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Album Review

Jon Irabagon: Focus Out

Read "Focus Out" reviewed by Vincenzo Roggero


Focus Out è la seconda uscita discografica di Rising Sun, ennesima formazione partorita dalla mente vulcanica del sassofonista Jon Irabagon, da diversi anni figura centrale nella scena più vivace, creativa e imprevedibile del jazz statunitense. Un quartetto acustico/elettrico con i fiocchi che si avvale dell'apporto di musicisti altrettanto creativi e già coinvolti in passati progetti del sassofonista di origini filippine. Come la maggior parte delle incisioni di Irabagon, Focus Out sorprende per la sua organicità a dispetto della varietà di ...

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Album Review

Civil Disobedience: Blue Note In The Progressive Sixties

Read "Blue Note In The Progressive Sixties" reviewed by Mark Corroto


Bassist and educator David Ambrosio's quintet Civil Disobedience: Blue Note in the Progressive Sixties is both a tribute and a reclamation, a love letter to the music, the musicians and the social movements that shaped a turbulent era. The project was sparked by a student, which led Ambrosio to revisit a body of Blue Note recordings from the 1960s that had been shelved for years. As jazz-rock fusion rose in popularity and Alfred Lion sold the label, many adventurous post-bop ...

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Festivals Talking

Jazzkaar Interviews: Donny McCaslin

Read "Jazzkaar Interviews: Donny McCaslin" reviewed by Martin Longley


Tallinn's nine-day Jazzkaar festival is one of Europe's finest, always strengthening its line-up via visiting Statesiders, native Estonians and a spread of acts from around the continent. One of its climaxes in 2026 will be the appearance of tenor saxophonist Donny McCaslin, striking out with his powerful and stable quartet lineup, and concentrating on 2025's Lullaby For The Lost album, released by the mighty British label Edition Records. With records by Chris Potter, Dave Holland, Ben Wendel and Kurt Elling ...

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Album Review

Jon Irabagon: Focus Out

Read "Focus Out" reviewed by Glenn Astarita


Jon Irabagon remains among the most uncompromising voices in contemporary jazz. A first-generation Filipino American from Chicago, he draws deeply from the AACM legacy--Anthony Braxton, Henry Threadgill, Muhal Richard Abrams--and his home city's tradition of bold, searching saxophone work. Since his 2008 Thelonious Monk International Saxophone Competition win, Irabagon has used his Irabbagast Records imprint to sustain a commitment to fierce originality and collective dialogue. Focus Out serves as a formidable statement from his working quartet, featuring Irabagon ...

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Album Review

Jason Forsythe: It's About Time

Read "It's About Time" reviewed by Pierre Giroux


Trombonist and composer Jason Forsythe's debut recording as a composer, It's About Time, acts as both a declaration and a reflection: a declaration that his extensive apprenticeship with New York's jazz and Latin bands has cultivated a distinctive compositional voice, and a reflection of the various stylistic influences that have shaped his artistry. The nine-track album, performed by a top-tier sextet featuring trumpeter Brian Lynch, tenor saxophonist  Walt Weiskopf, trombonist  Steve Davis, pianist Michael Weiss, bassist Ugonna Okegwo and drummer ...

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Album Review

Jason Forsythe: It's About Time

Read "It's About Time" reviewed by Jack Bowers


It's About Time likely refers to the fact that although Jason Forsythe has been a jazz composer of note for decades, this is the first-ever recording he has released as leader of his own ensemble, in this case a world-class sextet whose heavyweight front line is manned by trumpeter Brian Lynch, tenor saxophonist Walt Weiskopf and trombonist Steve Davis. While Forsythe wrote eight of the album's nine songs--every one of which houses much to admire and commend--the ...

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Radio & Podcasts

Donny McCaslin: From Stadium Jazz To Lost Lullabies

Read "Donny McCaslin: From Stadium Jazz To Lost Lullabies" reviewed by Lawrence Peryer


Today, the Spotlight shines on saxophonist Donny McCaslin. Donny's new album, Lullaby for the Lost (Edition Records), is out now, and what a record it is. It's Donny's saxophone with guitar-driven rock energy, drawing from influences like Neil Young and Nine Inch Nails, resulting in what Donny calls his most personal music to date. Many know Donny from his pivotal role on David Bowie's final album Blackstar. This latest work demonstrates what may have drawn Bowie ...


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