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About Frank Catalano

Album Review

Frank Catalano, Jimmy Chamberlain, David Sanborn: Bye Bye Blackbird

Read "Bye Bye Blackbird" reviewed by Angelo Leonardi

by Angelo Leonardi

Frank Catalano dev'essere stufo dell'etichetta di “giovane prodigio." Alla soglia dei 40 anni con una carriera ventennale, il musicista di Chicago ha tutte le carte in regola per essere considerato un esponente di punta tra i sassofonisti Rhythm & Blues, i cosiddetti honkers. Ha esordito a 17 anni con l'organista Charles Earland, l'anno seguente era già in tour con Carlos Santana e in quello successivo firmava il primo disco da leader con la Delmark. Da allora le sue ...

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Album Review

Jim Holman: Explosion!

Read "Explosion!" reviewed by AAJ Italy Staff

by AAJ Italy Staff

Al suo esordio discografico, il pianista Jim Holman si racconta attraverso gli stretti e veloci flussi estemporanei dell'hard bop. L'album, registrato in due sessioni, si avvale della partecipazione separata di due sassofonisti, Richie Cole e Frank Catalano, e di un scambio nella sezione ritmica tra Rusty Jones e Rick Shandling alla batteria al fianco del contrabbassista Brian Sandstrom.La scaletta racchiude rivisitazioni di brani celebri, nella maggior parte del periodo tra gli anni '50 e '60, ma troviamo anche ...

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Album Review

Jim Holman: Explosion!

Read "Explosion!" reviewed by Hrayr Attarian

by Hrayr Attarian

Up-and-coming Chicago pianist Jim Holman channels all his musical influences into his debut recording without losing his own personal identity. The resulting Explosion! is an intriguing album that treads the border between hard bop and bolder styles. Recorded in two sessions, the disc features Holman in the company of more established musicians like saxophonists Frank Catalano and Richie Cole. Holman deftly leads both quartets and is not overshadowed by his more experienced band mates on almost all ...

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209

Album Review

Frank Catalano: Mighty Burner

Read "Mighty Burner" reviewed by Jim Santella

by Jim Santella

Recorded live at Chicago's Green Mill and Edgewater Lounge, Mighty Burner pays homage to organist Charles Earland, with whom saxophonist Frank Catalano worked from 1995-99. Earland, who died of a heart attack at age 58 on December 11, 1999, mentored younger jazz artists during his final years. Catalano, 27, was one of those younger artists who learned his lessons well. With a piano trio in support, he blows all night long through both of these sessions. The energy! No wonder ...

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118

Album Review

Frank Catalano: Mighty Burner

Read "Mighty Burner" reviewed by Mark Corroto

by Mark Corroto

If I were a saxophonist, I certainly would want to be Maceo Parker for a day. Frank catalano Certainly had the long-time James Brown sideman on his mind when he recorded Mighty Burner.

With three fine Delmark hard bop discs under his belt, the twenty-something Chicagoan unleashes this crowd-pleasing live session. He takes no pauses, focusing on quartet music, soloing liberally and barely pausing for a minimal drum solo by Robert Gay. The title track is a rocked-out blues that ...

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153

Album Review

Frank Catalano: Pins 'n' Needles

Read "Pins 'n' Needles" reviewed by Jack Bowers

by Jack Bowers

Baby­faced Frank Catalano, who looks barely old enough to shave, wields his razor­sharp tenor saxophone like a machete on Pins ‘n’ Needles to slice and dice a trio of standards, three of his own compositions and Charlie Parker’s “Scrapple from the Apple,” ably supported by renowned trumpet master Randy Brecker (on three selections) and an incendiary rhythm section spearheaded by pianist Willie Pickens, anchored by bassist Larry Gray and driven by drummer Joel Spencer. Catalano, a Chicagoan who’s still in ...

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160

Album Review

Frank Catalano: Live at the Green Mill

Read "Live at the Green Mill" reviewed by Derek Taylor

by Derek Taylor

Not so long ago an adversarial relationship between the so-called camps of mainstream and avant-garde was the talk of the jazz press. Ostensibly led by the preening mouthpiece of Wynton Marsalis many of the “young lions” were openly and sometimes virulently critical of their creative improvising counterparts on the freer side of the fence. Things have since tempered as evidenced by Marsalis’ open admiration of Ornette Coleman and his brother Branford’s futile championing of saxophonist David S. Ware as A&R ...

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