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Part 15: Reunion

Part 15: Reunion
Billie Eidson By Billie Eidson

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A drive from Oregon to Florida, to experience music and living across the USA, and ultimately join a jazz cruise. AKA, a listening practice, unfolding in real time—written on the road, in the spaces between cities and notes.

Day Twenty-Four

On Land, Heading West

Morning light through the windshield. The ship already smaller in the rearview. No cymbals. No hallway rehearsals. No late-night sets bleeding through the walls. Just tires on asphalt.

After a week of sound, the silence lands differently. My ears still expect brushes. A bass line. Someone counting off. Instead—breath.

I sit in the driver's seat for a moment before turning the key. Letting the week settle into my bones. All that sound. All that learning. All that listening. Nothing visible has changed. And yet something essential has stabilized. The listening did not stay on the ship. It traveled with me.

And underneath it—the simplest thing waiting for me. Max.
I pick him up early. Earlier than planned. Earlier than I admitted out loud. Couldn't help it. Something in me is done lingering. Done being noble about the schedule. I just want my dog.

The trainer brings him out. He doesn't explode like he used to. No spinning. No frantic barking. He pauses. Contains the whimper. Breathes. Collects himself. Then walks toward me like he's been practicing being brave. Which he has.

I kneel. And we're both undone. His whole body pancaked against mine—ears everywhere, paws on shoulders, heart hammering against my chest. One week dissolves in about three seconds.

He pulls back just long enough to show me everything he's learned. Look, Mom. See? I'm okay. I can do this. I didn't just survive. I grew.

I recognize it immediately. Not just in him. In both of us.
Later, on the highway, he curls into the passenger seat. Head heavy against my arm. Breathing deep. Slow. His head rising and falling with the motion of the car. Each exhale heavier than the last.

After orchestras and stages and rooms full of virtuosity—this is the sound that settles me. Not applause. Not downbeats. Just breath.

I slide my hand beneath his chest, feeling the steady strength of his heartbeat. Solid. Uncomplicated. Here. He trusts the movement without needing to understand the destination. I realize I do too.

The road opens west. Not as escape. As continuation. Two bodies moving through it. On time.

I hear John Clayton's voice in my head: You started at the exact right time.

Miles ahead.

To Be Continued / See Chapter List At Top

Billie Eidson FOLLOW Billie Eidson and get notified whenever a new article published.
Portland-based jazz vocalist and 25-year trial attorney completing her memoir, Miles Ahead: A Jazz Road Trip.

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