Jazz Articles about Eddie Prevost

About Eddie Prevost

Album Review

John Butcher / Eddie Prevost: Higher Lever Levitations Vol 1 Unearthed

Read "Higher Lever Levitations Vol 1 Unearthed" reviewed by John Sharpe

by John Sharpe
July 26, 2024

Enduring connections. UK free music veterans, drummer Eddie Prėvost and saxophonist John Butcher first shared a stage in 1990, as part of guitarist Derek Bailey's famed Company weeks, but they still find plenty of worthwhile things to say to each other on Unearthed. Their encounters have been many over the intervening years, including several previous duo efforts. However, what lends this occasion its distinctive flavor is Prėvost 's decision to bring along a full kit rather than the pared-down elements ...

Album Review

Eddie Prévost: Collider – or, ‘whose drum is it, anyway?’

Read "Collider – or, ‘whose drum is it, anyway?’" reviewed by John Eyles

by John Eyles
November 9, 2022

The festivities that accompanied drummer Eddie Prévost's eightieth birthday in 2022 (including four Saturday night concerts at London's Café Oto, each celebrating a different facet of his career) served to highlight the breadth and depth of his activities and talents, and to open some audience members' eyes to previously undiscovered aspects of him. Prévost's highest profile activities in recent years have been his membership of AMM (the influential free improvisation group he joined in 1965 and has remained a member ...

Album Review

Marilyn Crispell, Eddie Prévost, Harrison Smith: Concertoto

Read "Concertoto" reviewed by John Eyles

by John Eyles
March 13, 2021

Recorded live at London's Café Oto, at a November 2012 concert that was the last of a short series of gigs in Austria and Britain, this CD plays for seventy-seven minutes, fitting as much of the concert onto a single disc as was possible. As Eddie Prévost says in his sleeve notes, it contains the most substantial parts of that memorable concert. Although not a regular or long-standing group, the stellar trio of drummer Prévost, pianist Marilyn Crispell and reeds ...

Multiple Reviews

Three Matchless Recordings

by John Eyles
November 29, 2020

Eddie Prévost has accumulated a range of achievements, any one of which would have guaranteed his place in the pantheon of improvised music. One of the founding members of AMM back in 1965, drummer Prévost is the only ever-present member of the iconic group. In November 1999, he first convened the hugely influential London workshop which (events permitting) has met to improvise every Friday evening since; the number of attendees has ranged from single figures to mid-twenties, with ...

Book Review

Duncan Heining: Trad Dads, Dirty Boppers, and Free Fusioneers - British Jazz, 1960-1975

by Mike Oppenheim
April 7, 2013

Trad Dads, Dirty Boppers, and Free Fusioneers: British Jazz, 1960-1975 Duncan Heining pp. 486 ISBN: 978-1-84553-405-9 Equinox Publishing Ltd. 2012 Trad Dads, Dirty Boppers, and Free Fusioneers: British Jazz, 1960-1975, by freelance writer Duncan Heining, is a significant addition to the jazz literature. Consisting of fourteen chapters and 450 pages of text, Trad Dads focuses on the unique circumstances surrounding British jazz in the 1960s and first half of the 1970s. Heining investigates ...

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Interview

Eddie Prevost: Looking Back, Looking Forward

by John Eyles
March 17, 2010

Drummer and percussionist Eddie Prévost was a founding member of the pioneering free-improvising group AMM, back in 1965, and has remained a member ever since. In the intervening years, AMM saw frequent personnel changes, from the early lineup of Prévost--saxophonist Lou Gare, guitarist Keith Rowe, pianist Cornelius Cardew, and cellist Lawrence Sheaff--through to the current duo of Prévost and pianist John Tilbury. Rowe left AMM in 2004 after a prolonged period of the group being a trio. Rowe gave his ...

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Album Review

Seymour Wright / Eddie Prevost: Gamut

by Nic Jones
January 13, 2009

On Gamut, Seymour Wright is credited with alto sax and Eddie Prevost's percussive credit is roto toms. When it comes down to it however, those credits are mere points of reference as this is music purged of conventional technique, as if the duo has undergone a process of rigorous self-denial in order to find out what emerges as a result of it. Furthermore the five track titles are merely the letters of the single word title, as if any other ...