Home » Jazz Articles » Live Review » George Coleman Organ Trio: New York, NY, October 26, 2012

4

George Coleman Organ Trio: New York, NY, October 26, 2012

By

View read count
The George Coleman Organ Quintet
The Jazz Standard
New York, NY
October 26, 2012

Nearing the end of a weeklong residency at New York's Jazz Standard, George Coleman and his Organ Quintet kicked off their sold-out first set on Friday night, October 26, with a New Orleans-like shuffle led by guitarist Russell Malone, allowing the saxophonist's supporting quartet the chance to warm up and stretch.

As the band began a second number reminiscent of Carlos Santana's "Evil Ways," Coleman quietly joined in and took the lead. As the tune progressed, it gradually shifted into a samba mode, and the bandleader improvised, largely around the melody. It was a great opportunity for percussionist Daniel Sadownick to demonstrate his dexterity with an Afro-Cuban feel, while Malone made the song his own with a few well-placed riffs between the beats.

Demonstrating that this was about improvised music, Coleman jumped into the third number without a count in, the band scrambling for a few seconds to find the key, but eventually coming together as the bandleader took the tune into a more straight-ahead groove. Coleman played a short solo and opened the space for Malone, who played mostly around chords, while organist Mike LeDonne and drummer Chuck McPherson kept a tight rhythm section.

Coleman then picked up the microphone, thanked the audience, briefly introduced the band and went right into "Honky Tonk," a classic 12-bar blues played with a Mississippi feel. This was essentially a blues jam, and Malone once again took the lead, playing in the key of E (which reportedly guitarists love but horn players hate) and channeling B.B. King-like licks. Coleman did a lot of soloing here, widely exploring his instruments possibilities to great results. LeDonne took a more conservative approach, playing a solo based on quieter, subtler notes.

The set closed with a "harder" bebop-like piece that was centered on the bandleader's notes-a most perfect way to end one a highly memorable evening.

Tags

Comments


PREVIOUS / NEXT



George Coleman Concerts

Nov 7 Fri
Nov 7 Fri
Nov 8 Sat
Nov 8 Sat

Support All About Jazz

Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

Go Ad Free!

To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

Near

More

Jazz article: Downtown Tacoma Blues And Jazz Festival 2025
Jazz article: Bark Culture At Solar Myth
Jazz article: Hingetown Jazz Festival 2025

Popular

Read Take Five with Pianist Irving Flores
Read Jazz em Agosto 2025
Read Bob Schlesinger at Dazzle
Read SFJAZZ Spring Concerts
Read Sunday Best: A Netflix Documentary
Read Vivian Buczek at Ladies' Jazz Festival

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.

Install All About Jazz

iOS Instructions:

To install this app, follow these steps:

All About Jazz would like to send you notifications

Notifications include timely alerts to content of interest, such as articles, reviews, new features, and more. These can be configured in Settings.