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Jazz Articles about Keith Carlock
Solstein: Solstein
by Glenn Astarita
This album marks the debut of the Norwegian/American band that spins a positive vibe that spans funk, jazz fusion, and groove-based jazz rock along with nods to classic era progressive rock. American A-list drummer Keith Carlock (Steely Dan, Toto, Sting), known for his exceptional drumming, joined Solstein for the album, which projects an exhilarating synthesis of styles. Carlock's versatility and technical prowess behind the drum kit often elevate the dynamics and rhythm of any music he collaborates on. Paired with ...
Continue ReadingWayne Krantz: Write Out Your Head
by Mike Jacobs
What do you want from Wayne Krantz anyway? It's a particularly relevant question when new release time rolls around for the guitar icon(oclast). Not that Krantz himself seems to give the question much thought. He's more known for being preoccupied with things like inventing (and reinventing) himself, exploring and capturing ineffable group mojo, or pushing the envelope toward things he has yet to try or accomplish. And, as many longtime Krantz fans would surely tell you, rightfully so. ...
Continue ReadingWayne Krantz/ Keith Carlock / Tim Lefebvre: Krantz Carlock Lefebvre
by Ian Patterson
Although notable for being guitarist Wayne Krantz's first studio recording in fifteen years this is, as the title plainly suggests, very much a trio outing. Previously, Krantz, bassist Tim Lefebvre and drummer Keith Carlock have released live recordings through Krantz's website which whilst lacking to a degree in audio quality, nevertheless capture the power and excitement of one of the great electric trios. The challenges and freedoms engendered by recording with a serious outfit like Abstract Logix, for ...
Continue ReadingDonald Fagen: Morph the Cat
by Woodrow Wilkins
There's an engaging quality to Donald Fagen's songwriting and perfectionism that makes Steely Dan fans flock to his solo albums. While The Nightfly (1982) and Kamakiriad (1993) were expressly Fagen, Morph the Cat closely resembles Steely Dan without Walter Becker. The lineup partially reflects the ensemble that recorded the Dan's 2003 release, Everything Must Go, and toured with the group that year. The cast includes drummer Keith Carlock, guitarists Hugh McCracken and Jon Herington, and trombonist Lawrence Feldman. An assortment ...
Continue ReadingDonald Fagen: Morph the Cat
by AAJ Italy Staff
Donald Fagen sta al rock come Duke Ellington stava al jazz. Non sarà per i continui attestati di stima che la mente degli Steely Dan spesso gli tributa, ma l’attitudine nella creazione e nell’arrangiamento, l’eleganza nella scelta timbrica e armonica, la condotta delle parti e la ricerca melodica come filo labile da cucire nella stoffa preziosa della song form, rimandano spesso agli insegnamenti di Ellington. L’altro elemento portante e decisivo è la letterarietà dei testi. A volte criptici, a volte ...
Continue ReadingDonald Fagen: Morph The Cat
by Mike Perciaccante
Donald Fagen's third solo CD, his first such recording in thirteen years, blends jazz, soul, funk and just about every other musical influence you can name on nine new songs whose subject matter runs the gamut. The eclectic songs on Morph The Cat cover some interesting topics: a romantic interlude with an airport security guard ("Security Joan"); a conversation with the ghost of the late Ray Charles ("What I Do"); mortality ("Brite Nightgown"); and a cult taking over the US ...
Continue ReadingDonald Fagen: Morph The Cat
by John Kelman
Sometimes tight-knit teams like Donald Fagen and Walter Becker--better known as Steely Dan--make it difficult to determine what each individual brings to the table. It's no secret that Becker and Fagen have strong jazz sensibilities, not to mention an affection for Tin Pan Alley, having started out as staff writers for ABC Records before realizing their music was too sophisticated for the artists they were writing for. But Fagen's previous solo albums--Nightfly (Reprise, 1982) and Kamikiriad (Reprise, 1993)--and Becker's 11 ...
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