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Album

Blue Maqams

Label: ECM Records
Released: 2017
Track listing: Opening Day; La Nuit; Blue Maqams; Bahia; La Passante; Bom Dia Rio; Persepoli's Mirage; The Recovered Road to Al-Sham; Unexpected Outcome.

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Article: Year in Review

Mike Jurkovic's Best Releases of 2017: Pianos Lead the Way

Read "Mike Jurkovic's Best Releases of 2017: Pianos Lead the Way" reviewed by Mike Jurkovic


There are some years when certain artists and their instrument stand tallest among the tall. This year it was piano players. Established names, exciting discoveries. Creation music for repeated listening, relentless invention, insight, humor, new equations. Each with a particular turn, a defining touch, that takes you past the chaos of our harshest days.

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Article: Year in Review

Jakob Baekgaard's Best Releases of 2017

Read "Jakob Baekgaard's Best Releases of 2017" reviewed by Jakob Baekgaard


2017 was another good year for music and while there is much unrest in the world, it is a source of comfort that it is still possible to bring people together from different corners of the world to play and sing together. Here are twelve records that stood out for me. Matthew Shipp ...

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Article: Year in Review

John Kelman's Best Releases of 2017

Read "John Kelman's Best Releases of 2017" reviewed by John Kelman


For those who may have noticed, there have been no best of lists coming from yours truly since 2014; sadly, the chronic health problem that has reduced my previous writing pace to a crawl continues without much respite. My best of the year lists have always been predicated upon having reviewed the releases chosen, and with ...

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Article: Year in Review

Mark Sullivan's Best Releases of 2017

Read "Mark Sullivan's Best Releases of 2017" reviewed by Mark Sullivan


No genre breakdown this year. I've included every release that I rated at 4.5 stars or better, plus a number of 4 star reviews (that was the hard part, as there were lots of those). ECM had an exceptionally strong year, and I had trouble limiting my selection even this much. This is a chronological list, ...

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Article: Album Review

Django Bates: The Study of Touch

Read "The Study of Touch" reviewed by Vincenzo Roggero


Folletto imprevedibile e difficilmente etichettabile della scena creativa britannica -salta con disinvoltura da lavori orchestrali al piano solo, da composizioni per il teatro e per il cinema a commissioni di musica sinfonica, da collaborazioni con Tim Berne e Bill Bruford a quelle con George Russell e George Gruntz -Django Bates è stato elemento propulsivo fondamentale nella ...

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Article: Album Review

Bjorn Meyer: Provenance

Read "Provenance" reviewed by Karl Ackermann


Bassist Björn Meyer strongly believes that there are multiple functions for bass. Born just outside of Stockholm, he started out playing piano and some guitar but when he randomly picked up a bass, he realized that he had found his instrument. Self-taught, he had been inspired by the diverse styles of Marcus Miller and Jaco Pastorius. ...

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Article: Album Review

Anouar Brahem: Blue Maqams

Read "Blue Maqams" reviewed by Mike Jurkovic


Oud-master Anouar Brahem's instantly intoxicating, Blue Maqams, caps off a truly remarkable year for ECM Records. Just think, the label's release schedule this year included essential recordings by Benedikt Jahnel Trio's The Invariant, Django Bates' breakthrough The Study of Touch, Colin Vallon Trio's Danse, Vijay Iyer Sextet's Far From Over, and Gary Peacock's Tangents, all of ...

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Article: Album Review

Anouar Brahem: Blue Maqams

Read "Blue Maqams" reviewed by Mark Sullivan


Tunisian oudist/composer Anouar Brahem has been playing with jazz improvisers since the 1980s. But his earliest ECM recordings, Barzakh (1991) and Conte de l'Incroyable Amour (1992) stayed firmly in the Arabic music tradition. His recordings with jazz players began with Madar (1994) with saxophonist Jan Garbarek and tabla player Shaukat Hussain; Thimar (1997) with bassist Dave ...

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Article: Album Review

Anouar Brahem: Blue Maqams

Read "Blue Maqams" reviewed by John Kelman


Following an unusually long, five-year gap between 2009's low register-driven The Astounding Eyes of Rita and 2014's particularly ambitious orchestral collaboration, Souvenance, Tunisian oudist Anouar Brahem returns with Blue Maqams, another game-changing release on ECM Records. Change--or, in some cases, natural evolution--has never been hard to find on Brahem's previous nine albums for the label, the ...


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