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Results for "Billy Strayhorn"
Tito Mangialajo Rantzer e il Questionario di Proust
by AAJ Staff
All About Jazz Italia: Il tratto principale della mia musica. Tito Mangialajo Rantzer: Che sia sincera e con lo sguardo verso l'ignoto e il rischio. Ma anche che sia in qualche modo legata alla tradizione, al suono di quella musica che chiamiamo jazz, della quale sono terribilmente innamorato. AAJI: La qualità che ...
Singer Sam Fazio Returns To Feinstein's By Popular Demand On October 8!
Chicago-based vocalist Sam Fazio returns to Manhattan for a special evening this Fall. Sam’s repertoire includes a unique mix of American standards, swing tunes and pop classics. His heartfelt interpretations bring new life to the standards and showcase his current, yet classic style. Sam’s phrasing and storytelling is said to be reminiscent of the great Sinatra ...
Larry Dickson Jazz Quartet: Summergold Promises
by Jack Bowers
Cincinnati-based baritone saxophonist Larry Dickson's new album, Summergold Promises, is almost a companion piece to his previous enterprise, Second Springtime, which was appraised favorably here less than a year ago. The word “almost" is necessary because Dickson's front-line partner on Springtime, tenor saxophonist Brent Gallaher, has been replaced by trombonist Bill Gemmer, lending the quartet a ...
U.S. Jazz From Denmark: Six Recent SteepleChase Releases
by David A. Orthmann
The opportunity to listen to six recently released discs on the venerable SteepleChase label (and the SteepleChase LookOut branch) is a little like reading an anthology of short stories by distinguished authors from a particular year or period. You get a hearty helping of vital, mature voices, most of whom operate somewhere in the jazz mainstream, ...
Charlotte Jazz Orchestra: Uptown Down
by Jack Bowers
Uptown Down is the second album by the Charlotte (NC) Jazz Orchestra, a credibly proficient ensemble for a city that size. Unlike its earlier, in-house endeavor, this one is intended for public consumption; also unlike its sequestered debut, the CJO has chosen this time to intersperse its half-dozen instrumentals with vocals by Renee Ebalarosa. Is that ...
Saxophonist Tom Harrison Celebrates Ellington and Strayhorn with "Unfolding In Tempo" Featuring Cleveland Watkiss - Available in October
Rising star saxophonist Tom Harrison unveils his hotly anticipated second release Unfolding in Tempo on October 14th 2016. The long-awaited live album will be released on Lyte Records in October 2016 in the esteemed company of releases by jazz stars Ari Hoenig, Jean Toussaint, Jason Rebello and David Lyttle. The album documents two nights of Harrison’s ...
Noah Preminger: Some Other Time
by Karl Ackermann
After several releases, tenor saxophonist Noah Preminger's uniqueness has become more evident. In large part, this curve is due to Preminger's own patient development of a creative process; part is an individual style but much of the appeal is in how he creates around the broader dynamics of his various groups. What has been consistent, from ...
Dick Sisto/Steve Allee Quartet: Earth Tones
by Dan Bilawsky
While Earth Tones is the first album credited to the Dick Sisto/Steve Allee Quartet, it's not this foursome's first rodeo. This group has been at it as a working band for quite a while now, and it previously released Spirit of Life (Jazzen, 2013)--a date under Sisto's name that concentrates on the work of John Coltrane, ...
Montreux Through The Decades: Jazz Recordings, Part One
by Ian Patterson
To celebrate Montreux Jazz Festival's 50th edition in 2016, and as a posthumous tribute to the festival's founder, the late Claude Nobs, All About Jazz is launching a new column entitled Montreux Through the Decades, which will periodically present reviews of officially released live recordings from MJF, from its first edition in 1967 to the present. ...
Ed Neumeister: Suite Ellington
by Karl Ackermann
A complete summary of trombonist Ed Neumeister's musical career would date back to his pre-school years. Initially a regular fixture on the San Francisco circuit, he later immersed himself in the New York jazz scene dividing almost thirty-five years between the Duke Ellington Orchestra and the Mel Lewis Big Band. His additional experiences with classical orchestras ...
