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Craig Taborn e Borderlands Trio a Roma
by Giuseppe Segala
Craig Taborn Solo, Borderlands Trio Casa del Jazz, Parco della Musica Roma 25, 28.11.2023 La fase finale della programmazione d'autunno alla Casa del Jazz di Roma ha offerto l'opportunità dell'ascolto ravvicinato di due tra le personalità al vertice del pianoforte, e della creazione musicale in senso lato, in circolazione oggi. Craig Taborn, a Roma in solo e Kris Davis, con il trio Borderlands, interpretano due orientamenti complementari di un'idea che si colloca nell'universo vasto ...
read moreChris Potter: Got The Keys To The Kingdom: Live At The Village Vanguard
by Ian Patterson
The title references an old gospel song, but for Chris Potter the keys in question could be those to the Village Vanguard. This is the saxophonist's third live recording from jazz's most storied club, not counting those with Paul Motian. For musicians and fans alike, this is hallowed turf. But it's not just about playing at The Village Vanguard. Documenting those dates is key--a rite of passage, to judge by the dozens of revered jazz musicians who have made live ...
read moreRob Mazurek Exploding Star Orchestra: Lightning Dreamers
by Mark Corroto
The similarities between Rob Mazurek's Exploding Star Orchestra and Sun Ra's Arkestra are numerous. Both leaders travel the spaceways via the technologies available in their time, applied through dynamic rhythm and pulse. For Ra, his sound began when he was an apprentice in Fletcher Henderson's band in the 1940s, and Mazurek's 1990s work revolved around Isotope 217 and the various Chicago Underground (and later São Paulo Underground) ensembles. Both bandleaders were composers of their time, nonetheless they always create music ...
read moreChris Potter: Got The Keys To The Kingdom (Live At The Village Vanguard)
by Chris May
There is a lot of heavy ordnance going off during this album. Indeed, the incoming only lets up once, and then briefly, during a performance of Billy Strayhorn's “Blood Count" at the halfway point. For the rest of the sixty-one minutes playing time, the watchword is eruptive. But no PPE is required. The barrage is benign. This is the third album Chris Potter has recorded live at the Vanguard. The attraction is no surprise. Saxophonists, especially those ...
read moreJazzMI 2022 - VII Edizione
by Paolo Peviani
JazzMI Milano 29.09-9.10.2022 Fine settembre: cadono tutte le restrizioni anti-Covid che ci hanno accompagnato per oltre due anni, ed inizia il festival JazzMI. Non potevamo immaginare modo migliore per festeggiare il ritorno alla vita normale. Milano che si riscopre, sia pure per solo una decina di giorni, città del jazz! Uno status ultimamente un po' appannato, ma che negli anni '60-'70 le era unanimemente riconosciuto. Di qui passavano tutti i più grandi: John Coltrane, Thelonious Monk, ...
read moreChes Smith: Interpret It Well
by Mike Jurkovic
A short list of the fellow travelers who New York drummer, vibraphonist & percussionist Ches Smith has journeyed alongside—Tim Berne, Kris Davis, John Zorn, Nels Cline, Mary Halvorson, David Torn—should give a hint to the many places he went with his latest experiment Interpret It Well. On this second go round with pianist & keyboardist Craig Taborn and violist Mat Maneri—their first was 2016's still vibrating, The Bell (ECM)—Smith deputizes the ubiquitous musings of guitarist Bill Frisell. Then, ...
read moreChes Smith: Interpret It Well
by Karl Ackermann
Ches Smith's extraordinary Path of Seven Colors (Pyroclastic Records, 2021) was a breakout recording that placed the drummer/composer at the top of many year-end lists. His sophomore outing on Kris Davis' label bears little similarity to his Pyroclastic debut beyond the artist's knack for discovering unexplored terrain. Interpret It Well reunites the trio of pianist Craig Taborn, violist Mat Maneri, and Smith (The Bell (ECM, 2016)) and adds guitarist Bill Frisell. With these master improvisers in place, Smith ...
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