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Jazz Articles about Craig Taborn

10
Album Review

Stemeseder Lillinger + Craig Taborn: Umbra III

Read "Umbra III" reviewed by Mark Corroto


Sometimes, the subversion of established paradigms unfolds through incremental variations and subtle shifts in the status quo--so gradual they can be almost imperceptible. Other times, transformation arrives in the form of unexpected revolutions, seismic and undeniable. Somewhere between these two extremes lie the musical experiments of Elias Stemeseder and Christian Lillinger. The Austrian-German duo--pianist, composer, and electronic musician Elias Stemeseder and drummer, composer, and producer Christian Lillinger--conceived Umbra, a modular ensemble framework that interweaves musical notation with fluid ...

10
Album Review

Joëlle Léandre: Lifetime Rebel

Read "Lifetime Rebel" reviewed by Mark Corroto


Joëlle Léandre is the definition of a force of nature. She is unstoppable, unforgettable, and full of boundless energy. It is the nature of her force that recordings like Lifetime Rebel attempt to capture. These four CDs--plus an interview and solo performance DVD--capture a moment, but just a moment of her inexhaustible spirit, before she moves on. Recorded in 2023, Léandre was honored with a lifetime achievement award during New York's Vision Festival. The performances captured are by diverse and ...

4
Live Review

Festival International de Musique Actuelle de Victoriaville 2024

Read "Festival International de Musique Actuelle de Victoriaville 2024" reviewed by Mike Chamberlain


Festival International de Musique Actuelle de Victoriaville Various Venues Victoriaville, Quebec, Canada May 16-19, 2024 The 40th edition of the Festival International de Musique Actuelle de Victoriaville, held May 16-19, was marked by the big change of artistic directors from founding director Michel Levasseur to Scott Thomson, former artistic director of the Guelph Jazz Festival. On the other hand, the programming itself stayed true to the history of the festival, with perhaps a stronger ...

Live Review

Craig Taborn e Borderlands Trio a Roma

Read "Craig Taborn e Borderlands Trio a Roma" reviewed by Giuseppe Segala


Craig Taborn Solo, Borderlands Trio Casa del Jazz, Parco della Musica Roma 25, 28.11.2023 La fase finale della programmazione d'autunno alla Casa del Jazz di Roma ha offerto l'opportunità dell'ascolto ravvicinato di due tra le personalità al vertice del pianoforte, e della creazione musicale in senso lato, in circolazione oggi. Craig Taborn, a Roma in solo e Kris Davis, con il trio Borderlands, interpretano due orientamenti complementari di un'idea che si colloca nell'universo vasto ...

24
Album Review

Chris Potter: Got The Keys To The Kingdom: Live At The Village Vanguard

Read "Got The Keys To The Kingdom: Live At The Village Vanguard" reviewed by Ian Patterson


The title references an old gospel song, but for Chris Potter the keys in question could be those to the Village Vanguard. This is the saxophonist's third live recording from jazz's most storied club, not counting those with Paul Motian. For musicians and fans alike, this is hallowed turf. But it's not just about playing at The Village Vanguard. Documenting those dates is key--a rite of passage, to judge by the dozens of revered jazz musicians who have made live ...

7
Album Review

Rob Mazurek Exploding Star Orchestra: Lightning Dreamers

Read "Lightning Dreamers" reviewed by Mark Corroto


The similarities between Rob Mazurek's Exploding Star Orchestra and Sun Ra's Arkestra are numerous. Both leaders travel the spaceways via the technologies available in their time, applied through dynamic rhythm and pulse. For Ra, his sound began when he was an apprentice in Fletcher Henderson's band in the 1940s, and Mazurek's 1990s work revolved around Isotope 217 and the various Chicago Underground (and later São Paulo Underground) ensembles. Both bandleaders were composers of their time, nonetheless they always create music ...

23
Album Review

Chris Potter: Got The Keys To The Kingdom (Live At The Village Vanguard)

Read "Got The Keys To The Kingdom (Live At The Village Vanguard)" reviewed by Chris May


There is a lot of heavy ordnance going off during this album. Indeed, the incoming only lets up once, and then briefly, during a performance of Billy Strayhorn's “Blood Count" at the halfway point. For the rest of the sixty-one minutes playing time, the watchword is eruptive. But no PPE is required. The barrage is benign. This is the third album Chris Potter has recorded live at the Vanguard. The attraction is no surprise. Saxophonists, especially those ...


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