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Cecil Taylor: Courage in Creation
by Nick Catalano
Ever since innovative artists were faced with reflecting and reacting in their art to seismic events (WWI) revolutionary science (Einsteinian relativity, Darwinian evolution, and political convolution (fascism, bolshevism) over a century ago, many faced years of scorn and condemnation. When they chose abstraction in art (Mondrian, Kandinsky) dissonance in music (Schoenberg, Bartok) or stream of consciousness ...
State and Mainstream: The Jazz Ambassadors and the U.S. State Department
by Karl Ackermann
The Cold War that began in 1947 and ran for forty-four years, had jazz music as its primary deterrent to global tensions, and it did more to foster good will between the U.S. and global citizens than any previous program launched by the U.S. Department of State. Jazz music, even in its Golden Age, was seldom ...
Alexander Hawkins / Elaine Mitchener Quartet: UpRoot
by Alberto Bazzurro
Alexander Hawkins, pianista avventuroso pur senza eccessivi salti nel vuoto, frequenta svariati organici, di cui questo --piano trio più voce --potrebbe anche apparire abbastanza usuale, se non fosse che poi, alla prova dei fatti, tutto procede abbastanza eccentrico rispetto a tale assunto. La cointestataria del quartetto, la vocalista anglo-giamaicana Elaine Mitchener, per cominciare, ...
Paula Shocron: Paths to a New Sound
by Jakob Baekgaard
When Werner X. Uehlinger, the founder of Hat Hut Records, was asked about a statement on why he liked Argentinian pianist Paula Shocron's music, the answer was clear, short and succinct: “The quality of surprise." Uehlinger discovered Shocron's music through her work with the SLD Trio and he liked their debut Anfitrión so much that the ...
Presenting Problem
by Duncan Heining
Jazz often appears to exist within its own cultural and artistic paradigm, isolated from other arts and in its own discreet musical corner. Worse still from the perspective of those who would hope to make a living from it, it often seems that more people want to play the music than listen to it or, more ...
Cortex: Avant-Garde Party Music
by John Sharpe
Why change a winning formula? If Norwegian crew Cortex has considered that question, then the response was likely an unconcerned shrug. Studio session Avant-Garde Party Music continues firmly in the winning vein established by Clean Feed predecessors Live! (2014) and Live In New York (2016), mashing 1960s New Thing tropes with contemporary inside/outside soloing. Trumpeter Thomas ...
Alexander Hawkins / Elaine Mitchener Quartet: UpRoot
by Glenn Astarita
Since the mid-2000s, British pianist, composer, Alexander Hawkins (Evan Parker, Chicago/London Underground) has become a force to be reckoned with, largely within Europe's exploratory progressive jazz and improvising circles. As a collaborator and solo artist, the pianist transmits a distinctive line of attack, where melody and free-form extrapolations enjoy a happy coexistence. On this studio set, ...
Jazz Vinyl Lover? Sign Up For "Vinyl Me, Please" Classics Club
It’s been the worst kept semi-secret on Vinyl Me, Please these last two months: we’ve launched a new side subscription called Vinyl Me, Please Classics. Every month, current members of the main Vinyl Me, Please club, can sign up to receive an album in the classic genres of jazz, blues or soul. Want a crate-digger soul ...
Jazz At Princeton University Announces Broad And Dynamic 2017-2018 Season: October 14, 2017 – May 12, 2018
Jazz at Princeton University, helmed by acclaimed saxophonist/composer Rudresh Mahanthappa, presents a rich and varied 2017-2018 season, October 14, 2017 – May 12, 2018. Highlights include performances by student groups joined by guest artists including celebrated pianist Gerald Clayton, renowned vocalist Theo Bleckmann, saxophone legend Archie Shepp with Amina Claudine Myers, and venerable Panamanian pianist Danilo ...
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