Home » Jazz Articles » Album Review » Gene Ludwig / Pat Martino Trio: Young Guns
Gene Ludwig / Pat Martino Trio: Young Guns
Ludwig, an admirer of Jimmy Smith and forerunner of Joey DeFrancesco and other Hammond masters, sprays bluesy notes and ideas all over the landscape, while Martino, a lyrical machine, has the proper phrase for every occasion, whether rushing quickly forward or simply hanging loose. Gelispie, a splendid soloist when his number is called, serves as the trio's rhythmic anchor, deftly shaping the time as Ludwig and Martino zigzag around and through it. To put it another way, all three are at the top of their respective games.
This is clear from the outset, a fast-moving rendition of Leslie Bricusse / Anthony Newley's "Who Can I Turn To?" Everyone is smoking on that one, and even more so on the usually even-tempered standard "Close Your Eyes," wherein the accelerator is pressed to the floor and the trio burns some serious rubber. The pace slackens to a degree on Wes Montgomery's groovy "Road Song," then resumes apace on Martino's animated finale, "Colossus." Leading the threesome there are John Coltrane's engaging "Mr. PC," Milt Jackson's funky "Sam Sack" and Michel Legrand's "Watch What Happens," a gentle samba that is as close to a ballad as anything the crew undertakes.
Even more than forty years onward, the themes sound fresh and charming, thanks to the commingled talents of Messrs Ludwig, Martino and Gelispie who underscore the premise that good music is always in style. Even though the Young Guns no longer answer to that name, they leave no doubt in this colorful scrapbook why it was once very much their province.
Track Listing
Who Can I Turn To?; Mr. PC; Sam Sack; Watch What Happens; Close Your Eyes; Road Song; Colossus.
Personnel
Album information
Title: Young Guns | Year Released: 2014 | Record Label: HighNote Records
About Gene Ludwig
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.






