All About Jazz

Home » Articles » Live Reviews

Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...

588

Five Peace Band

Geoff Anderson By

Sign in to view read count
Colaiuta seemed to be an entire percussion section all on his own. He consistently pounded out intricate polyrhythms over, under and around the whole band.
Five Peace Band
Paramount Theatre
Denver, CO
March 25, 2009

The reunion of Chick Corea and John McLaughlin—together for the first substantial time since their days with Miles Davis recording In a Silent Way(Columbia, 1969) and Bitches Brew—may be the most obvious feature of their new collaboration, Five Peace Band; but anyone hoping for a throwback would be disappointed. Corea and McLaughlin have been around the musical world dozens of times since those days, growing into influential elder statesmen, and the rest of the band members—Kenny Garrett, Christian McBride, and Vinnie Colaiuta—bring their own unique experiences that push the music in different directions.

Five Peace Band's music recalls some elements of Corea's Return to Forever and McLaughlin's Mahavishnu Orchestra, but there's a lot more at work: world music, blues, and bebop all play a role. Most of all, it's simply a pleasure listening to five top-flight musicians playing at the highest level of technical ability with intensity, hope and, above all, joy.

Alto saxophonist Kenny Garrett, another Miles alum, has worked in a smorgasbord of idioms, mainly as a leader in recent years. Bassist Christian McBride has worked primarily in jazz, but he's no stranger to funk, fusion, pop and classical music. Drummer Vinnie Colaiuta has spent much of his time on the rock side of the fusion divide, working with musicians such as Frank Zappa, Jeff Beck, Sting and Joni Mitchell. But he's also proved his jazz credentials with folks like Herbie Hancock, the Buddy Rich Big Band and Quincy Jones.

With this crew of masterful instrumentalists, intricate, complex and rapid playing is expected. They delivered in all of those departments, but their playing was also highly musical—an aspect that sets them apart from other skilled players that may strive only to set new land-speed records.
The opener, "Raju," written by McLaughlin, was a case in point. Somewhat similar to Return to Forever's "Romantic Warrior" with a little faster tempo, the theme was nicely melodic with the sax, guitar, and keys playing microbursts of virtuosic intensity while leaving plenty of room for exploratory solos.
Another McLaughlin tune, "Old Blues, New Bruise," provided some of the most emotional soloing of the evening, mainly from Garrett. That tune had some similarities to a traditional blues tune, and the band performed it in a slow 3/4 tempo, making Garrett's anguished, searching cries all the more poignant.



Corea's "Hymn for Andromeda" was a real highlight—a mini symphony with several different movements, starting slow and building to a climax. Toward the end, the band hit a one chord groove and Garrett stepped out with a frantic solo that threatened to transport the audience to another galaxy.

For the encore, Corea and McLaughlin got back to the roots of their association with "In a Silent Way/It's About That Time." They've been playing that for most of their shows on this tour. The Denver rendition was somewhat abridged—only about 10 minutes, compared to the 20 minute version on their live album. "In A Silent Way/It's About That Time" is such a classic, though, that a shortened version was absolutely better than missing it altogether.

Despite the flash of the playing, the musicians were fairly restrained in their choice of instruments. McLaughlin stuck to a single guitar all night. Corea played a grand piano, a Yamaha electric piano and a synthesizer. Garrett stayed with the same alto sax for the entire show. McBride switched between an acoustic bass and a five-string electric. Even Colaiuta had a relatively stripped down drum kit: bass, snare, three toms, trap cymbal and a half dozen other cymbals.

Corea spent much of the evening on the acoustic piano, especially for his extended introductions to songs like "The Disguise" and "Hymn for Andromeda." Of course, working in somewhat of a fusion mode, he also turned his attention to the electric piano and laid down several synthesized solos that could have jumped right off a Return to Forever record.

Tags

Related Video

comments powered by Disqus

Related Articles

Read Alan Broadbent Trio at the Deer Head Inn Live Reviews
Alan Broadbent Trio at the Deer Head Inn
by Victor L. Schermer
Published: August 15, 2018
Read Flow Festival 2018 Live Reviews
Flow Festival 2018
by Anthony Shaw
Published: August 14, 2018
Read Shipp / Lowe / Baker / Ray at Le Poisson Rouge Live Reviews
Shipp / Lowe / Baker / Ray at Le Poisson Rouge
by Karl Ackermann
Published: August 13, 2018
Read 3rd Zbigniew Seifert International Jazz Violin Competition Live Reviews
3rd Zbigniew Seifert International Jazz Violin Competition
by Ian Patterson
Published: August 9, 2018
Read Live From Brussels: Turkish Psychedelic Nite, Charlemagne Palestine & Anna Von Hausswolff Live Reviews
Live From Brussels: Turkish Psychedelic Nite, Charlemagne...
by Martin Longley
Published: August 9, 2018
Read Papanosh in a Finnish Forest Live Reviews
Papanosh in a Finnish Forest
by Anthony Shaw
Published: August 8, 2018
Read "WAR with Malo At Stern Grove" Live Reviews WAR with Malo At Stern Grove
by Walter Atkins
Published: August 27, 2017
Read "Radio Underground at The Last Stop Sports Bar" Live Reviews Radio Underground at The Last Stop Sports Bar
by Doug Collette
Published: May 12, 2018
Read "David Virelles & Nosotros at Jazz Standard" Live Reviews David Virelles & Nosotros at Jazz Standard
by Tyran Grillo
Published: February 4, 2018
Read "Charlie Parr At Higher Ground" Live Reviews Charlie Parr At Higher Ground
by Doug Collette
Published: August 4, 2018
Read "Lello Molinari Quartet at Regatta Bar" Live Reviews Lello Molinari Quartet at Regatta Bar
by Doug Hall
Published: May 6, 2018
Read "Trish Clowes at Mermaid Arts Centre" Live Reviews Trish Clowes at Mermaid Arts Centre
by Ian Patterson
Published: February 17, 2018