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1

Album Review

Terry Gibbs Dream Band: Dream Band, Vol. 7: The Lost Tapes, 1959

Read "Dream Band, Vol. 7: The Lost Tapes, 1959" reviewed by Angelo Leonardi

by Angelo Leonardi

«Non credo che ci sia mai stata una band migliore di questa, compresa la mia». Mel Lewis espresse queste parole per la mitica orchestra che il vibrafonista Terry Gibbs guidò in California tra il 1959 e il 1961 e fu chiamata “Dream Band" per l'entusiasmo che suscitò tra i fortunati che l'ascoltarono dal vivo. Giudizi così perentori non vanno mai presi alla lettera ma ascoltando queste inedite registrazioni non li giudicherete troppo esagerati. Stan Kenton espresse simili opinioni ...

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27

Album Review

Terry Gibbs: Dream Band, Vol. 7: The Lost Tapes, 1959

Read "Dream Band, Vol. 7: The Lost Tapes, 1959" reviewed by Jack Bowers

by Jack Bowers

In 1959, vibraphonist Terry Gibbs and his recently formed big band set up shop at the Seville, a Los Angeles nightclub owned by Harry Schiller. Many of those early sessions were taped, at Gibbs' request, by famed recording engineer Wally Heider before being left on a shelf and forgotten. After two weeks at the Seville, Gibbs and the band moved to a second club, the Sundown. The band was successful, drew large crowds, and was soon recording, first for Norman ...

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11

Album Review

Terry Gibbs: Dream Band, Vol. 7: The Lost Tapes, 1959

Read "Dream Band, Vol. 7: The Lost Tapes, 1959" reviewed by Richard J Salvucci

by Richard J Salvucci

Someone once asked Terry Gibbs how it was possible that if you took his side men, or some subset of them, and put them together in another band, they never quite sounded as good. Gibbs replied, modestly, that it was all in the arrangers. He got the best arrangers, like Bill Holman, Marty Paich and Med Flory. Others did not. And so the story went. It would have been tempting to ask if, perhaps, Gibbs had ...

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3

Extended Analysis

Funky Nothingness

Read "Funky Nothingness" reviewed by Mario Calvitti

by Mario Calvitti

A quasi trent'anni dalla scomparsa e dopo il passaggio dell'intero catalogo alla Universal, prosegue al ritmo di quattro titoli all'anno la pubblicazione di album inediti di Frank Zappa. Dopo l'uscita di Mudd Club/Munich 1980, album francamente non imprescindibile a meno di essere appassionati del periodo centrato sull'album Sheik Yerbouti, ma comunque gratificato da numerosi eccellenti assoli di chitarra che basterebbero a giustificarne l'acquisto, arriva finalmente quello che per molti fan rappresenta il Santo Graal degli inediti zappiani. ...

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8

Album Review

Frank Zappa: Funky Nothingness

Read "Funky Nothingness" reviewed by Ken Dryden

by Ken Dryden

Long after his death at the age of 52 in December 1993, Frank Zappa remains one of the most fascinating musicians and composers of his generation. Zappa was a rare individual who was equally skilled playing and writing in a number of different genres and styles, Funky Nothingness represents the brief era of a band which deserved to last longer than it did. Early on, Zappa realized the importance of recording whenever possible, as an impromptu studio jam or concert ...

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4

Album Review

Stan Kenton and His Orchestra: In a Lighter Vein

Read "In a Lighter Vein" reviewed by Jack Bowers

by Jack Bowers

Stan Kenton was a man of many moods, as was his intrepid and popular orchestra, which endured until his passing in August 1979 and whose renown is kept alive even today by the Stan Kenton Legacy Orchestra. Kenton dons his carefree hat on In a Lighter Vein, an assortment of straight-ahead themes from the orchestra's jazz library, preserved in five concert performances from 1953-55 beneath the umbrella of NBC radio's All Star Parade of Bands. Original compositions ...

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