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Jazz Articles about Hedvig Mollestad Thomassen


About Hedvig Mollestad Thomassen

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In Pictures

Mollestad / Reid / Warelis / Håker Flaten / Lillinger at the 19th Summer Jazz Academy

Read "Mollestad / Reid / Warelis / Håker Flaten / Lillinger at the 19th Summer Jazz Academy" reviewed by Marek J. Śmietański


A collection of photos of the mentors of the International Jazz Platform concert at Wytwórnia in Lodz on July 22, 2026 featuring Hedvig Mollestad Thomassen, Tomeka Reid, Marta Warelis, Ingebrigt Håker Flaten and Christian Lillinger. Other photo reports from the same festival: Dust Bunny at The 19th Summer Jazz Academy, QuartSky at The 19th Summer Jazz Academy, The Young Mothers at the 19th Summer Jazz Academy, Robinson Khoury Quatuor Demi-Lune at the 19th Summer Jazz Academy, Äether at the 19th Summer Jazz ...

2

Radio & Podcasts

Hedvig Mollestad, Trickster, Loren Stillman

Read "Hedvig Mollestad, Trickster, Loren Stillman" reviewed by Ludovico Granvassu


At a time when music producers have been seriously entertaining the thought of promoting one minute-long songs to deal with the short attention span of today's online music listeners, we want to celebrate musicians who are unfazed by this trend, and instead follow their internal muse. At the top of the hour the remarkable new album by Loren Stillman.Happy listening!Playlist Ben Allison “Mondo Jazz Theme (feat. Ted Nash & Pyeng Threadgill)" 0:00 Loren Stillman “Backyard" Time ...

4

Album Review

Hedvig Mollestad & Trondheim Jazz Orchestra: Maternity Beat

Read "Maternity Beat" reviewed by Gareth Thompson


Norwegian jazz-rock guitarist Hedvig Mollestad has never shied away from the big themes. Previous outings have seen her dabble with notions of Greek mythology and weather conditions, while channelling her love of guitar greats from Jimmy Page to John McLaughlin. Now with Maternity Beat, she offers a series of musings on the nature of family and social justice issues. Mollestad is backed here by the Trondheim Jazz Orchestra, whose many credits include Chick Corea and Joshua Redman. It is Mollestad's ...

4

Radio & Podcasts

Hedvig Mollestad, Wayne Horvitz, Anne Pacéo, Chris Potter & Other New Releases

Read "Hedvig Mollestad, Wayne Horvitz, Anne Pacéo, Chris Potter & Other New Releases" reviewed by Ludovico Granvassu


This week we put together an energy-packed playlist to boost us towards the finish line of the winter season. At the heart of the show is electric jazz, from a rather guitar-centric set of albums. They oscillate between the shredding power of Hedvig Mollestad or Marbin, and the legacy of the New York Downtown scene that has emerged from the vaults of Wayne Horvitz with echoes coming back to us from across the world; exhibit A: the Belgian band Echoes ...

10

Multiple Reviews

Fire And Ice: Two Nordic Contrasts

Read "Fire And Ice: Two Nordic Contrasts" reviewed by Gareth Thompson


The twin forces of ice and fire have long existed in Nordic mythology. In the twenty-first century, northern European music has offered stark contrasts too, with a scene as vibrant and compelling as any on earth. Labels such as Hubro, Odin, Rune Grammofon and Jazzland have brought us many artists with a common grounding in jazz and styles far beyond. On a first listen there is more that separates Hedvig Mollestad and Kjetil Mulelid than unites them, but no Norwegian ...

Album Review

Per Oddvar Johansen: The Quiet Cormorant

Read "The Quiet Cormorant" reviewed by Neri Pollastri


Collaboratore di alcuni dei più importanti musicisti scandinavi—da Trygve Seim a Christian Wallumrød fino alla giovane Mette Henriette—il batterista norvegese Per Oddvar Johansen è qui alla guida di un trio completato dai connazionali Helge Lien al pianoforte e Torben Snekkestad alle ance, che in due brani si allarga a quartetto con l'ingresso della chitarra di Hedvig Mollestad Thomassen, per mettere in scena musica, che ha pensato e composto durante un ritiro sulle solitarie coste nordiche. Il risultato è ...

4

Album Review

Hedvig Mollestad: Ekhidna

Read "Ekhidna" reviewed by Gareth Thompson


In 2003, the English writer John Murray published his Booker Prize-listed novel Jazz Etc. It narrated the life and times of a female guitarist, the improbably named Fanny Golightly, from working class Cumbria. One observer in the story describes Golightly's playing thus: “I suppose jazz is the only name for it. It was as delirious as heavy metal, but far too complex to be any sort of rock. Most of the time she was playing as if she wanted to ...


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