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Kenny Garrett
Born:
Kenny Garrett is a jazz saxophonist. He was born in Detroit, MI in 1960. His father was a tenor saxophonist. Kenny's career took off when he joined the Duke Ellington Orchestra in 1978, then led by Duke's son, Mercer Ellington. Three years later he played in the Mel Lewis Orchestra (playing the music of Thad Jones) and also the Dannie Richmond Quartet (focusing on Charles Mingus's music). In 1984, he recorded his first album as a bandleader, Introducing Kenny Garrett. From there, his career has included 11 albums as a leader and numerous Grammy nominations. During his career, Kenny has played with many jazz greats such as Miles Davis, Freddie Hubbard, Woody Shaw, McCoy Tyner, Pharoah Sanders, Brian Blade, Bobby Hutcherson, Ron Carter, Elvin Jones, and Mulgrew Miller
Lineage, Lift-Off: Sarah Hanahan’s Alto Speaks in the Present Tense
by Steven Roby
Alto saxophonist Sarah Hanahan plays with the urgency of a musician who learned the music in real time--absorbing the tradition on the bandstand and transforming it into forward momentum. “I've always been sure of my connection to the instrument," she says. “Anyone who knows me knows my dad is a drummer and a great ...
David Bode: Good Hang
by Jack Bowers
Good Hang. That is not only a good name for an album but one that depicts the luminous spirit animating a splendid debut recording by New Orleans-bred composer, arranger and saxophonist David Bode's stellar nineteen-member Crescent City-based big band. From end to end, top to bottom, stem to stern or inside out, this studio session is ...
Mitch Towne: Refuge
by Kyle Simpler
After organ trios came to prominence during the 1950s, jazz groove has never been the same. Performers like Jack McDuff, Jimmy McGriff, and most notably Jimmy Smith introduced a new level of soul to jazz music. With Refuge, organist Mitch Towne makes a compelling debut as a leader, adding his name to a who's who of ...
Sharel Cassity: In the Spirit
by Katchie Cartwright
Even on an old familiar tune like Charlie Chaplin's “Smile" (1936), it is clear from note one that Sharel Cassity is a child of Bird, an altoist in the modernist tradition of Charlie Parker. Her first influence was actually her biological father, an organist, with whom she shared the stage in New Orleans at age 11, ...
Christian McBride & Ursa Major at Assembly
by Mike Jurkovic
Christian McBride & Ursa Major Assembly Kingston, New YorkMarch 18, 2025 More than a West Philly kid who fell in love with the city's smooth '70s soul, bassist/bandleader/composer Christian McBride is a true ambassador of the vibe. The man radiates good times and good intent. With over three hundred recordings ...
David Pastor trio featuring Anna Pauline & Mattias Nilsson at Barcelona Jamboree Sala 3
by Artur Moral
David Pastor Trio featuring Anna Pauline & Mattias Nilsson Jamboree Sala 3 Barcelona, Spain Pur Jazz March 4, 2025 If David Pastor had been born, say, in Sedalia, Missouri, instead of in Sedaví, in the Spanish Valencia province, his professional career and its media impact would probably have been quite ...
Immanuel Wilkins Quartet at The Triple Door
by Paul Rauch
Immanuel Wilkins Quartet The Triple Door Seattle, WA February 28, 2025 Alto saxophonist/composer Immanuel Wilkins burst onto the scene in 2020 with his premier Blue Note release, Omega. Straight out of Juilliard in New York, Wilkins was part of a collective of musicians corralled out of the school by the ...
Carn Davidson 9: Reverence
by Jack Bowers
The Carn Davidson 9 is a Toronto, Canada-based nonet co-led by trombonist William Carn and saxophonist Tara Davidson whose fourth studio album, Reverence, encompasses a pair of four-part suites, one written by Carn, the other by Davidson. What is most interesting --over and above the depth and quality of the music--is that the suites are not ...
Kenny Garrett Speaks Through The Soul of His Jazz
by Dean Nardi
Mental bungee-jumping may not be their sport of choice, but a cerebral ledge exists that sooner or later every jazz musician must leap off. One day, ready or not, tuning up or shaking down their instrument, they will glance in a mirror, hug a pregnant mother-to-be, second-line a funeral, walk in the deepest, dark woods, chance ...
