Home » Search Center » Results: Album Reviews
Results for "Album Reviews"
Ben Goldberg: Good Day For Cloud Fishing
by Mark Corroto
Poetry and jazz, jazz and poetry, which came first? Ben Goldberg poses that same question with Good Day For Cloud Fishing. His answer to the philosophical 'chicken or the egg' riddle is well, both. Sure, Homer wrote the Iliad centuries before King Oliver put cornet to lips, but damn if there wasn't some gutbucket rhyming to ...
Okan Ersan: Nibiru
by Roger Farbey
Guitarist Okan Ersan hails from Cyprus and was a featured soloist on his younger bassist brother Oytun Ersan's album Fusiolicious (Self Produced, 2019). On the outer space-inspired concept album Nibiru (named after the mythical planet) his jazz fusion quartet cooks a quite a solar storm. Each of the seven chapters charts a musical narrative related to ...
Jeanne Lee, Ran Blake: The Newest Sound You Never Heard
by Alberto Bazzurro
Jeanne Lee e Ran Blake si conoscono a cavallo fra anni Cinquanta e Sessanta ai corsi del Bard College di New York, affacciato sul fiume Hudson. Si producono per la prima volta in duo in occasione di un concorso all'Apollo Theater, che vincono, cosicché, sul finire del 1961, incidono un primo album, The Newest Sound Around, ...
Marion Brown: Capricorn Moon To Juba Lee Revisited
by Chris May
The release of this album is an event momentous enough to warrant repeating the preamble to the previously published review of Albert Ayler's Quartets 1964: Spirits To Ghosts Revisited.... Before considering the music on this disc, something else has to be celebrated--the resurrection of Werner X. Uehlinger's Hat Hut label (see past profiles). Founded ...
Mike Holober and the Gotham Jazz Orchestra: Hiding Out
by Karl Ackermann
Mike Holober's background as a classical pianist and conductor is just one thing that sets Hiding Out apart from the current crop of big band releases. Holober has worked in a variety of settings from solo, duo, and quintet to large ensembles. Two previous recordings with his Gotham Jazz Orchestra were the critically acclaimed Thought Trains ...
Albert Ayler: Quartets 1964: Spirits To Ghosts Revisited
by Chris May
Before considering the music on this disc, something else has to be celebrated—the resurrection of Werner X. Uehlinger's Hat Hut label (see past profiles). Founded in 1975, the Swiss-based company's hatOLOGY series championed European and American outer-limits jazz, producing a large catalogue of newly recorded and legacy material. Sadly, in 2016, financial pressures obliged Uehlinger to ...
The Art Ensemble of Chicago: We Are on the Edge: A 50th Anniversary Celebration
by Giuseppe Segala
Quanta storia. Nel 1969 Roscoe Mitchell, Joseph Jarman e il più riluttante Malachi Favors, spinti dalla lungimiranza avventurosa di Lester Bowie, si trasferirono a Parigi, accolti dalla comunità degli artisti e degli appassionati con grande attenzione. Tra questi, c'era il batterista e promotore parigino Claude Delcloo, particolarmente attivo e in contatto fin dal 1968 con l'AACM ...
The Wayne Horvitz European Orchestra: Live at the Bimhuis
by Vincenzo Roggero
Risale al 2014 Live at the Bimhuis, registrazione della European Orchestra di Wayne Horvitz presso la leggendaria venue olandese che festeggiava allora i quarant'anni di attività. Siamo circa un anno dopo la scomparsa di Lawrence “Butch" Morris, figura imprescindibile negli sviluppi della musica afroamericana, e non solo, dell'ultimo mezzo secolo. Oltre che nume tutelare di questa ...
Matt Olson: 789 Miles
by Mark Sullivan
Wisconsin-born tenor saxophonist/composer Matt Olson has traveled 789 miles from his childhood home to his current home in South Carolina, where he teaches at Furman University. His original compositions here aim to capture influences from his upbringing, but the present is well-represented by compositions from five Furman University students (graduates and current students). The format is ...
Tom Pierson: Last Works
by Roger Farbey
Classically trained Tom Pierson started out as a piano playing teenage prodigy in the early 1960s. His early orchestral background stood him in remarkably good stead since the compositions and arrangements for this masterpiece, Last Works are steeped in sonic complexity. It is also characterised by Pierson's self-stated desire not to regurgitate the past but to ...
