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Jazz Articles about Hank Roberts

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Album Review

Hank Roberts, Filippo Vignato: Adagio

Read "Adagio" reviewed by Angelo Leonardi


Quest'affascinante sodalizio tra il violoncellista statunitense Hank Roberts e il trombonista Filippo Vignato deriva in primo luogo dalla comune partecipazione al progetto Pipe Dream --comprendente anche Pasquale Mirra, Giorgio Pacorig e Zeno de Rossi--documentato dagli album Pipe Dream del 2018 e Blue Roads del 2022. Dal punto di vista estetico non va però dimenticato l'antecedente tra Vignato e il pianista francese Enzo Carniel nel duo Silent Room, che ha pubblicato nel 2021 l'album Aria. Come in quest'ultimo lavoro ...

Album Review

Rudy Royston: DAY

Read "DAY" reviewed by Vic Albani


Rudy Royston, batterista di prima classe (Bill Frisell, Dave Douglas, JD Allen, Ben Allison, Rudresh Mahanthappa e molti altri), approda con Day alla sua quinta uscita per l'etichetta del signor Dave Douglas, Greenleaf. Day è la seconda uscita dei Flatbed Buggy, vale a dire dell'avventuroso combo creato dal batterista con l'aiuto delle bass lines di Joe Martin, dei clarinetti di John Ellis, del violoncello di Hank Roberts e della fisarmonica di Gary Versace. L'idea base del lavoro omaggia la giovinezza ...

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Radio & Podcasts

Hank Roberts, Charles Lloyd, and Robert Wyatt

Read "Hank Roberts, Charles Lloyd, and Robert Wyatt" reviewed by Jerome Wilson


This episode includes fresh sounds from Hank Roberts and Robert Wyatt, Swing-era jazz performed by Air and Benny Goodman, and vocals by Kosi and Patty Carpenter. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) 00:00 Bill Cunliffe “Afluencia" from BACHanalia (Metro) 00:58 Juan Manuel Ceruto “A Puerto Padre" from A Puerto Padre, Tributo a Emiliano Salvador (Yemaya) 8:58 Host Speaks 16:58 Vijay ...

Album Review

Jeff Lederer, Mary LaRose: Schoenberg on the Beach

Read "Schoenberg on the Beach" reviewed by Alberto Bazzurro


La copertina, scarna ed evocativa, con quel virato seppia che le dà tutto il fascino delle cose d'antan, dice già molto circa la tipologia e il tono del lavoro, firmato da Jeff Lederer in combutta con sua moglie, la cantante Mary LaRose, la quale attraversa il disco come una sorta di presenza parallela, districandosi--quando chiamata al centro delle operazioni--attraverso testi di autori anche molto illustri (Goethe, Nietzsche e Rilke bastano a rendere l'idea?) e musiche non solo del dedicatario dell'opera, ...

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Liner Notes

Christy Doran: in The Corner Of The Eye

Read "Christy Doran: in The Corner Of The Eye" reviewed by Ian Patterson


For forty years, Irish-born, Lucerne-based guitarist Christy Doran has recorded prolifically for numerous labels. Inevitably perhaps, many of his earlier works are out of print, so it's cause for celebration that this release brings together the very best of Phoenix (hat Art, 1990) and What a Band (hat Art, 1992), two long-neglected yet essential Doran recordings. The majority of Doran's releases have been with bands, from the seventies jazz-rock/free jazz group OM to New Bag, his main working ...

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Album Review

Jeff Lederer with Mary LaRose: Schoenberg on the Beach

Read "Schoenberg on the Beach" reviewed by Jerome Wilson


Saxophonist Jeff Lederer has used several unexpected inspirations for musical projects over the years, such as Shaker hymns and the writings of Herman Melville. Schoenberg on the Beach may be the most audacious thing he has ever done. It blends the compositions of Arnold Schoenberg and Anton Webern and the sounds of Coney Island together into an intriguing song cycle performed by a team of exceptional jazz musicians. Schoenberg lived in Los Angeles in the latter part of ...

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Album Review

Rudy Royston & Flatbed Buggy: DAY

Read "DAY" reviewed by Dan McClenaghan


Drummer Rudy Royston debuted his group Flatbed Buggy in 2018, with the eponymous Greenleaf Records release. It had the feeling of a jazz-folk chamber group. With its unusual instrumentation--Gary Versace's accordion, Hank Roberts' cello, and John Ellis' bass clarinet joining Royston's drums and Joe Martin's bass--a laid-back and engaging Americana vibe emerged. The follow-up, Day, is more of the same, with a bit more swing. With an ear towards the past, the sound recalls drummer Chico Hamilton's mid-50s ...


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