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6

Article: Extended Analysis

David Binney: Lifted Land

Read "David Binney: Lifted Land" reviewed by John Kelman


In a career that seems to go from strength to strength and milestone to milestone, it's hard to imagine how David Binney manages to not only release one terrific record after another, but to do so, in some cases, under some pretty constricting terms. Like the five other albums that the influential saxophonist/composer has recorded as ...

810

Article: Interview

Stacey Kent: Trans-atlantically Yours

Read "Stacey Kent: Trans-atlantically Yours" reviewed by David Adler


This interview was first published at All About Jazz in June 2001. Stacey Kent left the States in 1991 and unwittingly became a British-based international singing sensation. She met her present husband, tenor saxophonist Jim Tomlinson, while visiting friends in London, and one thing led to another. Her first demo received airplay from ...

488

Article: Album Review

The Claudia Quintet: Royal Toast

Read "Royal Toast" reviewed by David Adler


With one exception, drummer John Hollenbeck hasn't taken prominent front-cover credit on releases by The Claudia Quintet. This holds true for Royal Toast, the band's extraordinary fifth album. The decision makes sense, for Hollenbeck's labyrinthine compositions get much of their subtlety and force from the individual players that have defined the group's identity from the start. ...

477

Article: Album Review

Jason Moran: Ten

Read "Ten" reviewed by David Adler


Pianist Jason Moran offers Ten, to mark a decade with the Bandwagon, his trio with bassist Tarus Mateen and drummer Nasheet Waits, and it's an anniversary worth celebrating. But Ten is also Moran's first release since Artist In Residence (Blue Note, 2006), so it affords him the opportunity to include pieces from long-form commissioned works he's ...

382

Article: Multiple Reviews

Manuel Valera: Yaoundé, Currents & Oscar e Familia

Read "Manuel Valera: Yaoundé, Currents & Oscar e Familia" reviewed by David Adler


Samuel TorresYaoundéBlue Conga2009 Manuel ValeraCurrentsMAXJAZZ2010 Oscar FeldmanOscar e FamiliaSunnyside2010 Cuban pianist Manuel Valera is throwing his weight around the jazz scene and ...

478

Article: Multiple Reviews

Samuel Blaser: Pieces of Old Sky & Vol à Voile

Read "Samuel Blaser: Pieces of Old Sky  & Vol à Voile" reviewed by David Adler


Samuel BlaserPieces of Old SkyClean Feed2009 Pierre Favre/Samuel BlaserVol à VoileIntakt2010 There's a wonderfully eerie quality to Pieces of Old Sky, trombonist Samuel Blaser's recording with guitarist Todd Neufeld, bassist ...

213

Article: Album Review

Tomasz Stanko: Dark Eyes

Read "Dark Eyes" reviewed by David Adler


Much of trumpeter Tomasz Stanko's output in the '00s featured the piano trio of countrymen Marcin Wasilewski, Slawomir Kurkiewicz and Michal Miskiewicz. Dark Eyes is a departure--the first recording to feature the Polish icon's new quintet with pianist Alexi Tuomarila, guitarist Jakob Bro, bassist Anders Christensen and drummer Olavi Louhivuori. Bit by bit, ...

349

Article: Album Review

Dave Holland: Pathways

Read "Pathways" reviewed by David Adler


Bassist Dave Holland's main creative vehicle has long been the Dave Holland Quintet, but in recent years he's launched a number of other groups, tweaking and expanding instrumentation while preserving something of the quintet's signature sound. On Pathways, recorded live at Birdland in 2009, Holland takes another detour with the Dave Holland Octet, which splits the ...

411

Article: Album Review

Dan Weiss: Timshel

Read "Timshel" reviewed by David Adler


Drummer Dan Weiss made a promising trio debut in 2006 with Now Yes When, featuring pianist Jacob Sacks and bassist Thomas Morgan. Timshel, the follow-up, shows an impressive amount of growth for this lineup in the years since. The ideas are bolder, the dynamics more acute, the presentation more evolved. There are few if any pauses ...

437

Article: Album Review

Ted Nash: Portrait in Seven Shades

Read "Portrait in Seven Shades" reviewed by David Adler


The Jazz at Lincoln Center Orchestra (JLCO) is often derided as a bastion of conservatism, although it's not clear what is conservative about an epic like trumpeter Wynton Marsalis' Congo Square (Blue Note, 2007), with its volleys of Ghanaian percussion and ensemble-singing in the Ga and Fante dialects. For that matter, the JLCO accommodates boundary-pushing musicians ...


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