Jazz Articles about George Coleman

George Coleman Organ Trio: New York, NY, October 26, 2012

by Ernest Barteldes
November 10, 2012

The George Coleman Organ QuintetThe Jazz StandardNew York, NYOctober 26, 2012Nearing the end of a weeklong residency at New York's Jazz Standard, George Coleman and his Organ Quintet kicked off their sold-out first set on Friday night, October 26, with a New Orleans-like shuffle led by guitarist Russell Malone, allowing the saxophonist's supporting quartet the chance to warm up and stretch.As the band began a second number reminiscent of Carlos Santana's “Evil Ways," ...

George Coleman: Close to Home

by Martin Longley
April 11, 2010

George Coleman's enfolding tenor saxophone tone is the embodiment of the endangered old school sound. His warm organically bluesy embrace invites the listener to sit closer, whether this Memphis man is picking spontaneously from the standards book or maybe selecting one of his own compositions. Actually, Coleman grew up down south, getting his first big break with BB King, but he has now been ensconced in New York City for just over 50 years. I dropped around to ...

Miles Davis - Seven Steps: The Complete Columbia Recordings, 1963-1964

by Colin Fleming
September 22, 2004

Seven Steps : Review #1 | Review #2 | Review #3 | Discuss | Poll

Miles Davis Seven Steps: The Complete Columbia Recordings Of Miles Davis, 1963-1964 Columbia Legacy 2004

One of the more undervalued phases in Miles Davis' career, the years 1963-64 are typically deemed a fallow period, marked by a few mildly inventive studio creations and scattershot radio broadcasts. Davis' transformations were often stylistic, but this collection puts the bulk ...

Miles Davis - Seven Steps: The Complete Columbia Recordings, 1963-1964

by Jim Santella
September 22, 2004

Seven Steps : Review #1 | Review #2 | Review #3 | Discuss | Poll

Miles Davis Seven Steps: The Complete Columbia Recordings Of Miles Davis, 1963-1964 Columbia Legacy 2004

Seven discs paint a pretty good picture of the sound that Miles Davis gave us back then.

Some of the master's mid-'60s material has not been previously issued. As had been the case time and again, the Miles ...

Seven Steps: The Complete Columbia Recordings, 1963-1964

by John Kelman
September 22, 2004

Eagerly anticipated, Seven Steps: The Complete Columbia Recordings of Miles Davis 1963-1964 documents the emergence of Miles' second great quintet, featuring saxophonist Wayne Shorter, pianist Herbie Hancock, bassist Ron Carter and drummer Tony Williams. It demonstrates, over the course of seven discs and seven hours, how critical each member of that quintet was. As the group coalesces over a period of two years it's tangible how everything falls into place, like a set of tumblers on a complicated lock.

George Coleman: My Horns of Plenty

by Mark F. Turner
November 4, 2002

This reissue of George Coleman’s recording My Horns of Plenty is a real treat for those wanting to hear the sheer talent of a lesser known saxophonist. Coleman enjoyed his greatest exposure when Miles Davis, who had a knack for surrounding himself with great musicians, featured him early on in his great '60s quintet. But since then, Coleman's musicianship has not waned. The skill and depth of Coleman's playing is clearly evident on this 1991 reissue. Equally adept on soprano, ...

George Coleman, Mike Stern, Ron Carter, and Jimmy Cobb: 4 Generations of Miles

by AAJ Staff
October 1, 2002

In terms of star power, this record's got no shortage. Every player in this quartet is a great musician--not just good, but great. That and the fact that 4 Generations of Miles was recorded live should make it exciting just to open the case. Unfortunately, that excitement dissipates not long after you press play. The group is airtight, and each player plays articulately and lyrically, but in the end it just doesn't add up to much more than you've already ...