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Mats Gustafsson
by Vincenzo Roggero
If Mats Gustafsson's approach to music were to be described with a single adjective, it would have to be “intense." This applies to him both as a musician, as illustrated by over three decades of playing with stalwarts of the free and creative jazz scenes on both sides of the Ocean (Ken Vandermark, Peter Brötzmann, Joe ...
Mats Gustafsson
by Vincenzo Roggero
1. Hank Mobley, Hank Mobley (Blue Note, 1957). Il disco jazz definitivo?! È tutto perfettamente bilanciato in questa supersession. Il sax tenore è poetico e la tromba di Art Farmer non è mai stata così lirica ed emozionante. Art Blakey è un genio dello swing e la foto di copertina è una delle mie ...
Konstrukt: Molto Bene
by Mark Corroto
Many listeners still cannot fathom the concept of Turkish free jazz. Consider though, the origins of free jazz both in North American. The United States claims John Coltrane, Ornette Coleman, Sun Ra, Albert Ayler, and Cecil Taylor. But let us recognize that Europe produced Evan Parker (England), Bengt Nordström (Sweden), John Tchicai (Denmark), Peter Brötzmann (Germany), ...
Jazztopad 2016, Part 1
by Henning Bolte
National Forum of Music Jazztopad 2016 Wroclaw November 22-24, 2016 Wroclaw was this year's European Capital of Culture, sharing that title with Donostia/San Sebastian, a landmark of importance. But it isn't the only distinctive 'C' connected with the annual Jazztopad festival organized by the National Forum of Music, the representative center ...
David S. Ware & Matthew Shipp Duo: Live In Sant'Anna Arresi, 2004
by Jakob Baekgaard
Saxophonist and composer, David S. Ware (1949-2012), was one of the most original voices in modern jazz and his uncompromising approach to his art was deeply connected with a spiritual understanding of life. To Ware, playing and listening to music were different aspects of the essence of life. Ware left behind a rich ...
Merzbow/Keiji Haino/Balazs Pandi: An Untroublesome Defencelessness
by Mark Corroto
The often repeated refrain to a complaint about music is, “If it's too loud, then you're too old," doesn't apply to An Untroublesome Defencelessness by Merzbow, Keiji Haino, and Balázs Pándi. You probably should just agree, it is too loud. With any Merzbow record, it just seems to never gets old. Of late, Merzbow's, ...
Five New From Konvoj Records
by Mark Corroto
If you are a free jazz fanatic, you probably look for those out-of-print vinyl offerings from labels like Hat Hut, FMP, Sonet, and El Saturn Records. Sadly, you would have to be either independently wealthy or Mats Gustafsson to acquire the rarest of the rare music. But take heart, there are small labels producing the free ...
Giovanni di Domenico / Peter Jacquemyn / Chris Corsano: A Little Bit Off The Top
by John Sharpe
Three adept protagonists in the free improv arena assemble in a multinational gathering on A Little Bit Off The Top. Both Italian pianist Giovanni Di Domenico and Belgian bassist Peter Jacquemyn are active on the Brussels scene, while American drummer Chris Corsano shares experience with the pianist of hook ups with the likes of guitarist Jim ...
Arashi
By Akira Sakata
Label: Trost Records
Released: 2015
Track listing: Arashi; Ondo No Huna-Uta; Dora; Fukushima No Ima.
Konstrukt & Joe McPhee: If You Have Time
by Mark Corroto
There was a time when free jazz was a mysteriously strange and exotic beast, a music that evoked the “what did I just hear?" response. Today's jazz snob may quote the motto of the rock band Jane's Addiction and tell you “nothing's shocking." And that may be true. That is, if one's ears are not open ...
