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Larry Young
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A true innovator on the Hammond B3, Young took a different musical path than any of the other organ masters of his time: Although he started out drawing his major influences from the work of Jimmy Smith and the gospel and blues elements that other players employed, but eventually turned to a more complex, modal approach to the organ with sophisticated harmonic and chordal structure Larry Young was born on October 7, 1940, and hails from Newark, New Jersey. His background includes study of both classical and jazz music on the piano, but had a natural family bond with the organ. Larry Young, Senior, his father, was an organist and was the first major musical influence on his son
Pianists: Andrew Hill, Patricia Barber, and More
by Jerome Wilson
This episode from November 2021 focuses on pianists playing in every format from solo to large ensembles. Musicians featured include Andrew Hill, Patricia Barber, Horace Silver, and Fats Waller.Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) 00:00 Hassan ...
Woody Shaw: Love Dance
by Jack Kenny
With Time Travelers, Zev Feldman injects new life into Muse Records, the label founded by Joe Fields in 1972. Muse offered a platform to artists who were often in danger of being overlooked or forgotten by major record companies. Feldman, renowned for his lavishly produced archival releases, has brought the same care and vision to this ...
Classic Jazz From Donald Byrd, Carmen McRae, and Others with New Music from Michael Dease, Andy James, and Others
by David W. Daniels
Classic jazz from Cal Tjader, Johnny Griffin, Kenny Burrell, and more. Recently released jazz from the Chad Taylor Quintet, Mike Clark, and others. Birthday recognition for Clark Terry, Eddie Palmieri, and more.Playlist Mark Sherman “Explorations" from Family First (City Hall) 00:00 Cal Tjader “Tanya" from Soul Sauce (Verve) 8:13 Horace Silver “Finger Poppin'" from ...
Mitch Towne: Refuge
by Kyle Simpler
After organ trios came to prominence during the 1950s, jazz groove has never been the same. Performers like Jack McDuff, Jimmy McGriff, and most notably Jimmy Smith introduced a new level of soul to jazz music. With Refuge, organist Mitch Towne makes a compelling debut as a leader, adding his name to a who's who of ...
Ten Supreme Fender Rhodes Albums
by Chris May
In 1965, reeling from the impact of Motown and the Brit invasion led by the Beatles, and about to be hit by the triple whammy that was acid rock and the rebel culture that went with it, jazz was on the back foot. Its relevance as entertainment, art form and spiritual sustenance was under threat, at ...
Ralph Bowen: Five
by C. Andrew Hovan
Although he's better known in educational circles due to his solid commitment to jazz pedagogy as a member of the faculty at Rutgers University, Ralph Bowen has been a vital member of the jazz community since debuting with the group Out of the Blue back in the mid '80s. His adaptability to a diversity of musical ...
Larry Young, Steven Bernstein, and Karrin Allyson
by Jerome Wilson
Despite an equipment malfunction during the third set, this show covers a variety of artists from the last seventy years of jazz. Musicians heard include Larry Young, Steven Bernstein, Dennis Gonzalez, Karrin Allyson, and Hampton Hawes. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings ...
Tim Warfield: One For Shirley
by C. Andrew Hovan
Jimmy Smith and Larry Young have continually set the benchmark for creative endeavors involving jazz and the Hammond B-3 organ, Smith being acknowledged for bringing the technical virtuosity of be-bop to the instrument and Young for expanding the vernacular based on the forward-thinking implications of John Coltrane. Somewhere in between these two, a colorful range of ...
Nathan Davis Quintet: The Hip Walk
by Ken Dryden
There are numerous examples of talented American jazz musicians who had long careers but were overlooked by critics, broadcasters and much of the jazz audience, often because they spent decades as full time jazz educators, which limited their opportunities to tour in support of their recordings. Nathan Davis, primarily known as a tenor and soprano saxophonist, ...
