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Article: Album Review

Morgan & Casserley: Exoplanets

Read "Exoplanets" reviewed by Robin B James

by Robin B James

Exoplanets is an album which explores the darkness that is all around us. Is it all catastrophe and despair? Clearly not, because science transcends emotions, and happiness survives negative emotions. Each of the track titles refers to a planet, the sound is experimental and cosmic, from the “free jazz" school of expression. In our local galaxy, ...

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Article: Album Review

Sana Nagano: Smashing Humans

Read "Smashing Humans" reviewed by Hrayr Attarian

by Hrayr Attarian

Violinist Sana Nagano is an idiosyncratic and accomplished artist who is immersed in New York's avant-garde scene. Her sonic experiments are an end in themselves, thrilling and provocative as well as quite intimate. Nagano's debut with her new quintet, the electrifying, Smashing Humans, expresses this singular vision to its fullest, creating a wholly absorbing work of ...

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Article: Album Review

Charles Lloyd & the Marvels: Tone Poem

Read "Tone Poem" reviewed by Vic Albani

by Vic Albani

Ecco il terzo lavoro di Charles Lloyd con i suoi Marvels, lo straordinario combo con Bill Frisell alla chitarra, Greg Leisz alla pedal steel guitar, Reuben Rogers al basso e Eric Harland alla batteria. Dopo I Long to See You del 2016 (con ospiti speciali come Norah Jones e Willie Nelson), e Vanished Gardens del 2018 ...

Article: Album Review

Wayne Horvitz: Live Forever Vol. 1: The President - New York in the '80s

Read "Live Forever Vol. 1: The President - New York in the '80s" reviewed by Vic Albani

by Vic Albani

«Numero 1 della Live Forever Series: una collezione di spettacoli dal vivo curata da Wayne Horvitz e Toby Dodds. Il volume 1 contiene un imperversante set dal vivo al CBGBs nel 1987, con un “who's who" della scena downtown NY degli anni '80. Altre tracce includono quattro demo, materiale mai pubblicato dalle sessioni al ...

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Article: Album Review

Alexa Tarantino: Firefly

Read "Firefly" reviewed by Dan McClenaghan

by Dan McClenaghan

The twenty-first century sees many of us talking to a cloud-based artificial intelligence: “Alexa, play my music." And so she does. The time frame also sees the emergence of a talented human Alexa--Alexa Tarantino, who plays her music, on Firefly, the woodwindist's third album release on Posi- Tone Records, an evolutionary leap forward— conceptually and compositionally—from ...

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Article: Album Review

Schapiro 17: Human Qualities

Read "Human Qualities" reviewed by Jack Bowers

by Jack Bowers

Following its splendid premiere recording, an exploration of Miles Davis' unrivaled album Kind Of Blue (Capitol Records, 1959), composer/arranger Jon Schapiro's 17-member ensemble broadens its horizons on Human Qualities, pairing seven of the maestro's astute and adventurous charts with the Roberta Flack best-seller, “The First Time Ever I Saw Your Face." This time around, Schapiro proves ...

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Article: Album Review

Chris Pattishall: Zodiac

Read "Zodiac" reviewed by Jerome Wilson

by Jerome Wilson

This is pianist Chris Pattishall's take on Mary Lou Williams' “Zodiac Suite," an extended work that has been unjustly overlooked in jazz history. Williams originally recorded this suite in solo and trio format but Pattishall rearranges it for his quintet and adds subtle sound design touches by Rafiq Bhatia that enrich the depth and context of ...

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Article: Album Review

Harry Allen: Milo's Illinois

Read "Milo's Illinois" reviewed by C. Michael Bailey

by C. Michael Bailey

"We baked all our own bread." Daniel Defoe, A Journal of the Plague Year The COVID pandemic has changed many things about daily life, creating something of a new, mutated “normal." This is no more apparent than in many of the “outside-the-box" methods that performance artists have used to subsist and ply their ...

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Article: Album Review

Marilyn Crispell, Eddie Prévost, Harrison Smith: Concertoto

Read "Concertoto" reviewed by John Eyles

by John Eyles

Recorded live at London's Café Oto, at a November 2012 concert that was the last of a short series of gigs in Austria and Britain, this CD plays for seventy-seven minutes, fitting as much of the concert onto a single disc as was possible. As Eddie Prévost says in his sleeve notes, it contains the most ...

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Article: Album Review

Bill Evans: Live at Ronnie Scott's

Read "Live at Ronnie Scott's" reviewed by Mike Jurkovic

by Mike Jurkovic

Bill Evans was always at home onstage. Live at Ronnie Scott's, Resonance Records' fifth Bill Evans archival offering, hits the same high marks as its predecessors--2012's standard bearer Live at Art D'Lugoff's Top of The Gate , 2016's Some Other Time: The Lost Session From the Black Forest, 2018's Another Time and 2019's Evans In England--majestically ...


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