Home » Jazz Articles » Stan Kenton and His Orchestra: Jazz Journey

5
Album Review

Stan Kenton and His Orchestra: Jazz Journey

By

Sign in to view read count
Stan Kenton and His Orchestra: Jazz Journey
For those who thought that reissues of albums by the Stan Kenton Orchestra had faded away as the well ran dry, think again: from Sounds of Yesteryear comes a welcome and invigorating Jazz Journey, traversing half a dozen concerts by the superb Kenton Orchestra that consist for the most part of unissued material from the years 1953-60, more than half of it recorded by famed engineer Wally Heider.

As author and Kenton scholar Michael Sparke observes in his perceptive liner notes, these were "arguably Kenton's most popular years, the 'Concepts' era of the 1950s (roughly the period between Innovations and the Mellophoniums)." As he further notes, Jazz Journey "avoids the well-known music and focuses on the less familiar, generally from previously unreleased performances." Of special interest is the concert held in Portland, OR, on February 25, 1954, whose celebrated guest artists were the peerless alto saxophonist Charlie Parker ("Night and Day," "Cherokee") and Bird's alter ego and fellow bebop pioneer, trumpeter Dizzy Gillespie ("On the Alamo" and "Ooh-Shoo-Be-Doo-Be," on which Gillespie also sings). According to Sparke, the all-star concert was a part of the 1954 Festival of Modern American Music. Even though Bird especially seems out of his element in a big-band setting, the concert is of great interest from an historical perspective.

A year earlier, at the Hollywood Palladium, vocalist and Kenton alumna June Christy appeared with the orchestra on the eve of her departure to entertain American troops in Korea, singing the standards "If I Should Lose You" and "Jeepers Creepers," both arranged by trombonist Bill Russo. There are two numbers from November '56, at the Macumba Club in San Francisco, "The Nearness of You," arranged by Johnny Richards, and "I Remember You," arranged by Bill Holman. Holman's "Sketch" (later titled "The Opener") leads off the aforementioned Palladium concert from January '53, which also includes Pete Rugolo's treatment of the Rodgers and Hart standard "Blue Moon."

Completing the splendid anthology are two numbers from March '58 at the Rendezvous Ballroom in Balboa Beach, CA, featuring vocalist Ann Richards, three from a June '59 engagement at the Red Hill Inn in Pennsauken, NJ, and five from a February '60 concert in Tacoma, WA. Russo arranged "Nobody Knows the Trouble I've Seen," Holman "Out of This World" for Richards, while Bill Mathieu was the Red Hill Inn's draftsman ("Lazy Afternoon," "Lush Life," The Thrill Is Gone"). In Tacoma, Gene Roland arranged the prosidic "Opus in Chartreuse Cha Cha Cha" and Billy Strayhorn's "Take the 'A' Train," Kenton "The Night We Called It a Day," "Early Autumn" and "Theme & Sign-Off."

As a bonus, Kenton introduces some numbers along the way, and even with the likes of Parker and Gillespie holding forth in Portland, one shouldn't discount the leader's broad arsenal of blue-chip soloists from that span of the orchestra's heyday, including trumpeters Conte Candoli, Buddy Childers, Lee Katzman and Bud Brisbois; saxophonists Holman, Richie Kamuca, Bill Perkins, Lennie Niehaus, Charlie Mariano, Bill Trujillo and the too-seldom-heard Marvin "Doc" Holladay; trombonists Bobby Burgess, Jimmy Knepper and Kent Larsen; bass trombonist Bobby Knight and bassist Pete Chivily.
That leads to the inescapable Achilles heel in any series of concert / nightclub recordings from sixty or more years ago, namely sound quality. While it varies in some degree from date-to-date and year-to-year, the sum total leaves no doubt as to where and when these recordings were made. Even so, that may not unsettle in the least those to whom Jazz Journey is aimed: passionate Kenton enthusiasts who are eager to hear and embrace any forgotten treasures that may emerge from history's archaic vaults. From that vantage point, it readily achieves its purpose.

Track Listing

Sketch; Blue Moon; If I Should Lose You; Jeepers Creepers; Night and Day; Cherokee; On the Alamo; Ooh-Shoo-Be-Doo-Be; The Nearness of You; I Remember You; Nobody Knows the Trouble I’ve Seen; Out of This World; Lazy Afternoon; Lush Life; The Thrill Is Gone; Opus in Chartreuse Cha Cha; The Night We Called It a Day; Early Autumn; Take the “A” Train; Theme & Sign-off.

Personnel

Stan Kenton, leader, piano. Complete personnel unlisted. Soloists: Track 1 -- Richie Kamuca: tenor sax; Conte Candoli: trumpet. Track 2 – Kenton: piano; Buddy Childers: trumpet; Bill Holman: tenor sax; Bob Burgess: trombone; Vinnie Dean: alto sax. Track 3 – June Christy: vocal. Track 4 – June Christy: vocal; Conte Candoli: trumpet; Don Bagley: bass. Track 5 – Charlie Parker: alto sax. Track 6 – Charlie Parker: alto sax. Track 7 – Dizzy Gillespie: trumpet. Track 8 – Dizzy Gillespie: trumpet, vocal. Track 9 – Bill Perkins: tenor sax; Lee Katzman: trumpet; Lennie Niehaus: alto sax. Track 10 – Lennie Niehaus: alto sax; Dennis Grillo: trumpet. Track 11 – Ann Richards: vocal; unidentified growl trumpet. Track 12 – Ann Richards: vocal. Track 13 – Charlie Mariano: alto sax. Track 14 – Kenton: piano. Track 15 – Bud Brisbois: trumpet; Bill Trujillo: tenor sax; Jimmy Knepper: trombone; Charlie Mariano: alto sax. Track 16 – Kent Larsen: trombone; Track 17 – no solos. Track 18 – Bobby Knight: bass trombone. Track 19 – Marvin Holladay: baritone sax; Pete Chivily: bass. Track 20 – no solos.

Album information

Title: Jazz Journey | Year Released: 2018 | Record Label: Sounds of Yesteryear


FOR THE LOVE OF JAZZ
Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

WE NEED YOUR HELP
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

Post a comment about this album

Tags

More

Someday
Marc Copland Quartet
Solemn Moments
Christopher Lucas Wilson
For You I Don’t Want To Go
Kirk Knuffke / Michael Bisio
Bog Bodies
Bog Bodies

Popular

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and includes upcoming jazz events near you.