Musician? Boost Your Visibility at All About Jazz

Upgrade your AAJ musician page from standard to premium and make your presence felt!

Maximize your visibility at All About Jazz by upgrading your musician page from standard to premium. With it, you'll receive All About Jazz home page exposure, a highly stylized / ad-free musician page with bonus features and benefits, an ad, plus you control where you sell your music and so much more.
Learn More
437

Ted Nash: Portrait in Seven Shades

David Adler BY

Sign in to view read count
Ted Nash: Portrait in Seven Shades
The Jazz at Lincoln Center Orchestra (JLCO) is often derided as a bastion of conservatism, although it's not clear what is conservative about an epic like trumpeter Wynton Marsalis' Congo Square (Blue Note, 2007), with its volleys of Ghanaian percussion and ensemble-singing in the Ga and Fante dialects. For that matter, the JLCO accommodates boundary-pushing musicians like Ted Nash, who holds a multi-woodwinds chair while still doing offbeat work with the likes of bassist Ben Allison and pianist Frank Kimbrough—not to mention his own groups, including Odeon and Still Evolved.

Portrait in Seven Shades is Nash's entry as an JLCO resident composer and the focus here is avowedly European (a stark contrast with Congo Square's Africa via New Orleans). Each of the seven movements takes inspiration not only from a particular painter, but also from a set of specific canvases in that artist's oeuvre, as explained in the CD booklet. The orchestration points to Duke Ellington and Gil Evans in roughly equal measure, although hard-bitten blues vocabulary plays an overt role, most notably in Dan Nimmer's swinging piano trio setup on "Matisse." Perhaps most striking is the unsettled 13/8 meter and smeary high-register brass of "Dali," which apportions solo space between trumpeter Marcus Printup, drummer Ali Jackson and Nash on alto saxophone.

JLCO head and star trumpeter Wynton Marsalis follows trombonist Vincent Gardner with a fiery statement on the multi-sectioned, cubist-inspired "Picasso." Gardner returns for a romantic, Johnny Hartman-esque vocal feature—something altogether new in Nash's writing—on the ballad "Van Gogh," again offset by Marsalis as the featured horn. Later, jittery swing and tumbling swirls of eighth notes set the stage for the closing "Pollock." Only "Chagall," with accordionist Bill Schimmel, violinist Nathalie Bonin and tubaist Wycliffe Gordon articulating Jewish/Eastern European themes, seems a bit strained and obvious in trying to connect sound and subject matter. The other movements leave more to the imagination. Listeners are free to read Nash's lucid explanations in the notes or simply let the music connect the dots.

Track Listing

Monet; Dali; Matisse; Picasso; Van Gogh; Chagall; Pollock.

Personnel

Jazz at Lincoln Center Orchestra

Album information

Title: Portrait in Seven Shades | Year Released: 2010 | Record Label: The Orchard

Post a comment about this album

Tags

View events near New York City
Jazz Near New York City
Events Guide | Venue Guide | Local Businesses | More...

Shop Amazon

More

Live!
Chick Corea Akoustic Band
Distant Voices
David Janeway
Two As One
Abbey Rader and John McMinn
Stepping Up
Simply This Quintet
Eightfold Path
Jeff Lederer
Appaz
Skerebotte Fatta
Repeat
Hogo Fogo
Mary's Ideas
Umlaut Big band

Popular

Get more of a good thing

Our weekly newsletter highlights our top stories and includes your local jazz events calendar.