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Jazz Articles about Michiel Borstlap
Bill Bruford: The Summerfold Collection 1987-2008
by John Kelman
Intrepid percussionist/composer/bandleader Bill Bruford began his career in the late '60s art-rock arena with Yes and, later, King Crimson, but jazz has always moved underneath, like an eddying current. His early recordings, well documented on the companion Winterfold Collection, may not speak the language of jazz, but they possess its spirit. By 1986, Bruford was looking for a new path. Crimson had again dissolved, the 1981-'84 incarnation having provided him with the opportunity to explore nascent electronic drum ...
read moreBruford-Borstlap: Sheer Reckless Abandon
by John Kelman
One of the great joys of music can be that of distance: coming back to a piece of music, a musician/group or a discography, even, years later to rediscover it anew. While returning to music after a break of months, years...even decades...is not always a revelation, it's likely true that, if the music was appealing the first time around, it will be just as compelling—maybe even more so—when a significant amount of time has passed since it was last experienced. ...
read moreMichiel Borstlap: Eldorado
by John Kelman
From rendering fusion super group Weather Report in an all-acoustic setting on Body Acoustic (Universal, 2005) to in-the-moment duets with drummer Bill Bruford, Dutch keyboardist Michiel Borstlap has few, if any, limits. Gramercy Park (Universal, 1999) was a remarkable set of acoustic and electric music that tackled classical repertoire, jazz standards and spontaneous composition. On Eldorado, Borstlap delivers an electrifyingly groove-happy set that picks up where Herbie Hancock's mid-1970s albums like Man- Child (Columbia, 1975) and later albums like Dis ...
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