Results for "Larry Young"

Larry Young

A true innovator on the Hammond B3, Young took a different musical path than any of the other organ masters of his time: Although he started out drawing his major influences from the work of Jimmy Smith and the gospel and blues elements that other players employed, but eventually turned to a more complex, modal approach to the organ with sophisticated harmonic and chordal structure Larry Young was born on October 7, 1940, and hails from Newark, New Jersey. His background includes study of both classical and jazz music on the piano, but had a natural family bond with the organ. Larry Young, Senior, his father, was an organist and was the first major musical influence on his son

Jeff Cosgrove / John Medeski / Jeff Lederer: History Gets Ahead of the Story

By JEROME WILSON

William Parker gets deserved acclaim for his abilities as a bassist and his activism and leadership in the avant jazz community but not as much for his composing. Drummer Jeff Cosgrove tries to correct that with this project that features Parker's music played by an organ trio with no bassist. Cosgrove's partners in this ...

Muse Records: Ten Smoking Hot Albums

By CHRIS MAY

Alone among the other great jazz labels of the 1960s and 1970s—Blue Note, Prestige, Riverside, Impulse!, Strata-East and Atlantic—Joe Fields' Muse is rarely anthologised, written about or otherwise celebrated. Yet like its peers, Muse was prolific, releasing over 200 premium-grade albums during the 1970s, its most active decade, alone. This relative obscurity is ...

Medeski, Martin and Wood: A Retro Phenomenon for the New Millenium

By MIKE BRANNON

From the 1995-2003 archive: This article first appeared at All About Jazz in April 1999. No, they're not a law firm, and though they're not yet a household word either, MMW is a trio of formidable sonic integrity and groove. 'Fronted' by Hammond B-3 organist John Medeski, the trio has been described as everything ...

Prestige Records: An Alternative Top 20 Albums

By CHRIS MAY

Along with Alfred Lion's Blue Note and Orrin Keepnews' Riverside, Bob Weinstock's Prestige was at the top table of independent New York City-based jazz labels from the early 1950s until the mid 1960s. Like those other two labels, Prestige built up a profuse catalogue packed with enduring treasures. Originally a record retailer, Weinstock ...

The Arrival of Joe Henderson (1963 - 1967)

By RUSSELL PERRY

Joe Henderson may have been the most significant tenor saxophonist to emerge in the 1960s. Gary Giddins wrote that he is ..."an irresistibly lucid player, whose adroitness in conjuring stark and swirling riffs contributed immeasurably to two of the most durable jazz hits of the '60s, Horace Silver's 'Song for My Father' and Lee Morgan's 'The ...

Dave Stryker: Guitars, Organs & Eight-Tracks

By MARK SULLIVAN

Guitarist Dave Stryker grew up in Omaha, Nebraska and moved to New York City in 1980. His big break came when he joined organist Jack McDuff's group for two years, from 1984-85. It was through McDuff that Stryker met tenor saxophonist Stanley Turrentine, who would occasionally sit in. After leaving McDuff, Turrentine asked Stryker to join ...

Pat Bianchi: B3 Master

By R.J. DELUKE

It may be that young Pat Bianchi had little choice but to follow a career in music. After all, his father and both his grandfathers played professionally in his hometown of Rochester, NY, an area that also produced the likes of the Mangione brothers (Chuck and Gap), pianist Frank Strazzeri, saxophonist Gerry Niewood and drum legend ...

Woody Shaw: At Onkel Po's Carnegie Hall: Vol. 1: Hamburg 1979

By CHRIS MAY

Woody Shaw was born a decade or so after quintessential hard-bop trumpeters Lee Morgan, Donald Byrd and Freddie Hubbard, Shaw's professed role model. He came to the party late but he came bearing gifts—a strong technique, an ability to play inside and outside with equal conviction, and a lot of soul. These qualities were to the ...