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Musician

Gary Bartz

Born:

Gary Bartz has been known to many as a trail blazer in the music business from the moment he started playing with Art Blakey at his father’s jazz club in his hometown of Baltimore, MD to his own music throughout the 57 years as a professional musician. As if his Grammy Award© with McCoy Tyner in 2005 (‘Illuminations’) wasn’t enough to carve out a place for Bartz in the jazz genre, he has broken the mold with more than 40 solo albums and over 200 as a guest artist.

Gary Bartz first came to New York In 1958 to attend the Julliard Conservatory of Music. Just 17 years old, Gary couldn't wait to come to the city to play and learn. "It was a very good time for the music in New York, at the end of what had been the be-bop era," says Bartz. "Charlie Parker had passed away three years previously but Miles' group was in its heyday, Monk was down at the Five Spot, and Ornette Coleman was just coming to town. Things were fresh." Back then, Gary could regularly be found drinking Cokes in the all ages "peanut gallery" of Birdland, enjoying a marathon bill of performers. "If I didn't have money to get in. I'd help somebody carry a drum and sneak in," laughs Bartz. "I learned that early on."

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Article: Interview

Gary Bartz Is Nobody's Jazz Musician

Read "Gary Bartz Is Nobody's Jazz Musician" reviewed by Bridget A. Arnwine


Gary Bartz is nobody's jazz musician. What he has built and created as an artist with a career that spans six decades defies labels, especially ones that have storied racist connotations and otherwise derogatory origins like the word jazz. He is a composer of the finest order and as gifted as the most revered names in ...

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Article: Extended Analysis

Dream Manifest

Read "Dream Manifest" reviewed by Karan Khosla


Dream Manifest: Theo Croker's Studio Invocation Theo Croker is a trumpeter whose career zigzags across genres and continents earning Grammy nominations, platinum credits, and a reputation for erasing boundaries. With Dream Manifest, he pushes farther than before: a studio album built on layers, detail, and a spirit of relentless curiosity and collaboration. For this ...

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Article: Radio & Podcasts

Gary Bartz, Zoh Amba, Greg Tardy and Oscar Rossignoli

Read "Gary Bartz, Zoh Amba, Greg Tardy and Oscar Rossignoli" reviewed by Hobart Taylor


New music from Gary Bartz, Zoh Amba, Oscar Rossignoli and Allison Miller. Playlist Gary Bartz “In Search of my Heart-Love Surrounds Us" from Damage Control (OYO) 00:00 Zoh Amba “ Seaside" from Sun (Smalltownsounds) 10:08 Host Speaks 17:02 Allison Miller “Fierce" from Big and Lovely (Royal Potato Family) 18:35 George Burton Alexa Barchini “Your ...

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Article: Multiple Reviews

Opa and The Blackbyrds: Coveted 1970s Jazz-Funk

Read "Opa and The Blackbyrds: Coveted 1970s Jazz-Funk" reviewed by Mark Sullivan


Opa released only two albums before disbanding in the early 1980s. While neither of their albums found commercial success during their initial releases (despite the high-profile personalities involved), both titles gained underground followings over the following decades. The Blackbyrds' City Life celebrates its golden anniversary. “Happy Music," the dancefloor-ready title track and the group's heavily sampled ...

Article: Radio & Podcasts

Theo Croker, Sarah Buechi, Jon Irabagon, Nicholas Payton and Anais Reno

Read "Theo Croker, Sarah Buechi, Jon Irabagon, Nicholas Payton and Anais Reno" reviewed by Hobart Taylor


New releases from Theo Croker, Jon Irabagon, Anais Reno and Nicholas Payton.Playlist Yuko Mabuchi “Tribute to my Homeland" from Quantum (SRG Jazz/Universal) 00:00 Satoko Fujii “ Aruku" from Dream a Dream (Libra) 9:08 Host Speaks 19:47 Jon Irabagon “At What Price Garlic" from Someone to Someone (Irabbagast) 21:09 James Brandon Lewis “Left Alone" from ...

Article: Multiple Reviews

Sun Ra: Live at the left Bank, Lights on a Satellite

Read "Sun Ra: Live at the left Bank, Lights on a Satellite" reviewed by Stefano Merighi


La seconda metà degli anni Settanta vede l'Arkestra di Sun Ra già in un momento di bilanci. Vent'anni di attività, una parabola virtuosa che congiunge inizi avventurosi, incompresi, a sviluppi ricchissimi di idee, che oltrepassano sia il post-swing degli esordi che il free radicale, per planare in quello stile composito e stratificato, totalmente personale, ...

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Article: Interview

Fievel Is Glauque: Zach Phillips Believes Harmony Does Not End With Writing

Read "Fievel Is Glauque: Zach Phillips Believes Harmony Does Not End With Writing" reviewed by Dean Nardi


Fievel Is Glauque is an integration between multi-instrumentalist Zach Phillips and vocalist Ma Clément along with a mutable cast of eminent musicians. Their latest album is the homophone-titled Rong Weicknes (Fat Possum, 2024), which may or may not also be an oxymoron. Linguistics aside, this fantabulous collection of songs may well be the most ...

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Article: Interview

Sharel Cassity: In the Spirit

Read "Sharel Cassity: In the Spirit" reviewed by Katchie Cartwright


Even on an old familiar tune like Charlie Chaplin's “Smile" (1936), it is clear from note one that Sharel Cassity is a child of Bird, an altoist in the modernist tradition of Charlie Parker. Her first influence was actually her biological father, an organist, with whom she shared the stage in New Orleans at age 11, ...

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Article: Interview

Meet Andy Bey

Read "Meet Andy Bey" reviewed by Chris M. Slawecki


From the 1995-2003 archive: This article first appeared on All About Jazz in February 2000. Listening for the first time to Andy Bey is like stepping into a quiet, still lake. Your foot first parts a surface that's smooth and tranquil, but you can't really tell from that surface how deeply your foot must ...


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