Results for "George Coleman"

George Coleman

No tenor saxophonist better epitomizes the robust muscularity of that heavyweight instrument of jazz expression than George Coleman. With brilliant technique and a deeply soulful tone firmly rooted in his hometown of Memphis, George has performed with many of jazz’ most legendary figures and influenced countless saxophonists during his half century in music. Growing up in Memphis’ rich musical environment of the late ‘40s and early ‘50s, alongside such notables as Booker Little, Harold Mabern, Frank Strozier, Jamil Nasser, Hank Crawford, Phineas Newborn Jr., and blues immortal B.B. King, Coleman began to teach himself to play the alto saxophone in 1950, upon being profoundly affected by the music of Charlie Parker. So prodigious was his talent that George was soon performing locally and in 1952, at the age of 17, was invited to tour with B.B

Drummers as Bandleaders: An Alternative Top Ten Albums

By CHRIS MAY

Drummers have been key members of every band which has changed the course of jazz history, from Max Roach with Charlie Parker to Elvin Jones with John Coltrane and onwards. Yet drummers have been the leaders of a surprisingly small proportion of landmark bands themselves. Chick Webb in the 1920s was the first of the few. ...

Vince Mendoza: Streams of Influence Flowing into a River of Sound

By VICTOR L. SCHERMER

Vince Mendoza is a jazz composer, arranger, and conductor of consummate originality, skill, and adaptability, so much so that he has for several decades received frequent invitations and commissions from the whole gamut of ensembles and performers like the WDR Big Band, the Metropole Orkest in the Netherlands, the Los Angeles and Berlin Philharmonic, and the ...

Ray Blue: Work

By EDWARD BLANCO

New York-based and bred, tenor saxophonist Ray Blue is no novice but a veteran player who has not received the accolades he so deserves. Perhaps after laying down and documenting an incredible volume of music on Work, the spotlight will shine a little brighter on this unheralded player. A composer and educator, as well as one ...

Miles Davis and the Second Great Quintet (1963 - 1968)

By RUSSELL PERRY

Miles Davis, through his adoption of modal music, participated in the gradual liberation that resulted in the free music of the jazz avant-garde--liberation from chord changes, from rhythm, from harmony, from melody, from structure. Yet, although he continued to explore broadly, he was public in his discomfort with free jazz. Despite this reluctance, the new quintet ...

Emmet Cohen: Masters Legacy Series Volume 4: Emmet Cohen Featuring George Coleman

By MIKE JURKOVIC

So here we are, nearly knocking on the door to February 2020, and we're listening to the second of Emmet Cohen's two entrancing, late 2019 releases: Masters Legacy Series Vol. 4 Emmet Cohen featuring George Coleman--a good harbinger for the new year. And heaven knows we could use a boatload of good harbingers these exhausting days. ...

Michael Weiss: Soul Journey

By LUKE SEABRIGHT

Bebop is a complex craft, and like all crafts the only way to get any good at it is by learning from those who mastered it before you. Jamming through the night, getting on to that bandstand and firing away your best improvised lines, jousting with your partners (be they friends or strangers) like in the ...

Richie Beirach: Indelible Memories and Thought-Provoking Reflections on a Life in Jazz, Part 2

By VICTOR L. SCHERMER

Part 1 | Part 2 Richie Beirach hovers somewhat mysteriously in the pantheon of the great modern jazz pianists. Some of the others in that category from his generation (coming up in the 1960s/'70s), like Herbie Hancock, Keith Jarrett, Chick Corea, and Kenny Barron have greater celebrity, but Beirach easily qualifies alongside them as ...

Richie Beirach: Indelible Memories and Thought-Provoking Reflections on a Life in Jazz, Part 1

By VICTOR L. SCHERMER

Part 1 | Part 2 Richie Beirach hovers somewhat mysteriously in the pantheon of the great modern jazz pianists. Some of the others in that category from his generation (coming up in the 1960s/'70s), like Herbie Hancock, Keith Jarrett, Chick Corea, and Kenny Barron have greater celebrity, but Beirach easily qualifies alongside them as ...

2019 Tri-C JazzFest Cleveland

By C. ANDREW HOVAN

2019 Tri-C JazzFest Cleveland Playhouse Square Cleveland, Ohio June 27-29, 2019 The year was 1979. Mainstream styles were on the wane and the major labels had largely abandoned jazz product, with the invention of the compact disc some three years in the future. The musical landscape in terms of jazz was ...