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Gary Bartz
Born:
Gary Bartz has been known to many as a trail blazer in the music business from the moment he started playing with Art Blakey at his father’s jazz club in his hometown of Baltimore, MD to his own music throughout the 57 years as a professional musician. As if his Grammy Award© with McCoy Tyner in 2005 (‘Illuminations’) wasn’t enough to carve out a place for Bartz in the jazz genre, he has broken the mold with more than 40 solo albums and over 200 as a guest artist.
Gary Bartz first came to New York In 1958 to attend the Julliard Conservatory of Music. Just 17 years old, Gary couldn't wait to come to the city to play and learn. "It was a very good time for the music in New York, at the end of what had been the be-bop era," says Bartz. "Charlie Parker had passed away three years previously but Miles' group was in its heyday, Monk was down at the Five Spot, and Ornette Coleman was just coming to town. Things were fresh." Back then, Gary could regularly be found drinking Cokes in the all ages "peanut gallery" of Birdland, enjoying a marathon bill of performers. "If I didn't have money to get in. I'd help somebody carry a drum and sneak in," laughs Bartz. "I learned that early on."
Marques Carroll, Acquaphonica, Glenn Makos & BRū, Paul Colombo Group
by Cheryl K.
During this week's two-hour program of jazz and improvised music--and before we hit the ground runnin' in 2026, a few selections from 2025 from vocalist Nnenna Freelon, the quartet Acquaphonica, and vibraphonist Patricia Brennan. Looking forward to this year's musical offerings, beginning with saxophonist Oscar Lavën, guitarist Paul Colombo, and bassist Peter Paulsen's TurksHeadKnot Quintet.
Damage Control
By Gary Bartz
Label: OYO Records
Released: 2025
Track listing: Fantasy; One Hundred Ways; In Search of My Heart/Love Surrounds Us
Everywhere; The Making Of You; You Bring Me Joy; You Are My Starship; Slow Jam;
If Only You Knew; Biggest Part of Me; Love Me in a Special Way.
If Not Now, When...
Label: Blue Canoe Records
Released: 2025
Track listing: Pretty Eyes; Let's Burn Down the Cornfields; Long As You're Living; A Turtle's Dream; Tender As
a Rose; Lullabye of the Leaves; Azure; Day Dreaming.
A Jazz Reading List
by Karl Ackermann
From 2015 through 2020, a personal research project included my reading dozens of jazz books and related media. They included mainstays such as the massive reference The Penguin Guide to Jazz Recordings (Penguin Books, 2006), Ben Ratliff's excellent interview collection The Jazz Ear: Conversations Over Music (Times Books, 2008), the off-shore perspectives of Circular Breathing: The ...
La Tanya Hall, Johan Lindström, Zack Lober, Gary Bartz & More
by Ludovico Granvassu
Here is another dispatch of fresh new releases at the intersection of high-octane energy, cinematic vibes and much awaited returns.Happy listening!Playlist Ben Allison “Mondo Jazz Theme (feat. Ted Nash & Pyeng Threadgill)" 0:00 New Cool Collective “Ms. Wilson" On Tour (Dox) 0:16 Host talk 9:15 Vladimir Kostadinovic “The World Keeps Ending and ...
Linda May Han Oh: Jazz e innovazione
by Frank Housh
Linda May Han Oh è una delle artiste più innovative ed affermate della scena jazz di oggi, con collaborazioni che vanno da Dave Douglas a Vijay Iyer e Pat Metheny. L'ultimo album, Strange Heavens (Biophilia Records), vede la partecipazione di Ambrose Akinmusire e Tyshawn Sorey, già presenti in Honey from a Winter Stone di Akinmusire.
Gary Bartz & NTU: Damage Control
by Pierre Giroux
After a 12-year break from the recording studio, legendary saxophonist Gary Bartz makes a powerful return with Damage Control. This deeply personal passion project honors and re-imagines the soul genre. The album showcases Bartz's unwavering curiosity and artistic evolution, transforming soulful classics into meditative, jazz-infused compositions that cross genre boundaries. At the heart of the album's ...
Sarah Hanahan Quartet At Joe Henderson Lab
by Steven Roby
Sarah Hanahan Quartet Joe Henderson Lab / SFJAZZ Center San Francisco, CA September 20, 2025 A knockout. No hedging, no warmup lap--impact from the first bar and the room knew it. Sold-out first set at the Joe Henderson Lab--Sarah Hanahan's SFJAZZ debut. Outside, faces pressed close to the glass, ...
Gary Bartz Is Nobody's Jazz Musician
by Bridget A. Arnwine
Gary Bartz is nobody's jazz musician. What he has built and created as an artist with a career that spans six decades defies labels, especially ones that have storied racist connotations and otherwise derogatory origins like the word jazz. He is a composer of the finest order and as gifted as the most revered names in ...
