Home » Jazz Articles » Miles Ahead: A Jazz Road Trip » Part 1: Before the First Mile
Part 1: Before the First Mile
Courtesy Billie Edison
A drive from Oregon to Florida, to experience music and living across the USA, and ultimately join a jazz cruise--a.k.a. a listening practice, unfolding in real time and written on the road, in the spaces between cities and notes.
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This winter, I'm taking the long way. Not the fastest route. Not the most efficient one. I'm driving across the country with melody in my ears and silence in the passenger seatfollowing back roads, open skies, and the spaces between cities, until the road finally meets the ocean for a jazz cruise.I'm calling this journey "Miles Ahead: A Jazz Road Trip," inspired by the emotional landscape of Miles Ahead (Columbia Records, 1958)the way it moves forward without urgency, and lets space do some of the speaking.
It's not a tour. It's not a rollout. It's a listening practice.
Along the way, I'm keeping a quiet journalroad notes, short reflections, melodic sketches, and moments that surface when they're ready. These pages were written along the way, in gas station parking lots and quiet hotel rooms, not as a record kept after the fact, but as a practice of paying attention while the miles were still unfolding, out and back both.
What follows unfolds day by day, there and back.
Miles ahead.
Day One (Travel Preparation)
Newberg, ORBefore the first mile, there is the decision no one sees. Not the packing. Not the reservations. Not the careful choreography required to make an absence look temporary. The quieter decision. The one that happens internally. The moment you realize you are no longer standing still, even while your body remains in place.
The car is already loaded. Not completely. Not perfectly. But sufficiently.
She travels alone. One companion: Prince Arlo Maximilian. Max, to everyone who meets him. A Cavalier King Charles spaniel. The bearing of royalty. The heart of a road dog.
Max asks for nothing but proximity. In return: company that requires no explanation.
Max watches closely, his body alert but untroubled. He does not need explanation. Only proximity. He knows we are going.
The upright remains inside. Waiting. The plants rooted. The jars sealed. The small evidences of continuity holding their places without protest. Nothing has asked me to leave. Nothing has pushed me out. This is not departure as escape. This is departure as listening.
I sit in the driver's seat longer than necessary, hands resting lightly on the wheel. The engine off. The morning not yet committed to becoming anything. There is no ceremony. No announcement. Only awareness. How easily a life can appear complete from the outside. How invisibly it can begin to move from within.
I turn the key. The engine responds immediately. Mechanical certainty. No hesitation. Max settles beside me, his breathing steady, already surrendered to whatever comes next.
I pause once more before shifting into drive. Not out of fear. Out of respect. For the life I built. For the version of myself who built it. For the version of myself now being asked to meet it differently.
The road opens. Gravel under the tires. There is no visible threshold. Only motion. Nothing has changed. Everything has.
The road does not rush to meet me. It waits. And for the first time, I understand that forward is not something to chase. It is something to allow.
Miles ahead.
Morning comes. And with it, the first test.
To Be Continued / See Chapter List At Top
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Portland-based jazz vocalist and 25-year trial attorney completing her memoir, Miles Ahead: A Jazz Road Trip.
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