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The Mark Harvey Group: A Rite for All Souls
by Alberto Bazzurro
Due anni pima di dar vita alla sua creatura per eccellenza, l'Aardvark Jazz Orchestra, il trombettista bostoniano Mark Harvey si era reso protagonista alla testa del suo quartetto dell'epoca della memorabile performance oggi quanto mai meritoriamente dissotterrata dall'oblio grazie all'Americas Musicwords. Era il 31 ottobre 1971 allorché all'Old West Church di Boston andava in scena questo ...
Kenny Washington: What's The Hurry
by Dan Bilawsky
Despite what many may think, there's no prescribed timeline for firsts and career milestones. Some artists decide to initially take the reins to record when they're 18. Others only get around to doing it when they're 80. The bottom line: The right time is the right time, and nobody should worry about getting there before they're ...
Black Art Jazz Collective: Ascension
by Ian Patterson
The name has obvious political resonance. Indeed, the raison d'être of the Black Art Jazz Collective, the sextet founded by Wayne Escoffery, Jeremy Pelt and Jonathon Blake in 2013, is to celebrate African American excellence on the one hand, and--not unrelated--to raise political consciousness on the other. The BAJC's debut album,Presented By The Side Door Jazz ...
Frank Basile / Sam Dillon Quintet: 2 Part Solution
by Jack Bowers
If recent albums serve as an accurate guidepost, hard bop is making a broad and most welcome comeback. In the wake of high-octane albums by Adam Shulman, Gary Dudzienski, Cory Weeds (who doubles as producer-in-chief at Cellar Records), Marshal Herridge, the TNEK Jazz Quintet, Jerry Bergonzi, Keith Oxman, John Sneider and others comes 2 Part Solution, ...
Kenny Kotwitz & the L.A. Jazz Quintet: When Lights Are Low
by Jack Bowers
Imagine the following conversation: “Hi, my name is Kenny Kotwitz. I'm an accordionist and I want to record a centennial tribute to Art van Damme. Would you care to join me?" Okay, it probably didn't go down quite like that but the premise, in these days of rap, heavy metal, acid rock, new wave, bubblegum pop, ...
Arthur White and MERGE: When You Find It
by Jim Worsley
The spirited yet soft and melodious title track, “When You Find It," creates an early atmospheric vibe that sets the tone for what is to follow. Arthur White wastes no time in establishing his saxophone dynamics, while leaving pianist Ken Kenner a lot of room for a creative run against the understated and nourishing rhythm section ...
Pere Ubu: By Order of Mayor Pawlicki
by Glenn Astarita
Launched in Cleveland, Ohio in 1975, the group's in-depth history includes shifting personnel changes, although charismatic front man/vocalist Dave Thomas has remained at the helm since the beginning. A notable live act as they get from A to Z in expeditious and often boisterous fashion, this two- CD set compiles 2017 performances in Jarocin, Poland and ...
Frances Shelley: A Place That Exists
by Duncan Heining
Pianist Frances Shelley's third solo album, A Place That Exists, is an intriguing, atmospheric collection. Though she describes her approach as “neo-classical," Shelley might equally be described as an instant composer. Classically-influenced, she has for some years explored the potential for bringing that influence together with improvisation and electronics, with her musical partner Matthew Bickerton.
Frank Basile: 2 Part Solution
by Pierre Giroux
One might have expected there would be a plethora of baritone sax / tenor sax recordings following the standout 1959 Verve release Gerry Mulligan Meets Ben Webster. Not so, although the two principals were involved in a follow-up album in 1960 for HiFi Jazz entitled Jimmy Witherspoon With Mulligan and Webster at The Renaissance. The Frank ...
Tomoko Omura: Branches Vol. 1
by Mike Jurkovic
If, as you start to yield willingly to the sumptuous, hypnotic Branches, Vol. 1, you should need to walk away and attend to other home/bunker business, try to keep at least one ear on the music. From any point in any room you might hear a gypsy laugh, a lover cry, a Celtic reel. A marvelous ...
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