnati-based baritone saxophonist Larry Dickson's new album, Summergold Promises, is almost a companion piece to his previous enterprise, Second Springtime, which was appraised favorably here less than a year ago. The word “almost" is necessary because Dickson's front-line partner on Springtime, tenor saxophonist Brent Gallaher, has been replaced by trombonist Bill Gemmer, lending the quartet a ...
U.S. Jazz From Denmark: Six Recent SteepleChase Releases
by David A. Orthmann
The opportunity to listen to six recently released discs on the venerable SteepleChase label (and the SteepleChase LookOut branch) is a little like reading an anthology of short stories by distinguished authors from a particular year or period. You get a hearty helping of vital, mature voices, most of whom operate somewhere in the jazz mainstream, ...
Charlotte Jazz Orchestra: Uptown Down
by Jack Bowers
Uptown Down is the second album by the Charlotte (NC) Jazz Orchestra, a credibly proficient ensemble for a city that size. Unlike its earlier, in-house endeavor, this one is intended for public consumption; also unlike its sequestered debut, the CJO has chosen this time to intersperse its half-dozen instrumentals with vocals by Renee Ebalarosa. Is that ...
