All About Jazz

Home » Articles » CD/LP/Track Review

Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...

6

Charles Pillow Large Ensemble: Electric Miles

Mark Corroto By

Sign in to view read count
You thought not, but you can put the genie back in the bottle. What we're talking about is the specter unleashed by Miles Davis with Bitches Brew (Columbia, 1970). Davis' expanded lineup for BB with ten-plus musicians, including the electric pianos of Joe Zawinul, Chick Corea, and Larry Young, Bennie Maupin playing bass clarinet, a young guitarist John McLaughlin, two bassists, percussion, and more percussion, and oh yeah, Wayne Shorter's saxophone was ever present. Charles Pillow did that with his Large Ensemble's Electric Miles.

Back in the day, Davis devotees were split on their opinions of his new direction. Some pined for his first great quintet (with John Coltrane), others were just digging into his second quintet (Shorter, Herbie Hancock, Ron Carter, and Tony Williams), and most were trying to figure out what to make of his introduction of electric instruments with In A Silent Way (Columbia, 1969). Certainly Bitches Brew, and Miles' exploration of jazz/rock with Jack Johnson (Columbia, 1971) and On The Corner (Columbia, 1972) caused teeth gnashing for some post-bop heads, but he also created a new audience of folks who were checking out Jimi Hendrix and Sly Stone.

Looking back 50 years at Bitches Brew with the ease of today's digital access to almost every recording available at your fingertips, almost trivializes Davis' accomplishment. Where today's listeners have 110 years of jazz development, Davis had but half of that, plus consider that rock music was maybe 20 years old. This was revolutionary music. Arranger, saxophonist, and flutist Charles Pillow sums up Davis' first electric period (1969-72), not with long-form jams and Teo Macero studio splicing, but with orchestral arrangements. Davis' revolution accomplished its goals of shattering jazz into a million parts, while absorbing rock and Eastern music. Pillow escorts Davis' electric genie back into his bottle, making music in the same manner that Davis co-created with Gil Evans on Sketches Of Spain (Columbia, 1960) and Miles Ahead (Columbia, 1962). Pillow's arrangements smooth out the rougher edges, allowing soloists like Tim Hagans, who formed the tribute band Animation, and Clay Jenkins to deliver authentic echoes. Pillow dresses Electric Miles for a large ensemble while maintaining the ghostly presence of Davis. "Black Satin" swells with horn lines before nestling into the familiar On The Corner groove, with alumni Dave Liebman hoisting his saxophone. The music Pillow presents is a ripened, lets say matured version of Davis' sound. Fittingly enough in this 21st century, Zawinul's "In A Silent Way" is delivered in a regal manner as is Shorter's "Sanctuary." It is though, the lesser known "Directions" that burns the brightest on this recording with inspired solos by Hagans, trombonist Michael Davis and saxophonist Luke Norris. This recording makes you wonder what Pillow could do with Thelonious Monk's orchestral performance At Town Hall (Riverside, 1959). Hint hint.

Track Listing: Pharoah’s Dance; Bitches Brew; Black Satin; In A Silent Way; Directions; Sanctuary; Yesternow; Spanish Key.

Personnel: Charles Pillow, arranger, alto saxophone, soprano saxophone, flute, alto flute; Colin Gordon: alto saxophone, soprano saxophone, flute; Luke Norris: tenor saxophone, clarinet: CJ Ziarniak: tenor saxophone; Karl Stabnau: bass clarinet; Michael Davis: trombone; Abe Nouri: trombone; Jack Courtright: trombone; Gabe Ramos: bass trombone; Tony Kadleck lead trumpet; Charlie Carr: trumpet; Clay Jenkins: trumpet; Tim Hagans: trumpet; Julian Garvue: electric piano; Chuck Bergeron: electric bass; Mike Forfia: acoustic bass (trks . 4 & 6); Jared Schonig: drums; David Liebman: soprano saxophone (trks. 3 & 7).

Title: Electric Miles | Year Released: 2018 | Record Label: MAMA Records

Tags

comments powered by Disqus

Related Articles

Read Brothers CD/LP/Track Review
Brothers
by Dan Bilawsky
Published: September 24, 2018
Read The Fearless Flyers CD/LP/Track Review
The Fearless Flyers
by John Bricker
Published: September 24, 2018
Read Super Mood CD/LP/Track Review
Super Mood
by Glenn Astarita
Published: September 24, 2018
Read Beheaded Totem CD/LP/Track Review
Beheaded Totem
by James Fleming
Published: September 24, 2018
Read New Hope CD/LP/Track Review
New Hope
by Jack Bowers
Published: September 23, 2018
Read The Nobuki Takamen Trio CD/LP/Track Review
The Nobuki Takamen Trio
by Mark Sullivan
Published: September 23, 2018
Read "Pharaohs From Outer Space" CD/LP/Track Review Pharaohs From Outer Space
by Chris May
Published: July 1, 2018
Read "Moku Maluhia - Peaceful Island" CD/LP/Track Review Moku Maluhia - Peaceful Island
by Mark Sullivan
Published: July 18, 2018
Read "Earthshine" CD/LP/Track Review Earthshine
by Troy Dostert
Published: September 28, 2017
Read "D'Agala" CD/LP/Track Review D'Agala
by Hrayr Attarian
Published: March 13, 2018
Read "Roscanna" CD/LP/Track Review Roscanna
by Ian Patterson
Published: January 1, 2018
Read "Black Swan" CD/LP/Track Review Black Swan
by Chris Mosey
Published: March 17, 2018