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Wollny - Parisien - Lefebvre - Lillinger: XXXX
by Phillip Woolever
This unique group effort by a progressive team of virtuoso improvisers doesn't always hit the mark of inspired mastery, but the project certainly expands such possibilities. The album is culled from a four-night stand at Berlin's well-known A-Trane club which produced around eight hours of recorded material. The intriguing, unpredictable package presented here clocks in at ...
Mark Solborg, Anders Banke, Bjørn Heebøll: Angels
by Alberto Bazzurro
Cinque temi originali (per lo più di Mark Solborg) più due di Monk, uno in sé e per sé e uno riverniciato (quanto riconoscibilissimo), la titletrack ayleriana e il conclusivo “Harvest Breed" di Nick Drake compongono questo album, che nelle geometrie non può non rimandare allo storico trio di Paul Motian con Joe Lovano e Bill ...
Ricardo Pinheiro: Turn Out The Stars—The Music Of Bill Evans
by Pierre Giroux
Much has been written about pianist Bill Evans and the influence he had on the development of new piano voices following his emergence in the 1950s. Evans infused his style with eloquent lyricism, coupled with harmonic transpositions and modal improvisations, all of which lead to an easily recognizable sound. It should be no surprise that his ...
Leni Stern: Dance
by Geno Thackara
If one key to a great dance is having the right partner, it must be a doubly (maybe even exponentially) better key to have several. Leni Stern began something of a sequence by forming a new trio for the straightforward 3 (LSR, 2018) and expanding to a quartet with 4 (LSR, 2020). The same group has further ...
The New World Jazz Composers Octet: The Next Stage
by Nicholas F. Mondello
The jazz octet has long been somewhat of a “Swiss Army Knife" for composer-arrangers. Consider, for example, the great Dave Pell, Ornette Coleman, David Murray, and the J.J. Johnson and Kai Winding Octets. In the hands of great arrangers, the eight-piece format allows arrangers to leverage the flexibility and creativity of a “Messengers" frontline with the ...
Ches Smith’s We All Break: Path of Seven Colors
by Vic Albani
Il fatto che da qualche anno la produzione discografica non sia più nelle strette mani delle multinazionali sta man mano aprendo infinite possibilità per gli artisti più creativi e, quantomeno in questo caso, ai nomi collegabili all'avanguardia. Oramai la situazione è chiarissima per i fruitori della stessa (in breve, a noi ascoltatori). Si brindi ...
Warriors of the Wonderful Sound: Soundpath
by Giuseppe Segala
Nel 2011 il sassofonista di Filadelfia Bobby Zankel, leader della big band The Warriors of the Wonderful Sound e promotore di laboratori di musica contemporanea, propose a Muhal Richard Abrams un lavoro compositivo che avrebbe dovuto essere affidato alla band, con la direzione dello stesso pianista. Operazioni di questo tipo erano già state realizzate da Zankel ...
Ian Carr: Solar Session
by Chris May
One of the first European jazz bandleaders to embrace synthesizers, bass guitars and other electric instruments, trumpeter, composer and author Ian Carr forged a singularly British style of jazz-rock with his band Nucleus, which he formed in 1969 and with which he recorded a dozen albums through the 1970s. Carr had previously paid extensive dues in ...
Carlos Vega: Art of the Messenger
by Dan McClenaghan
Tenor saxophonist Carlos Vega is a steeped-in-the-tradition fan of early bebop, displaying his passion for the genre with his nods to alto saxophonist Charlie Parker on Bird's Ticket (2016) and Bird's Up (2017), both on Origin Records. With Art Of The Messenger he shifts his focus to Art Blakey, the drummer who led the Jazz Messengers ...
Anthony Braxton: 12 COMP (ZIM) 2017
by Mark Corroto
James Joyce, Anthony Braxton, and a music fan walk into a bar. The bartender says, “what is this? Some kind of a joke?" Joyce (okay, he died in 1941 but stay tuned) indicates, “this is no joke, and please send over the sommelier." The three patrons have come to this establishment to discuss Braxton's latest project, ...
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