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Wadada Leo Smith: Yo Miles! Revisited: Lightning and Shinjuku
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When Kaiser and Smith released Yo Miles! (Shanachie) in 1998, it was intended to be a one-off; an album that brought new ideas to music from classic Davis albums like A Tribute to Jack Johnson (1971), On the Corner and Dark Magus (1974), through the participation of fellow lefters like guitarist Nels Cline and drummer Lukas Ligeti. But as interesting as the group's jam band expansions of tracks like "Theme from Jack Johnson" and "Ife" were, there was also room for a little new music, specifically Smith's fast-paced "Miles Dewey Davis IIIGreat Ancestor," where the trumpeter's combination of painstaking lyricism and restrained virtuosity was matched by fretless bassist Michael Manring's blend of Michael Henderson-like hypnotic grooves, rapid-fire Jaco Pastorius-informed 16th-note pulses, and hints of his own searing lyricism.
Then, six years later, Yo Miles! was revived, with two albums on Cuneiform2004's Sky Garden and 2005's Upriverintroducing a largely revamped lineup (only Manring and guitarist Chris Muir remained from Yo Miles!, and with a greater emphasis on balancing original material with interpretations and interpolations of Davis' music. Smith proved, with his own writing, that he wasn't just regurgitating Davis' ideas within a left- leaning, 21st century aesthetic; he was getting to the absolute heart of the music, where what seems, on the surface, to be paradoxes (simple grooves and vamps, underpinning sophisticated harmonic and sonic expansions), ultimately combined as a new whole that has, clearly, been a motivating factor in some of the new millennium's best electric jazz.
Lightning and Sinjukuavailable in digital download form only, and released independently by There Recordscollect all of the original music from the three Yo Miles! studio releases, largely written by Smith, with the exception of the fiery "Cozy Pete" and more ethereal "Macero," which were spontaneous improvisations by the entire group. Re-sequenced, and including previously unreleased live tracks to give them specific appeal to those who already have the studio sets, they change the homage-like nature of those original recordings, into something more reflective of the music in spirit, rather than letter.
The two live tracks on Lightning demonstrate Smith's allegiance to both Davis' inherent lyricism and his more outward-thinking sonic and linear extrapolations. "Still Sunrise" is a miniature duet between Smith and keyboardist Tom Costera musician whose unfettered playing on this project came as something of a surprise to those who'd only heard him on the context of Santana and drummer Steve Smith's recent groups.

Like Lightning, Shinjuku is sequenced so that, while most tracks don't actually segue directly ("Miles Star" and "Who's Targeted" actually flipped from their original order on Sky Garden), the resultant 70-minute of both studio and live performance leaves a lasting impression of having been there. "Muhammed Ali," very briefly referencing the "Ali" outtakes on Davis' The Complete Jack Johnson Sessions (Columbia, 2004), is the only actual concert take; largely an in turns economical and incendiary duo between tablaist Zakir Hussain and Wadada Leo Smith, though Manring does grab some face time with them early on.
The culling of original material, combined with the unreleased tracks, make both Lightning and Shinjjuku essential additions to both the Yo Miles! catalog and the larger group of recordings influenced heavily by one of four times in Miles Davis' life that he succeeded in moving the music forward, despite the cries of his critics. Kaiser and Smith haven't played with the band for six or seven years, and for all intents and purposes, Yo Miles! appears to be dead, but Lightning and Shinkjuku make clear that, like the music from whence it came, Yo Miles' work is always worth revisiting, always timely and always relevant.
Lightning
Tracks: Thunder & Lightning; Cozy Pete; Macero; Still Sunrise (live); Tsapiky Frelimo (live); Miles Dewey Davis IIIGreat Ancestor.
Personnel: Henry Kaiser: electric guitar; Wadada Leo Smith: electric and acoustic trumpets; Michael Manring: bass; Steve Smith: drums (1-5); Chris Muir: electric guitar, electronics; Tom Coster: keyboards (1-5); Karl Perazzo: percussion (1-5); Greg Osby: alto saxophone (1-3); John Tchicai: tenor and soprano saxophones (1-5); Mike Keneally: electric guitar (1-3); Larry Ochs: saxophones (4, 5); Jon Raskin: saxophone (4, 5); Bruce Ackley: saxophones (4, 5); Steve Adams: saxophones (4, 5); Nels Cline: guitar (6); Wally Ingram: percussion and drums (6); Lukas Ligeti: drums and percussion (6); Paul Plimley: piano and organ (6); Greg Goodman: piano (6).
Shinjuku
Tracks: Shinjuku; Who's Targeted; Willie Dixon; Miles Star; Muhammed Ali (live).
Personnel: Henry Kaiser: electric guitar; Wadada Leo Smith: electric and acoustic trumpets; Michael Manring: bass; Steve Smith: drums; Chris Muir: electric guitar, electronics; Tom Coster: keyboards; Karl Perazzo: percussion; Greg Osby: alto saxophone (1-4); John Tchicai: tenor and soprano saxophones (1-4); Mike Keneally: electric guitar (1, 4), additional keyboards (3); Dave Creamer: guitar (4); Zakir Hussain: tablas (5).
Personnel
Wadada Leo Smith
trumpetAlbum information
Title: Yo Miles! Revisited: Lightning and Shinjuku | Year Released: 2011 | Record Label: Unknown label
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