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About Alan Ferber

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Musician

Alan Ferber

Three-time GRAMMY-nominated trombonist-composer-arranger Alan Ferber has been called “one of the jazz world’s premier composers and arrangers for larger groups” by All About Jazz NY.  Jazz Times magazine describes Ferber’s compositions as “inspired and meticulous” and the L.A. Weekly deems him “one of the premier modern jazz arrangers of our time.”  For the last seven years, he has been recognized as one of the leading trombonists of his generation in Down Beat magazine’s International Critics’ Poll and Readers’ Poll.  Ferber was the recipient of a 2013 New Jazz Works grant from Chamber Music America, funded by the Doris Duke Foundation.  Since 2011, he has been an Adjunct Professor of jazz studies at New York University’s Steinhardt School

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Article: Album Review

Mike Holober: Hiding Out

Read "Hiding Out" reviewed by Angelo Leonardi


Un decennio dopo Quake (Sunnyside 2009), l'arrangiatore e bandleader Mike Holober riporta sotto i riflettori la newyorchese Gotham Jazz Orchestra in uno scintillante doppio compact che raccoglie due ricercate composizioni ("Flow" in tre movimenti, “Hiding Out" in cinque) e tre brani medio-lunghi (tra cui il delizioso “Caminhos Cruzados" di Jobim in due versioni). Come ...

Article: Album Review

Sara Gazarek: Thirsty Ghost

Read "Thirsty Ghost" reviewed by Angelo Leonardi


Le vocalist emerse dopo il 2010 (Cécile McLorin Salvant, Jazzmeia Horn, Veronica Swift, Cyrille Aimée ecc...) hanno messo un po' in ombra quelle del decennio precedente come Kate McGarry, Gretchen Parlato e appunto Sara Gazarek. È piuttosto buffo che l'interprete californiana (nata a Seattle ma a losangelina dal 2000) continui a essere votata nel critics poll ...

Album

Hiding Out

Label: Zoho Music
Released: 2019
Track listing: CD 1: Jumble; Flow: Movement 1: Tear of the Clouds; Movement 2: Opalescence; Movement 3: Interlude; Movement 4: Harlem. CD 2: Hiding Out: Movement 1: Prelude; Movement 2: Compelled; Movement 3: Four Haiku; Movement 4: Interlude; Movement 5: It Was Just the Wind; Caminhos Cruzados; Caminhos Cruzados (Radio Edit).

Article: Album Review

Wing Walker Orchestra: Hazel

Read "Hazel" reviewed by Angelo Leonardi


Giovani orchestratori s'affacciano di continuo sulla scena jazzistica statunitense, con opere a volte sconcertanti come questa ma comunque originali e degne di attenzione. Leader della Wing Walker Orchestra è Drew Williams, trentenne clarinetto basso proveniente da una cittadina del Missouri, diplomato in composizione jazz a New York, dove ha studiato con Ralph Alessi, Rich Perry e ...

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News: Recording

Master Drummer Jason Harnell Breaks New Ground With Experimental CD And Multimedia Experience, Total Harnage

Master Drummer Jason Harnell Breaks New Ground With Experimental CD And Multimedia Experience, Total Harnage

When Jason Harnell was six years old, his father, Grammy winning composer and arranger Joe Harnell, invited Louie Bellson to their house to hear the budding prodigy play. After playing a 15-minute solo, the legendary drummer handed the sticks to Jason and said, “Your turn.” When Jason finished, an impressed Bellson gave the boy his drum ...

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Article: Album Review

Francesca Prihasti: Adriana

Read "Adriana" reviewed by Dan Bilawsky


Francesca Prihasti paints a series of fantastic notions and tuneful tales on Adriana. For this, her third album following Night Trip (Self Produced, 2014) and Evolving (Self Produced, 2015), the young pianist expands her palette while drawing meaning from the personal realm: The album's inspiration is Prihasti's late mother, Adriana, who passed away in May of ...

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Article: Album Review

Jesse Byrom-Carter: The Next Tomorrow Is Yesterday

Read "The Next Tomorrow Is Yesterday" reviewed by Jim Worsley


Australian-born bassist Jesse Byrom-Carter finds himself at home in the New York City jazz scene with his first album. His compositional strength is at the forefront, with tunes that contain discernable melodies and a controlled, yet dynamic, rhythmic range. The ensemble is tethered nicely, with a prudent use of soloing. Instead, the listener is treated to ...

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Article: Album Review

Jesse Byrom-Carter: The Next Tomorrow Is Yesterday

Read "The Next Tomorrow Is Yesterday" reviewed by Jakob Baekgaard


Like many great musicians before him, Australian bassist Jesse Byrom-Carter traveled to New York to become a part of one of the toughest and most vibrant jazz scenes in the world. He spent three and half years in the city and formed vital connections. His debut as leader, The Next Tomorrow Is Yesterday, was recorded during ...

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Article: Album Review

Jennifer Wharton: Bonegasm

Read "Bonegasm" reviewed by Angelo Leonardi


Esattamente sessant'anni fa Melba Liston incideva Melba Liston and Her Bones, presentando due ensemble con ognuno quattro tromboni più ritmica. Quel disco dimenticato della grande trombonista è un antecedente significativo di quanto fa oggi Jennifer Wharton. È ovviamente improprio stabilire connessioni con un'opera così lontana nel tempo ma sul versante della ricchezza espressiva, melodica e ritmica ...


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