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Bill Frisell: The ECM Years
by John Kelman
Nothing trumps right place, right time. Sure, most artists pay plenty of dues-- sometimes in the public eye, oftentimes not--but for some, there's that serendipitous event that leads to greater visibility. Bill Frisell, surely one of the most important and influential guitarists of his generation, undoubtedly deserves all the accolades and artistic freedom he's achieved in ...
Anthony Braxton: Trio & Quintet (Town Hall) 1972
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by Troy Collins
Time has an ability to obscure certain details of the past. This notion is apparent when considering the multi-decade oeuvre of visionary composer Anthony Braxton, whose restructuralist Tri-Axium Theory is as unique as Ornette Coleman's Harmolodic Theory or Cecil Taylor's Unit Structures. Braxton's use of pulse structures and multiple logics has long encouraged a considerable amount ...
Bertram Turetzky: Contrabass Pioneer
by Robert Bush
Contrabassist Bertram Turetzky's career is nothing short of extraordinary. He almost single handedly redefined the role of the bass in 20th Century classical music, from one of back row support to that of featured and celebrated soloist. Even within the confines of classical music, Turetzky's range is huge: he is a master of early, pre- Bach ...
Anthony Braxton: Trio & Quintet (Town Hall) 1972
by Mark Corroto
Maybe the world wasn't ready for the music of Anthony Braxton back in 1972, when this concert was recorded, and maybe it wasn't ready for him, when it was released twenty years later in 1992. Then again, is it really ready for him today? Certainly, and this music is very accessible. This beautifully remastered ...
Mostly Other People Do the Killing: The Coimbra Concert
by Mark Corroto
The stand-up comic begins, “I went to a day of rage riot the other day, and a Moppa Elliott concert broke out." He might continue with, “Take my jazz canon, please." That is just what the bassist's quartet, Mostly Other People Do The Killing, does--seize the jazz standard and demolish it. The Coimbra Concert is the ...
Bruce Lindsay's Best Releases of 2010
by Bruce Lindsay
Like most people, I love a good list. But the act of compilation isn't easy. I have no idea of the criteria by which a collection of tunes on a CD can be judged to be The Best. Even if I had, the simple fact that I haven't heard every new jazz CD released in 2010 ...
Jon Irabagon: Foxy
by Raul d'Gama Rose
In choosing to craft his tribute to the idiom and energy of hard bop around one of Sonny Rollins' classic compositions, “Doxy," but to use the surreal, carnival atmosphere of Rollins' 1957 cover art for Way Out West (Contemporary), young tenor saxophonist, Jon Irabagon has made one of the more memorable tenor saxophone trio records, Foxy, ...
The Ullmann/Swell 4: News? No News!
by Raul d'Gama Rose
There is a marvelous gravitas that emanates from the musical waves that rush onward and beat the inner ear, spreading colors and textures like brilliant volatile smears on the music's canvas. The awesome density of Steve Swell's trombone carving the air in great circles of sound, swirling around the growling of Gebhard Ullmann's tenor saxophone brings ...
Jon Irabagon: Foxy
by Glenn Astarita
Saxophonist Jon Irabagon is a promising talent who has garnered notoriety via his work with the clever and explosive quintet, Mostly Other People Do the Killing. On Foxy, legendary drummer Barry Altschul and bassist Peter Brendler provide sturdy support throughout the 78-minute sax solo extravaganza. On the opening title track, Irabagon launches an ...
Jon Irabagon Trio featuring Barry Altschul: Foxy
by Bruce Lindsay
Foxy is tenor saxophonist Jon Irabagon's fourth album as leader: a 78-minute, uninterrupted trio performance, exploring the possibilities of the 16-bar form through extended improvisation. Put another way, Foxy is a great big belly-laugh of an album; a stunning physical feat; a constantly shifting musical achievement; an adventure; and a raw and visceral performance. And it's ...
